Adam Bell is a Toronto area History college professor. He is a rather somber man, largely because he is stuck in a routine, which includes a relationship with his live-in girlfriend, Mary. While watching a rental movie, he spots an actor in a bit part that looks like him. He becomes obsessed with finding out about this double of his. He learns that the actor's stage name is Daniel Saint Claire, whose legal name is Anthony Claire. Claire is a Toronto based actor with only a few on-screen credits, and is married to a woman named Helen who is currently several months pregnant. Adam then becomes obsessed with meeting Claire, who he learns upon first sighting that they look exactly the same, from the facial hair to a scar each has, but Claire who outwardly is more "put together" than Adam. Their lives become intertwined as Claire himself ends up becoming obsessed with Adam, but in a slightly different way.Written by
The film title "Where There's a Will, There's a Way" in the movie was a catchphrase of Denis Villeneuve's high school English teacher, as a reminder to work harder in life. See more »
First time Adam is viewing Anthony's profile on Volga Talent Agency website the line "Voice demo available upon request" is listed 4th, under "eyes: blue." The second time Adams visits the site this same line is now 5th and appears just above "Valid Driver's License." "Voice:" has also been underlined, followed by a colon, where previously it was not.
Finally, a 12th line also appears, "Experienced at Sailing and powerboating." See more »
[leaving a message]
Hello, darling, it's your mother. Thank you for showing me your new apartment. I'm worried about you. I mean, how can you live like that? Anyway, would you call me back? Let's get together again. I love you.
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Not So Much To Be Loved As To Love
Performed by Jonathan Richman
Written by Jonathan Richman
Published by Rockin' Leprechaun Music
Used by Permission. All Rights Reserved.
Courtesy of Vapor Records/Sanctuary Records Group Inc.,
under license from Universal Music Canada See more »
More An Art House Film Than Mainstream Feature.
Asking for your attention at all times, providing little clues in almost every sequence & still leaving you puzzled in the end, Enemy inclines more towards art house cinema than mainstream features and isn't going to please every viewer out there. It tells the story of a college professor living a mundane daily life who later seeks out his doppelgänger after spotting him in a movie thus setting in motion a chain of events which culminates with terrible consequences.
Directed by Denis Villeneuve (director of Incendies & Prisoners), Enemy is an ambitious work from the director who, of lately, has been steadily rising as one of the filmmakers to watch out for and is another fine feature in his bag. The writing makes a fine adaptation from the novel it's based on but also infuses more allegories & symbolism in the form of spiders into the script to keep the viewers guessing from start to finish.
Performances by the cast is very good with Jake Gyllenhaal playing the college professor & his lookalike movie actor with fine subtlety & the contribution by the supporting cast is strong as well. Cinematography captures the film with a very warm colour temperature blended with high contrasts along with excellent use of lighting. The background score has a pretty muted presence in here & editing has carefully structured the film with layers after layers of visual motifs.
One thing that'll bug its audience is if Jake Gyllenhaal characters are different persons or same. Other thing that'll leave them utterly confused is the ending if they still haven't figured out the meaning of spiders in the film. But hints are provided throughout its runtime & repeated viewings will only help in clearing those doubts. On an overall scale, Enemy is that brain-teasing cinematic ride which viewers would either risk to experience or reject it outright. Multiple viewings advised.
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