5.7/10
6,782
33 user 84 critic

Madame Bovary (2014)

R | | Drama | 12 June 2015 (USA)
Trailer
2:31 | Trailer

Watch Now

From $2.99 (SD) on Prime Video

Bored in her marriage to a country doctor and stifled by life in a small town, the restless Emma Bovary pursues her dreams of passion and excitement, whatever they may cost.

Director:

Sophie Barthes

Writers:

Felipe Marino (screenplay by), Sophie Barthes (screenplay by) | 1 more credit »
Reviews
Popularity
4,981 ( 1,900)
2 nominations. See more awards »

Videos

Photos

Edit

Cast

Cast overview, first billed only:
Mia Wasikowska ... Emma Bovary
Rhys Ifans ... Monsieur Lheureux
Ezra Miller ... Léon Dupuis
Logan Marshall-Green ... Marquis d'Andervilliers
Henry Lloyd-Hughes ... Charles Bovary
Laura Carmichael ... Henriette
Olivier Gourmet ... Monsieur Rouault
Paul Giamatti ... Monsieur Homais
Luke Tittensor ... Hippolyte
Richard Cordery Richard Cordery ... Abbé Bournisien
Wendy Nottingham Wendy Nottingham ... Madame Homais
Simon Muller Simon Muller ... Monsieur Dubocage
Simon Paisley Day ... Bailiff
Morfydd Clark ... Camille
Roméo Fidanza Roméo Fidanza ... Recital Singer (as Romeo Fidanza)
Edit

Storyline

Bored in her marriage to a country doctor and stifled by life in a small town, the restless Emma Bovary pursues her dreams of passion and excitement, whatever they may cost.

Plot Summary | Plot Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for some sexuality/nudity | See all certifications »

Parents Guide:

View content advisory »
Edit

Details

Official Sites:

Official Facebook | Official site

Country:

Germany | Belgium | USA

Language:

English | French | Latin | German

Release Date:

12 June 2015 (USA) See more »

Also Known As:

Pani Bovary See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
Edit

Did You Know?

Trivia

This is actress Mia Wasikowska's 5th period drama set in the 19th century. See more »

Quotes

Emma Bovary: I realized that before getting married I was contemplating my coming life like a child. In a theater, um... sitting there in high spirits, and eagerly waiting for the play to begin. It was a blessing in my early youth that I did not know what was really going to happen. When I look back now, it seems that I was like an innocent prisoner, condemned not to death, but to life, and as-yet unconscious of what the sentence meant. And the longer I live, the more clearly I feel that on a whole, life's ...
See more »

Connections

Remake of Madame Bovary (1991) See more »

Soundtracks

The Hunt
(uncredited)
by Evgueni Galperine & Sacha Galperine
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Visually stunning, but aesthetics are not enough to save this film
27 June 2015 | by russellingreviewsSee all my reviews

"She wanted to die, but she also wanted to live in Paris." ― Gustave Flaubert

Walking into the cinema... A classic novel by Gustave Flaubert that might be familiar to many by name only, but still sets the standard for realism. Emma Bovary has been portrayed by a multitude of actresses, but how will the perennial period actress, Mia Wasikowska (Alice in Wonderland) handle the disenchanted wife of Charles Bovary?

Art-house rating: 2.5 stars* Cinematic rating: 2.5 stars Big question opportunities: 3 stars

Review

It is the name that might sound familiar, but this may be the first time this generation has engaged the story of Madame Bovary. Set in provincial 19th century northern France, Emma Bovary is a misunderstood soul who desires more than the small country town life style. She is beautiful and loved, but an enigma to most of the people who come into her life. Her father, the boarding school nuns and her husband, Dr. Charles Bovary (Henry Lloyd-Hughes) have an adoration for her, but do not know what to do with her wandering spirit. Her arranged marriage to the community physician, Charles, affords her a certain position within this small community's societal life. Soon she finds that this life as a doctor's wife, is not as glamorous as she thought and seeks satisfaction from her boredom. Emma finds solace in decorating her home, wearing the latest fashion and living out the romance she desires in the arms of other men. Eventually, overspending and the extra- marital relationships are all brought to light and Emma must come to terms with the repercussions of these revelations.

