Directed by
| Jonathan auf der Heide | ... | (segment "Fog") |
| Tony Ayres | ... | (segment "Cockleshell") |
| Jub Clerc | ... | (segment "Abbreviation") |
| Robert Connolly | ... | (segment "Aquifer") |
| Shaun Gladwell | ... | (segment "Family") |
| Rhys Graham | ... | (segment "Small Mercies") |
| Justin Kurzel | ... | (segment "Boner McPharlin's Moll") |
| Yaron Lifschitz | ... | (segment "Immunity") |
| Anthony Lucas | ... | (segment "Damaged Goods") |
| Claire McCarthy | ... | (segment "The Turning") |
| Ian Meadows | ... | (segment "Defender") |
| Ashlee Page | ... | (segment "On Her Knees") |
| Stephen Page | ... | (segment "Sand") |
| Simon Stone | ... | (segment "Reunion") |
| Warwick Thornton | ... | (segment "Big World") |
| Marieka Walsh | ... | (segment "Ash Wednesday") |
| Mia Wasikowska | ... | (segment "Long, Clear View") |
| David Wenham | ... | (segment "Commission") |
Writing Credits
| Tim Winton | ... | (short stories) |
| Justin Monjo | ... | (screenplay) (segments "Aquifer", "Sand") |
| Warwick Thornton | ... | (screenplay) (segment "Big World") |
| Andrew Upton | ... | (screenplay) (segment "Reunion") |
| David Wenham | ... | (screenplay) (segment "Commission") |
| Justin Kurzel | ... | (screenplay) (segment "Boner McPharlin's Moll") |
| Kris Mrksa | ... | (screenplay) (segment "Damaged Goods") |
| Rhys Graham | ... | (screenplay) (segment "Small Mercies") |
| Emily Ballou | ... | (screenplay) (segment "Family") |
| Jonathan auf der Heide | ... | (screenplay) (segment "Fog") |
| Mia Wasikowska | ... | (screenplay) (segment "Long, Clear View") |
| Claire McCarthy | ... | (screenplay) (segment "The Turning") |
| Ashlee Page | ... | (screenplay) (segment "On Her Knees") |
| Ian Meadows | ... | (screenplay) (segment "Defender") |
| Jub Clerc | ... | (screenplay) (segment "Abbreviation") |
| Keir Wilkins | ... | (Creative Writing Services) |
| Marieka Walsh | ... | (screenplay) (segment "Ash Wednesday") |
| Marcel Dorney | ... | (screenplay) (segment "Cockleshell") |
| Circa Contemporary Circus | ... | (screenplay) (segment "Immunity") |
Cast (in credits order) complete, awaiting verification
Produced by
| Alex Barnes | ... | producer (segment "Immunity") |
| Alexis Bishop | ... | executive producer |
| Philippa Campey | ... | producer: "Small Mercies" |
| Donna Chang | ... | producer: "Ash Wednesday" |
| Robert Connolly | ... | producer |
| Jo Dyer | ... | producer: "Reunion" |
| Julie Eckersley | ... | producer: "Cockleshell" |
| Rose Grandile | ... | co-producer (segment "Defender") (as Rose Grandile-Pizzi) |
| C.C. Hang | ... | executive producer |
| John Harvey | ... | producer: "Sand" |
| Sonya Humphrey | ... | producer: "On Her Knees" |
| Sue Italiano | ... | producer (segment "The Turning") |
| Liz Kearney | ... | producer (segment "Abbreviation") |
| Tenille Kennedy | ... | co-producer (segment "Commission") / co-producer (segment "Fog") / producer (segment "Aquifer") |
| Ben Knapton | ... | producer (segment "Immunity") |
| Harrison Kordestani | ... | executive producer |
| Anthony Lucas | ... | producer (segment "Damaged Goods") |
| Anna McLeish | ... | producer (segment "Boner McPharlin's Moll") |
| Maggie Miles | ... | producer (segments "Aquifer", "Damaged Goods", "The Turning", "Commission", "Fog") |
| Andrew Myer | ... | executive producer |
| Kylie Risson | ... | post-production producer (segment "Damaged Goods") |
| Sarah Shaw | ... | producer (segment "Boner McPharlin's Moll") |
| Kath Shelper | ... | producer (segments "Big World", "Long, Clear View") |
