The crew of a colony ship, bound for a remote planet, discover an uncharted paradise with a threat beyond their imagination, and must attempt a harrowing escape.The crew of a colony ship, bound for a remote planet, discover an uncharted paradise with a threat beyond their imagination, and must attempt a harrowing escape.The crew of a colony ship, bound for a remote planet, discover an uncharted paradise with a threat beyond their imagination, and must attempt a harrowing escape.
- Director
- Writers
- Dan O'Bannon(based on characters created by)
- Ronald Shusett(based on characters created by)
- Jack Paglen(story by)
- Stars
- Director
- Writers
- Dan O'Bannon(based on characters created by)
- Ronald Shusett(based on characters created by)
- Jack Paglen(story by)
- Stars
- Awards
- 2 wins & 13 nominations
Demián Bichir
- Lope
- (as Demian Bichir)
Javier Botet
- Xenomorph
- (uncredited)
- Director
- Writers
- Dan O'Bannon(based on characters created by)
- Ronald Shusett(based on characters created by)
- Jack Paglen(story by)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaOn November 27, 2015, director Ridley Scott announced that this film would be the second (following Prometheus (2012)) in a new Alien trilogy that will take place closer to, and lead up to, the original Alien (1979) film. He later suggested that there may even be a fourth prequel film. However, the future of the series became uncertain after the purchase of 20th Century Fox by Disney in December 2017. The next film, tentatively titled 'Alien: Awakening', was set to enter preproduction that same month, but according to some sources, the project was shelved indefinitely. The commercial underperformance of Alien: Covenant as well as its lukewarm reception by critics and fans were named as reasons, although no official statements were made by Disney. In early 2019, however, the script called Alien: Awakening was actively being written, and Untitled Alien Prequel was officially in production as of 2022.
- GoofsDuring the opening act, the Covenant is damaged by a shockwave after Mother detects a "neutrino storm". Nutrinos are nearly massless particles which so rarely interact with other material that they commonly pass though the entire Earth without ever causing a reaction. They could not damage the ship as portrayed in the film. However, the ship wasn't damaged by a neutrino storm at all, but by (as the crew puts it) a "highly charged shockwave from a stellar ignition" (e.g. a supernova) and/or a "spontaneous stellar flare". A neutrino burst is merely something that occurs during a stellar ignition event but is not the cause of the event or any resulting shockwaves from it.
- Crazy creditsThe 20th Century Fox logo is in a shade of dark blue-gray.
- Alternate versionsChinese version was heavily edited to get an approval from film censor's office. Beside violent scenes, almost any scene with an Alien was cut/shortened so you can barely see the creatures. The kiss between David and Walter was removed as well.
- ConnectionsEdited into Alien: Covenant - Advent (2017)
- SoundtracksTheme from Alien
Written by Jerry Goldsmith
Featured review
In some ways its excellent, but as an Alien film its infuriating
In the first 20 minutes I was so happy with Covenant. It felt sharp, atmospheric, there are interesting character situations, emotive moments and infinitely better writing than we had in Prometheus. As it progresses, this feeling continues - thankfully, a solid sci-fi film that got it right.
Then Ridley starts to indulge in his convoluted ideas about creation and destruction. Its like switching from 1977 George Lucas to 1999 Lucas. You can almost hear Ridley at a writing meeting saying "this'll be cool, and this, and this, and then this" and the writer saying "uh, is this for the same film or later in the series?" "Yeah just cram it all in, make it happen".
You end up with three different films - a first act like a modern Alien which I loved, a middle act of Prometheus style philosophizing that feels like more Westworld, then a last act of two shoe-horned in action scenes homaging Aliens and Alien 3 respectively. Except there is no satisfaction at all, because the aliens are rushed, a bit silly, often awkwardly CGI looking, and not even convincing as threats because we don't care about any of it.
By the end I just have no idea what to think. I just think it would have worked much better if the ideas were done justice in their own film, rather than ham-fistedly trying to ram them into an Alien film to try and please fans and make box-office.
Then Ridley starts to indulge in his convoluted ideas about creation and destruction. Its like switching from 1977 George Lucas to 1999 Lucas. You can almost hear Ridley at a writing meeting saying "this'll be cool, and this, and this, and then this" and the writer saying "uh, is this for the same film or later in the series?" "Yeah just cram it all in, make it happen".
You end up with three different films - a first act like a modern Alien which I loved, a middle act of Prometheus style philosophizing that feels like more Westworld, then a last act of two shoe-horned in action scenes homaging Aliens and Alien 3 respectively. Except there is no satisfaction at all, because the aliens are rushed, a bit silly, often awkwardly CGI looking, and not even convincing as threats because we don't care about any of it.
By the end I just have no idea what to think. I just think it would have worked much better if the ideas were done justice in their own film, rather than ham-fistedly trying to ram them into an Alien film to try and please fans and make box-office.
helpful•286151
- rabbitmoon
- May 12, 2017
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Prometheus 2
- Filming locations
- Milford Sound, Fiordland National Park, Southland, New Zealand(spacecraft landing site)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $97,000,000 (estimated)
- Gross US & Canada
- $74,262,031
- Opening weekend US & Canada
- $36,160,621
- May 21, 2017
- Gross worldwide
- $240,891,763
- Runtime2 hours 2 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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