All Charlotte wants from life is to be cut a slice of the media agency she has devoted herself to building. When Charlotte's life disintegrates, we follow her on a heart-racing journey of self-discovery, atonement and danger.
Two codependent roommates, on the verge of eviction, flee New York for the promise of sunshine in Los Angeles where their friendship is tested by a chance at fame, a fortune teller and an amorous wealthy aunt.
Vanetia Casey (Maxine Peake), the spirited and impossibly optimistic center of the Casey family, is working hard to get life back to normal after her 38 year-old husband, Conor (Edward MacLiam), suffers a rare stroke which changes his personality. Tweedy American doctor, Ted Fielding, (Will Forte) arrives in Ireland to stay with them for two months: his research grant providing the Caseys with essential financial aid. Vanetia's a dynamo. But with two young kids and both men in the house, she's feeling bombarded and initially treats Ted and his study of Conor with resistance. Only when she observes Ted's calming influence on the family does she begin to value his friendship, and, in return, Ted enjoys their heady, happy-go-lucky world. But Ted's continued presence in the house sets the family on course for an emotional collision. Directed by Academy Award®-nominee Steph Green and featuring Saturday Night Live star Will Forte in an impressive dramatic debut, this life-affirming film ...Written by
An Irish family welcome home Conor, the husband and father who has recently suffered a life changing stroke. In tow is an American psychologist who is studying Conor's progress as he tries to settle back into the family life. It's not long before the American becomes the father figure himself and also begins to veer towards a deeper relationship with Vanetia, the wife.
For a film that clocks in at just over 1 hour 40 minutes this still felt rather long winded in places. Some of the dramatic scenes work well and the performances are perfectly OK, Edward MacLiam as Conor in particular impressing whereas Maxine Peake as his free-spirited wife struggles badly with the Irish accent which doesn't help.
It seems however there is too much thrown into the pot and in the end it becomes unnecessarily convoluted - we have the blossoming relationship between the wife and the psychologist, the struggles of the husband and wife, the son facing up to homosexuality, the suspicious father-in-law, the sister who's taken a shine to the American and so on. All this leaves it rather disjointed and had it just centred on the 3 way adult relationship dynamic it would've made for a much stronger film.
Not all bad but something of a mixed bag.
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