| Katherine Slattery | ... | producer: "Family" |
| Rita Walsh | ... | producer: "Defender" |
| Paul Wiegard | ... | executive producer |
| Mark Woods | ... | executive producer |
Music by
| Michael Darren | ... | (segment "On Her Knees") |
| Hat Fitz | ... | (segment "Boner McPharlin's Moll") |
| Steve Francis | ... | (segment "Defender") |
| Iain Grandage | ... | (segment "Cockleshell") |
| Kazumichi Grime | ... | (segment "Family") |
| Guy Gross | ... | (segment "Sand") |
| Jed Kurzel | ... | (composed by) |
| Andrew Lancaster | ... | (segment "Big World") |
| Steve Nieve | ... | (segment "Commission") |
| Christopher O'Young | ... | (segment "Small Mercies") |
| Cameron Patrick | ... | (segment "Damaged Goods") |
| Stephen Rae | ... | (segment "Aquifer" and end credits") |
| Ryan Walsh | ... | (segment "Immunity") |
| Flynn Wheeler | ... | (segment "Small Mercies") |
| Robert Woods | ... | (segment "Abbreviation") |
| Jethro Woodward | ... | (segment "Fog") |
Cinematography by
| Denson Baker | ... | (segments "Aquifer", "The Turning") |
| John Brawley | ... | (segment "Defender") |
| Andrew Commis | ... | (segments "Commission", "Boner McPharlin's Moll") |
| Stefan Duscio | ... | (segments "Long, Clear View", "Small Mercies") |
| Bonnie Elliott | ... | (segment "Sand") |
| Robert Humphreys | ... | (segment "Immunity") |
| Andrew Lesnie | ... | (segment "Reunion") |
| Germain McMicking | ... | (segment "Cockleshell") |
| Jody Muston | ... | (segment "Damaged Goods") |
| Jeremy Rouse | ... | (segment "Family") |
| Miles Rowland | ... | (segment "On Her Knees") |
| Ellery Ryan | ... | (segment "Fog") |
| Geoffrey Simpson | ... | (segment "Abbreviation") |
| Warwick Thornton | ... | (segment "Big World") |
Editing by
| Beckett Broda | ... | (segment "'The Turning") |
| Billy Browne | ... | (Segment "Fog") |
| Andy Canny | ... | (segment "Aquifer") / supervising editor |
| Dany Cooper | ... | (segment "Reunion") |
| Julie-Anne De Ruvo | ||
| Gabriel Dowrick | ... | (segment "Defender") |
| Mat Evans | ... | (segment "Long Clear View") |
| Roland Gallois | ... | (segment "'Big World'") |
| Annabelle Johnson | ... | (segment "Damaged Goods") |
| Michael J. Lutman | ... | (segment "Boner McPharlin's Moll") |
| Jesse Watt | ... | (segment "Family") |
| David Whittaker | ... | (segment "Ash Wednesday") |
Casting By
| Jane Norris | ||
Production Design by
| Annie Beauchamp | ||
| Zohie Castellano | ||
| Emma Fletcher | ... | (segment "Defender") |
| Elizabeth Mary Moore | ... | (segment "Family") |
| Leon Salom | ... | (segment "Cockleshell") |
Art Direction by
| Bethany Ryan | ... | (segment "Long Clear View") |
Costume Design by
| Marcia Ball | ||
| Shareen Beringer | ||
| Zohie Castellano | ||
| Wendy Cork | ||
| Giovina d'Angelo | ||
| Luke Ede | ||
| Oriana Merullo | ||
| Brooke Tia Silcox | ||
Makeup Department
| Simone Lee | ... | makeup artist |
| Mariel McClorey | ... | special makeup effects artist (segment "Family") |
| Vicki Sands | ... | key makeup artist (segment "Immunity") |
| Karen Sims | ... | makeup department head |
| Olivia Still | ... | hair & makeup designer |
Production Management
| Kieran Cato | ... | unit manager / unit manager: the sand |
| Rachel McKellar | ... | post-production producer (as Rachel McKellar-Harding) |
| Justin Morrissey | ... | production manager (segment "Immunity") |
| Joyce Ng | ... | production runner: Cockleshell |
| Josie Steele | ... | production manager (segment "Damaged Goods") |
