Amelia, who lost her husband in a car crash on the way to give birth to Samuel, their only child, struggles to cope with her fate as a single mom. Samuel's constant fear of monsters and violent reaction to overcome the fear doesn't help her cause either, which makes her friends become distant. When things can not get any worse, they read a strange book in their house about the 'Babadook' monster that hides in the dark areas of their house. Even Amelia seems to feel the effect of Babadook and desperately tries in vain to destroy the book. The nightmarish experiences the two encounter form the rest of the story.Written by
After reading The Babadook and putting Samuel to bed, Amelia watches TV and sees a commercial for phone sex. The number is 1-900-646-EASY, which would be a US telephone number, even though the film is set in Australia. See more »
[Amelia is driving Sam home from his aunt's house]
Where did you get those firecrackers?
You got them for me on the internet!
Well, that's the end of the internet.
See more »
Better than most, but not quite up there with the best.
It's a rare thing when I give anything labeled horror more than a passing glance. The genre has become so completely oversaturated by teen slasher flicks, soulless gorefests and inferior remakes. Having said that I'd heard enough to convince me this may be one of the rare exceptions, unsurprisingly this is a low-key non-Hollywood affair.
Of course there have been enough horrors over the years for a pretty well defined list of tropes to be a known part of the movie-going consciousness. While The Babadook does deviate from the standard affair we all know and are mostly bored of, it does bring in a few of the more classic tropes, the problem child, the distraught mother and thankfully the illusive villain. Throw in a fair dose of questionable insanity and you have a recipe for a decent classic style horror.
In this respect it doesn't disappoint, of course it can't hold up to Rosemary's Baby, The Exorcist or The Shining but it is certainly familiar of those and in no bad way. Paying tasteful homage to inspirations is acceptable if the movie can stand up on its own weight and in this it succeeds.
The actual premise itself seems fairly original, although not groundbreaking, the shocks come from the actions of the characters rather than any clichéd jump-scare tactics. As others have mentioned, the underlying metaphor is not too subtle but surely that's part of what adds to the tension.
There was some really good editing throughout, keeping the feel of a fast paced movie while not rushing the story. The kid actor in it does an excellent job of appearing genuinely disturbed but simultaneously good natured.
The Babadook may not be a groundbreaker, I don't expect it to redefine the genre and I doubt it will appeal to the younger horror demographic, but if like me you yearn for the spirit of the classics to resurface once in a while, this is a pretty good attempt.
And provided the promise of no sequels is kept, this is one that will hold up well for some time.
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