6.2/10
5,884
28 user 45 critic

Tumbledown (2015)

Trailer
2:17 | Trailer

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A young woman struggles to move on with her life after the death of her husband, an acclaimed folk singer, when a brash New York writer forces her to confront her loss and the ambiguous circumstances of his death.

Director:

Sean Mewshaw

Writers:

Sean Mewshaw (story), Desi van Til (as Desiree Van Til) | 3 more credits »
1 nomination. See more awards »

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Photos

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Cast

Credited cast:
Rebecca Hall ... Hannah
Joe Manganiello ... Curtis
Dianna Agron ... Finley
Jason Sudeikis ... Andrew McDonnell
Blythe Danner ... Ellen
Griffin Dunne ... Upton
Richard Masur ... Bruce
Maggie Castle ... Shannon
Alex Quijano ... Ben
Pepper Binkley ... Girl Fan
Zachariah Supka ... Bookstore Kid
Mary-Bonner Baker ... Heidi
Gabe Gibbs ... Ethan Woodcock
Meredith Prunty ... Student
Melanie Ehrlich ... Bookstore Employee
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Storyline

Hannah (Hall) is beginning to move on with her life after the death of her husband, an acclaimed musician and the subject of her latest biography, when she meets Andrew (Sudeikis), a brash writer from New York, who has a different take on her husband's life - and death. The unlikely pair must collaborate to put together the famous singer's story and begin to write the next chapter of their lives. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Turn the page. Start a new chapter.

Genres:

Comedy | Music | Romance

Motion Picture Rating (MPAA)

Rated R for a sex scene | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Canada

Language:

English

Release Date:

5 February 2016 (USA) See more »

Also Known As:

Basimin Belasi See more »

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Box Office

Gross USA:

$135,026, 28 February 2016
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Color
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Did You Know?

Trivia

Was a top To Watch film for Tribeca 2015. Premiered at Tribeca Saturday April 18, 2015. It was well received. See more »

Goofs

The portable 4-track machine does not have built-in speakers and would have needed to be hooked up to the sound system. As it was stored in a canvas bag and didn't have any audio cables connected, it should not have been able to produce any sound. See more »

Quotes

Andrew McDonnell: Lady, that's not yours to ruin!
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Soundtracks

Every Rose Has Its Thorn
Performed by Poison
Written by Bobby Dall, C.C. DeVille, Bret Michaels, and Rikki Rockett
Published by Universal Music
Z Songs on behalf of Cyanide Publishing (BMI)
Courtesy of Capitol Records, under license from Universal Music Enterprises
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User Reviews

 
Grief therapy and redemption
10 February 2016 | by ferguson-6See all my reviews

Greetings again from the darkness. If I find myself three minutes into a movie and have already executed a couple of eye-rolls, any hopes for a decent little Romantic-Comedy-Drama would ordinarily be dashed. However, having Rebecca Hall's character narrate her writing efforts as she taps away on the keyboard, actually does serve the story. The first feature from director Sean Mewshaw and his screen writing wife Desiree Van Til takes advantage of a beautiful setting, a slew of contrasts, and some heartfelt music to keep us interested in how things plays out.

Ms. Hall plays Hannah, the grieving young widow who has stashed herself away in a lakefront cabin located in the rural Maine community in which she was raised. Her grief remains burdensome some two years after the tragic death of her husband Hunter Miles – a folk singer whose only album (and subsequent death) created a public mystique and a defensiveness on the part of Hannah to protect and control his legacy.

As a Ph.D from Brown, periodic contributor to the local newspaper, and soul mate of Hunter, Hannah undertakes the writing of his biography in the shadow of the studio monument that continues to expand with trinkets left at his gravesite by a cult of fans paying respect. Griffin Dunne plays her friend and owner of the local bookstore and publisher of the newspaper. His less than enthusiastic critique of her early pages of the biography correspond with the vigorous pursuit by a Hofstra Pop Culture Professor with a book publishing deal who wants to make Hunter a key element of his new project.

Jason Sudeikis plays Andrew, and his fast-talking big city mannerisms don't initially mesh so well with the hyper-sensitive and protective grieving widow. The two spar like brother and sister, and the initial adversarial relationship means only one thing in the movie world … romance is in the air. Fortunately, the focus on telling the story of Hunter acts as a form of grief therapy for Hannah and a bit of redemption of spirit for Andrew. Of course, the path to enlightenment is not simple for either. Hannah's "friend with benefits" is a hunky local power company worker played by Joe Manganiello ("True Blood"), and Andrew's big city music industry girlfriend is played by Dianna Agron ("Glee"). But as you would expect, the biggest obstacle faced by the two leads is their own stubbornness.

We learn the most about Andrew and Hannah when they are around others. An Easter luncheon with Hannah's family is especially insightful. Her parents are played by Blythe Danner and Richard Masur, and as viewers we long for more scenes featuring these two characters (and terrific actors). We sense that these parents see right through Andrew and Hannah. Can Hannah let down her guard so that she can move on with life? Can Andrew quell his ambition so that the emotional connection takes place?

Beautifully shot (with British Columbia substituting for Maine), the aspect of nature plays a role in contrasting country girl with city boy, and it's the accidental discovery of a long lost song that highlights the stark difference in motives … while also being the impetus for change. Hunter's original music is heard throughout the film, and it's actually Damien Jurado whose singing and songwriting add an element of intrigue and realism. Hannah, as narrator, states "In the middle, we feel like it's never going to end." While that may be true for many romance movies, the filmmakers here avoid the "too cute" moments that spoil most in this genre … and impressively overcome those early eye-rolls.


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