| Kate Thomson | ... | production manager |
Second Unit Director or Assistant Director
| Darwin Brooks | ... | first assistant director |
| Rose Damon | ... | second assistant director |
| Renato Fabretti | ... | second assistant director |
| John Fairhead | ... | first assistant director |
| Andrew Nowrojee | ... | third assistant director (segment "Fog") |
| Chantelle Robertson | ... | second assistant director |
| Greg Spiller | ... | first assistant director |
| Josie Steele | ... | first assistant director (segment "Damaged Goods") |
| Vicki Sugars | ... | first assistant director: shorts "On Her Knees" & "Reunion" |
Art Department
| Pierce Davison | ... | props |
| Brooke Tia Silcox | ... | props (as Brooke Silcox) |
Sound Department
| Steven Bond | ... | sound recordist (segment "Small Mercies") |
| Emma Bortignon | ... | sound designer (segment "Family") |
| Brendan Croxon | ... | sound editor |
| Jamie Famularo | ... | sound editor |
| Paul Finlay | ... | sound recordist |
| Sam Gain-Emery | ... | sound editor (segment "Small Mercies") |
| Jordan Gilbert | ... | boom operator |
| Chris Goodes | ... | re-recording mixer (segment "The Defender") / sound designer (segment "The Defender") |
| Cameron Grant | ... | sound editor |
| Tom Heuzenroeder | ... | sound designer (segments "Aquifer", "On Her Knees") |
| Trevor Hope | ... | sound recordist |
| Doron Kipen | ... | sound mixer |
| Frank Lipson | ... | sound designer (segment "Boner mcPharlin's Moll") |
| Robert Mackenzie | ... | re-recording mixer / sound designer / supervising sound editor |
| Andrew McGrath | ... | sound mixer |
| Erin McKimm | ... | sound designer (segment "Cockleshell") |
| Daniel Miau | ... | sound recordist |
| Scott Montgomery | ... | sound recordist |
| Paul Pirola | ... | sound supervisor |
| Andrew Plain | ... | supervising sound editor |
| Sam Rogers | ... | foley recordist (uncredited) |
| Ryan Squires | ... | assistant foley editor / foley recordist |
| Brett Stayt | ... | boom operator |
| Brooke Trezise | ... | sound designer (segment "Commission") |
| Tara Webb | ... | sound editor (segments "The Turning", "Reunion") |
| J.B. Williams | ... | boom operator (segment "'On Her Knees'") |
| Andy Wright | ... | re-recording mixer (segment "Commission") |
Special Effects by
| Peter Stubbs | ... | special effects supervisor |
Visual Effects by
| John Francis | ... | visual effects: Surreal World |
Stunts
| John Fairhead | ... | safety supervisor |
Camera and Electrical Department
| Sean Aston | ... | key grip (segment "Immunity") |
| Ben Berkhout | ... | second assistant camera (segment "aquifer, commission") |
| Arthur Bienkowski | ... | second assistant camera (Segment "Abbreviation") |
| Dion Borrett | ... | gaffer (segments ": "Aquifer", ": "The Turning") |
| Drew English | ... | assistant camera |
| Matthew Floyd | ... | first assistant camera (segment "immunity") |
| Rhys Forrer | ... | grip (segment ": "Immunity") |
| Nathan Frost | ... | best boy: Immunity Segment |
| Kallan Gerard | ... | second assistant camera (segment "Fog") |
| Greg Gilbert | ... | a camera: steadicam operator |
| Matthew Jenkins | ... | first assistant camera (segment "Aquifer") / first assistant camera (segment "Commission") / first assistant camera (segment "Defender") / first assistant camera (segment "Fog") / first assistant camera (segment "The Turning") |
| Zac Murphy | ... | gaffer |
| Evan Papageorgiou | ... | additional cinematography: "Family" |
| David Dare Parker | ... | still photographer |
