Gold

Gold is a beautiful, intricate, sound movie. A movie that just depicts us humans, in our epic quest, without any concessions. Driven by some ungraspable idea, we need groups, leadership, moral standards, intimacy and love. Not all of us will stay, at least, not to the end of the movie, but though, the movie will go on somewhere else. A great canvas of WE as WE ARE. And then still willing to strive and look forward, still in the need to move ahead. Thus the depiction is better than the feeling you will get at the end of the movie.

This might be because, we, as a species, are made to believe and hope.

8/10

I remember very well the feeling I had when I walked out of the theater after watching "Gold" : the movie was so realistic that I couldn't get out of my mind life's knocks during the particular era of the movie - and how lucky I was to live in Europe these days, have a secure job, a house and loving family.

"Gold" deals with a common story of the 19th century in North America : a trek of settlers decide to go up north in search for gold. The variety of characters makes it easy to identify with a least one : there is the lonely guy, the intriguing girl, the elderly couple, the crook ... the harshness of nature and human behavior point out their vulnerability but can also reveal their pugnacity and strong character.

Everything seems to match in "Gold" : the beautiful landscapes without any track of man, the very discreet music, the simplicity of these settlers' habits, the whole making this movie quite fascinating. I absolutely recommend it to anyone willing to see what a contemporary western could be.

This film is outstanding in its portrayal of pioneer travel. The trials and tribulations, from the petty to the disastrous are endured as they really were endured. There always will be characters like Emily and Carl who will keep it together for the whole team, despite being just as worn out as everybody else. And the cruel blow at the end, bitter and crunching does not deter the survivor from going on.

RELEASED IN 2013 and written & directed by Thomas Arslan, "Gold" covers events in 1898 when a single woman (Nina Hoss) joins a small group of other prospectors heading north through Canada to the Klondike gold fields near Dawson City. Their numbers dwindle as they face challenging hardships.

My title blurb says it all. Just as "Meek's Cutoff" (2010) covered the adversities of traveling in the late 1800s on an alternative route of the Oregon Trail and "The Homesman" (2014) covered journeying from western Nebraska to Iowa, so "Gold" features the challenges of traveling from Ashcroft, BC, where the train tracks end, to Dawson City in the Yukon territories.

Needless to say, "Gold" favors gritty realism to conventional Western staples. Still, there are Indians, Old West boom towns, covered wagons, a possible hanging, alcohol and a believable shootout. I think it's a little more compelling than those other two flicks, although those are worthwhile too if you favor mundane accounts of arduous travel in the Old West. If you'd like to see a more eventful old-fashioned Western covering similar terrain, check out "The Far Country" (1954) with Jimmy Stewart.

I suppose the movie should've contained at least one rain sequence, particularly considering it takes place in the Great Northwest. But shooting in the rain is challenging & costly so the viewer is asked to read in-between-the-lines that they experienced rainy days. The film never shows any of the characters 'going to the bathroom' either, but we're to assume it happened.

A German/Canadian production, THE MOVIE RUNS 1 hour 41 minutes and was shot in British Columbia, Canada. At least half the dialogue is in German with English subtitles.

GRADE: B

Well, it shore is pretty. Little reason to watch this implausible movie, unless, like me, you're a fan of Nina Hoss and you like to watch beautiful scenery.

The trip itself is plausible enough. Plenty of fools made their way to Alaska for this second gold rush. There is even another movie (a better movie) about a similar subject called 'The Far Country' with Jimmy Stewart. But what happens along the way, and the way it is plotted and executed is absurd and comical.

Woe if you were a horse in this movie. Or one of the actors forced to speak the stiff dialog. The two main characters, Nina Hoss as Emily and Marco Mandic as Bohmer are believable enough, but tripped up by a silly plot. It's always difficult to make a movie about a long arduous trip without it seeming artificially episodic and here, the director and screenwriter, have failed.