After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
Charles S. Dutton,
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
Almost eleven years after the disastrous expedition to the distant moon LV-223, the deep-space colonisation vessel Covenant, with more than 2,000 colonists in cryogenic hibernation, is on course for the remote planet Origae-6 with the intention to build a new world. Instead, a rogue transmission entices the crew to a nearby habitable planet which resembles Earth. The unsuspecting crewmembers of the Covenant will have to cope with biological foes beyond human comprehension. Ultimately, what was intended as a peaceful exploratory mission, will soon turn into a desperate rescue operation in uncharted space.Written by
Guy Pearce's reprisal of his role as Peter Weyland in the opening prologue marked Pearce's first appearance in the franchise, playing Weyland without old-age make-up. (Besides on the viral TED Talk released as a short Prometheus promotional film) Pearce had been cast in Prometheus (2012) at 45 years old, because an actor needed to play Peter Weyland both as an elderly man and middle-aged, but ultimately the scenes featuring Weyland as a younger man were cut, and Pearce appeared in the film only under heavy old-age make-up. See more »
The first alien is born about the size of a grapefruit, small enough to plausibly coexist inside Ledward's body without killing him until the moment it bursts out. But exactly two minutes later, when Faris is shooting at it in the cargo bay, it's the size of a small dog. Of course, part of the life cycle of this exotic bioengineered species is how quickly it grows. See more »
The 20th Century Fox logo is in a shade of dark blue-gray. See more »
The film's IMAX release, in selected screens, presented the film open-matte, at an aspect ratio of 1.90:1, meaning there was more picture information visible in the top and bottom of the frame than in normal theaters and on home video. See more »
In some ways its excellent, but as an Alien film its infuriating
In the first 20 minutes I was so happy with Covenant. It felt sharp, atmospheric, there are interesting character situations, emotive moments and infinitely better writing than we had in Prometheus. As it progresses, this feeling continues - thankfully, a solid sci-fi film that got it right.
Then Ridley starts to indulge in his convoluted ideas about creation and destruction. Its like switching from 1977 George Lucas to 1999 Lucas. You can almost hear Ridley at a writing meeting saying "this'll be cool, and this, and this, and then this" and the writer saying "uh, is this for the same film or later in the series?" "Yeah just cram it all in, make it happen".
You end up with three different films - a first act like a modern Alien which I loved, a middle act of Prometheus style philosophizing that feels like more Westworld, then a last act of two shoe-horned in action scenes homaging Aliens and Alien 3 respectively. Except there is no satisfaction at all, because the aliens are rushed, a bit silly, often awkwardly CGI looking, and not even convincing as threats because we don't care about any of it.
By the end I just have no idea what to think. I just think it would have worked much better if the ideas were done justice in their own film, rather than ham-fistedly trying to ram them into an Alien film to try and please fans and make box-office.
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