| Tom Savige | ... | key grip (segment ": "Cockleshell") |
| Adrian Stewart | ... | camera operator |
| Bryce Stroud | ... | second assistant camera (segment "immunity") |
| Scott A. Summers | ... | cinematographer: second unit/ B camera operator (segment "The Turning") |
| Asuka Sylvie | ... | assistant camera (segment "Small Mercies") |
| Tim Tregoning | ... | director of photography: second unit (segment "Family") |
| Vince Valitutti | ... | still photographer |
| Kieran Wheeler | ... | grip (segment "Cockleshell") |
| Daniel Holliday | ... | best boy (uncredited) |
Casting Department
| Emma Dockery | ... | casting associate |
Costume and Wardrobe Department
| Giovina d'Angelo | ... | standby wardrobe |
| Sophie Fletcher | ... | assistant costume designer |
| Heather Wallace | ... | wardrobe |
Editorial Department
| Clare Burlinson | ... | colorist (segment "aquifer") |
| Luca Byrne | ... | first assistant editor |
| Trish Cahill | ... | colorist (segments "Sand", "Commission") |
| Greg Cooper | ... | assistant editor |
| Matthew T. Griffin | ... | digital intermediate supervisor: "Reunion" |
| David Gross | ... | on-line editor (segments "s "Sand", "Commission", Big World, Long, Clear View") |
| Jamie Hediger | ... | colorist (segments "Reunion", "Long Clear View") |
| Grayton Hevern | ... | colorist (segment "Damaged Goods") |
| Brett Manson | ... | supervising colorist |
| Dee McClelland | ... | colorist (segment "Cockleshell") |
| Justin McDonald | ... | colorist (segment "Immunity") |
| Aaron Scully | ... | assistant editor (segment "Defender") |
| Joel Taylor | ... | assistant colorist (segment "'The Turning") |
| Steve Vojkovic | ... | colorist (segment "'The Turning") |
| Nichole Walkling | ... | facility post producer (segments "s "Sand", "Commission", Big World, Long, Clear View") |
| Billy Wychgel | ... | colorist (segment "Big World") |
Location Management
| Daniel Power | ... | location scout |
Music Department
| Gyan Evans | ... | playback singer |
| Kazumichi Grime | ... | composer: theme music |
| Toby Grime | ... | composer: theme music / music (as Kazumichi Grime) |
| Veronique Serret | ... | solo violin |
| Jamieson Shaw | ... | music editor: theme |
| Elliott Wheeler | ... | composer: theme music |
Additional Crew
| Fahim Ahad | ... | technical coordinator |
| Jennifer Beale | ... | unit nurse |
| Michael H. Beck | ... | behind the scenes director (segment "On Her Knees") |
| Chloe Brugale | ... | production coordinator |
| Claire Burton | ... | production coordinator |
| Adam Camporeale | ... | production assistant (segment "On Her Knees") |
| Andy Canny | ... | title designer |
| Kieran Cato | ... | security manager / traffic manager |
| Rebecca Elliott | ... | production assistant (segment "Boner McPharlin's Moll") |
| Nathan James | ... | safety consultant |
| Sophie Morgan | ... | production runner (segment "On Her Knees") |
| Kate Murphy | ... | production accountant |
| Taki Oldham | ... | production assistant |
| Danny Philippou | ... | behind the scene camera (segment "On Her Knees") |
| Chantelle Robertson | ... | production assistant |
| Joshua Smith | ... | production runner |
| Jed Summers | ... | production runner (segment "On Her Knees") |
| Romi Trower | ... | directors attachment |
| Caroline Verge | ... | legals |
Thanks
| Veronica Nadine Gleeson | ... | thanks: development (as Veronica Gleeson) |
| Leigh Sutton | ... | special thanks (segment "On Her Knees") |
| Peter Thurmer | ... | special thanks (segment "On Her Knees") |