Before dismissing this structure as a run of the mill romance novel, stop to consider that this classic tale provides something unexpected in literature. Gustave Flaubert's tragic tale explores the multiple layers of the feminine heart and what happens to someone when they painstakingly seek after the life that was not meant to be. A story chapter rich and laden with emotion. The key to a good film is a rich story. Madame Bovary provides just such a tale, but the implementation does not match the richness of the Flaubert novel.

Sophie Barthes delivers a realistic view of 19th century France by depicting the look and feel of Emma Bovary's life as a societal lady in a small town. The landscapes and French countryside provide a canvas for Barthes to paint an emotional backdrop for her acting talent. Her direction delivers a masters class in effective visual delivery, but stumbles in with her casting choices. Leaving the comments about the multiplicity of accents to a minimum and focusing on the actors themselves. (Couldn't they have at least attempted a French lilt to their delivery?) The casting missteps came in the lead characters of Mia Wasikowska and Ezra Miller (The Perks of Being a Wallflower). Wasikowska has proved her skills in portraying women of this era in Jane Eyre, but she does not have the commanding presence to play the emotional layers and sensuality of Emma Bovary. She continues to prove herself as an actress, but does not rise to the challenge of this iconic literary figure. Similarly, Ezra Miller is a striking young man, but was woefully miscast. He does not have a commanding presence on the screen and comes off like a love-sick school boy throughout the film. These central characters let Barthes' direction down and ultimately fail to provide a satisfactory experience. Paul Giamatti and Henry Lloyd-Hughes should get a nod as under- utilised talent, but the support characters cannot make up for the leads. If Barthes does redeem herself in choosing talent it was with the casting of Rhys Ifans (Sherlock) as the devious Monsieur Lheureux. He has the ability to sweep into each scene and convince Madame Bovary and the audience that he is an ally, but proves to be the unassuming villain. Barthes provides a beautiful backdrop for her portrait of Madame Bovary, but neglected to find the right individuals to complement the cinematic canvas.

Flaubert was known to be artistic with his words and even in this less than effect interpretation of his novel, the tragedy that is Madame Bovary draws the audience into this captivating, fictitious world. How this man was able to deliver a story that seems to capture the heart of the dissatisfied woman is amazing to consider. His story shows us how easy it is to miss out on what is important in this life. Flaubert provides a multitude of entry points into the considerations for envy, satisfaction and contentedness. Showing that when striving to find satisfaction in mere things or people, they will ultimately fail to provide the answers that exist beyond this life. It is unfortunate that the cinematic experience could not match the richness of the original story, but even in this weak delivery, the story of Madame Bovary does allow for engagement and contemplation of the bigger ideas of life.

Leaving the cinema... How do you take on a classic like Madame Bovary? Sophie Barthes has the skills as a director, but does not seem up to the challenge of taking on Flaubert's novel. It was a credible attempt, but ultimately forgettable.

Reel Dialogue: What are the bigger questions to consider from this film? 1. Why is love essential to life? (Matthew 22:26-40, 1 Corinthians 13) 2. Can we find redemption for our lives? (Ephesians 1:7, Colossians 1:14) 3. What should we do with the boring parts of life? (Ecclesiastes 2:24-26, Proverbs 19:15)

Written by Russell Matthews based on a five star rating system @ Russelling Reviews #russellingreviews #madamebovary


9 of 17 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 33 user reviews »

Contribute to This Page

Check Out What's Playing on IMDb Freedive

See what movies and TV series you can watch for free today, and visit IMDb Freedive for even more. Select any poster below to play the movie!

Find more things to watch

Stream Popular Action and Adventure Titles With Prime Video

Explore popular action and adventure titles available to stream with Prime Video.

Start your free trial



Recently Viewed