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Alien: Covenant (2017)

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The crew of a colony ship, bound for a remote planet, discover an uncharted paradise with a threat beyond their imagination, and must attempt a harrowing escape.

Director:

Ridley Scott

Writers:

Dan O'Bannon (based on characters created by), Ronald Shusett (based on characters created by) | 4 more credits »
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267 ( 51)

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Cast

Cast overview, first billed only:
Michael Fassbender ... David / Walter
Katherine Waterston ... Daniels
Billy Crudup ... Oram
Danny McBride ... Tennessee
Demián Bichir ... Lope (as Demian Bichir)
Carmen Ejogo ... Karine
Jussie Smollett ... Ricks
Callie Hernandez ... Upworth
Amy Seimetz ... Faris
Nathaniel Dean ... Hallett
Alexander England ... Ankor
Benjamin Rigby ... Ledward
Uli Latukefu ... Cole
Tess Haubrich ... Rosenthal
Lorelei King ... Voice of 'Mother' (voice)
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Storyline

Almost eleven years after the disastrous expedition to the distant moon LV-223, the deep-space colonisation vessel Covenant, with more than 2,000 colonists in cryogenic hibernation, is on course for the remote planet Origae-6 with the intention to build a new world. Instead, a rogue transmission entices the crew to a nearby habitable planet which resembles Earth. The unsuspecting crewmembers of the Covenant will have to cope with biological foes beyond human comprehension. Ultimately, what was intended as a peaceful exploratory mission, will soon turn into a desperate rescue operation in uncharted space. Written by Nick Riganas

Plot Summary | Plot Synopsis

Taglines:

The path to paradise begins in hell. See more »


Motion Picture Rating (MPAA)

Rated R for sci-fi violence, bloody images, language and some sexuality/nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | UK

Language:

English

Release Date:

19 May 2017 (USA) See more »

Also Known As:

Alien: Covenant See more »

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Box Office

Budget:

$97,000,000 (estimated)

Opening Weekend:

£5,003,844 (United Kingdom), 12 May 2017, Wide Release

Opening Weekend USA:

$36,160,621, 21 May 2017, Wide Release

Gross USA:

$74,262,031

Cumulative Worldwide Gross:

$240,891,763
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Mainland China Censored Version)

Sound Mix:

DTS (DTS: X)| Dolby Atmos | Dolby Surround 7.1 | Auro 11.1

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The song being hummed by Shaw during the rogue transmission was "Take Me Home Country Roads" from John Denver's 1971 album Poems, Prayers, & Promises. See more »

Goofs

When Walter removes a damaged embryo from A-3371 there is a small pool of red liquid remaining in its holder which then completely disappears seconds later when he closes the drawer. See more »

Quotes

[first lines]
Peter Weyland: How do you feel?
David: Alive.
See more »

Crazy Credits

The 20th Century Fox logo is in a shade of dark blue-gray. See more »

Connections

Featured in Honest Trailers: Alien: Covenant (2017) See more »

Soundtracks

Das Rheingold, Scene 4: Entrance of the Gods into Valhalla
Written by Richard Wagner
Performed by Bournemouth Symphony Orchestra, Conducted by Jose Serebrier (as José Serebrier)
Courtesy of Naxos
By arrangement with Source/Q
See more »

Frequently Asked Questions

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User Reviews

 
In some ways its excellent, but as an Alien film its infuriating
12 May 2017 | by rabbitmoonSee all my reviews

In the first 20 minutes I was so happy with Covenant. It felt sharp, atmospheric, there are interesting character situations, emotive moments and infinitely better writing than we had in Prometheus. As it progresses, this feeling continues - thankfully, a solid sci-fi film that got it right.

Then Ridley starts to indulge in his convoluted ideas about creation and destruction. Its like switching from 1977 George Lucas to 1999 Lucas. You can almost hear Ridley at a writing meeting saying "this'll be cool, and this, and this, and then this" and the writer saying "uh, is this for the same film or later in the series?" "Yeah just cram it all in, make it happen".

You end up with three different films - a first act like a modern Alien which I loved, a middle act of Prometheus style philosophizing that feels like more Westworld, then a last act of two shoe-horned in action scenes homaging Aliens and Alien 3 respectively. Except there is no satisfaction at all, because the aliens are rushed, a bit silly, often awkwardly CGI looking, and not even convincing as threats because we don't care about any of it.

By the end I just have no idea what to think. I just think it would have worked much better if the ideas were done justice in their own film, rather than ham-fistedly trying to ram them into an Alien film to try and please fans and make box-office.


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