200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
Charles S. Dutton,
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
Almost eleven years after the disastrous expedition to the distant moon LV-223, the deep-space colonisation vessel Covenant, with more than 2,000 colonists in cryogenic hibernation, is on course for the remote planet Origae-6 with the intention to build a new world. Instead, a rogue transmission entices the crew to a nearby habitable planet which resembles Earth. The unsuspecting crewmembers of the Covenant will have to cope with biological foes beyond human comprehension. Ultimately, what was intended as a peaceful exploratory mission, will soon turn into a desperate rescue operation in uncharted space.Written by
The Neomorphs bleed yellow, along with the greenish-yellow acid blood of the Protomorphs and white Android oil. See more »
In this, and every other film in the Alien franchise, the creature grows from a homunculus within a human body cavity to full adult-size in a matter of hours with no explanation as to the source of the additional mass necessary for such rapid growth. Of course, if such a thing were easily explainable by human reasoning, then the organisms wouldn't be very "alien" would they. See more »
The 20th Century Fox logo is in a shade of dark blue-gray. See more »
Chinese version was heavily edited to get an approval from film censor's office. Beside violent scenes, almost any scene with an Alien was cut/shortened so you can barely see the creatures. The kiss between David and Walter was removed as well. See more »
A better Prometheus sequel but a mediocre Alien film
When I went into watching Covenant on opening night, I went in with neither excitement nor hesitation but was just curious. I was one of the people who didn't hate Prometheus because I admired the new mythology Ridley Scott was trying to create. However, I could see that it was poorly executed especially when connecting to Alien. Covenant improves on those ideas with better-written characters but in the end mostly fails as a memorable Alien film.
The parts I liked the most surprisingly were the Prometheus tie-ins. The film constantly delves on the ideas of creation, religion and faith without feeling as forced like in Prometheus. From the opening scene of android David's "birth" to the crew of the Covenant being a colony ship carrying couples, the film carries on these philosophical ideas while tying in very well with the origin of the iconic Xenomorph. While it does not explain everything that was left open in Prometheus, it does feel satisfying that Covenant tries to give some answers rather then just leave with questions.
Once again Michael Fassbender proves to be the standout of this film. But this time he shows off double the effort when he plays two androids, the original David and the Covenant's own personal android Walter. David gets to be a lot more fleshed out and we get a better understanding behind his questionable actions. And as Walter, Fassbender displays a more restrained, machine-like personality but still conveying a sense of loyalty to the crew. And seeing the two Fassbender's interact with one with each other were the most compelling scenes in the film even if one scene was unintentionally hilarious. Danny McBride should also be credited for taking on a role more serious then his usual ones in comedy. Billy Crudup also was good as a religious man whose leadership is conflicted with his Christian beliefs. Katherine Waterston did well in the lead role but is not as unique as compared the Sigourney Weaver as Ellen Ripley. And now here is where the film's faults become very present. While the characters are an improvement from Prometheus, the movie's plot forces them to make choices that feel out of character and silly.
Probably my biggest disappointment was the titled creature itself. The Xenomorph does not show up till maybe like 20 minutes towards the end and its presence just feels like a forced afterthought. And I didn't mind the Xenomorph being more cg-heavy when compared to past films but the subtlety of the creature hiding and waiting to pounce from the darkness was gone. With the creature attacking right out in the opening and Ridley Scott showing too much of it on camera, it no longer felt like the intelligent, calculative killing machine I remembered. It became just another dumb generic movie monster. Even the Alien doppelgänger movie that came this year, Life, was a better Alien movie then this actual Alien movie.
The film also has twist ending that leaves a lot of plot holes to examine and is just more annoying and stupid then smart.
In the end Covenant will satisfy those who had problems with Prometheus convoluted mythology with some intriguing sci-fi ideas but if you're looking for a great monster movie then watch the first two Alien films then this one.
55 of 98 people found this review helpful.
Was this review helpful to you?
| Report this