The crew of a colony ship, bound for a remote planet, discover an uncharted paradise with a threat beyond their imagination, and must attempt a harrowing escape.The crew of a colony ship, bound for a remote planet, discover an uncharted paradise with a threat beyond their imagination, and must attempt a harrowing escape.The crew of a colony ship, bound for a remote planet, discover an uncharted paradise with a threat beyond their imagination, and must attempt a harrowing escape.
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Demián Bichir
- Lopeas Lope
- (as Demian Bichir)
Javier Botet
- Xenomorphas Xenomorph
- (uncredited)
In 2104, almost eleven years after the disastrous expedition to the distant moon, LV-223, in Prometheus (2012), the deep-space colonisation vessel, USCSS Covenant, is on course for the remote planet, Origae-6, with more than 2,000 colonists in cryogenic hibernation to build a new world. Instead, a rogue transmission entices the crew to a nearby habitable planet which resembles Earth. As a result, the unsuspecting crewmembers of the Covenant will have to cope with biological foes beyond human comprehension. Now, what started as a peaceful exploratory mission, will soon turn into a desperate rescue operation in uncharted space. Is there an escape from the treacherous, mysterious planet? —Nick Riganas
Top review
In some ways its excellent, but as an Alien film its infuriating
In the first 20 minutes I was so happy with Covenant. It felt sharp, atmospheric, there are interesting character situations, emotive moments and infinitely better writing than we had in Prometheus. As it progresses, this feeling continues - thankfully, a solid sci-fi film that got it right.
Then Ridley starts to indulge in his convoluted ideas about creation and destruction. Its like switching from 1977 George Lucas to 1999 Lucas. You can almost hear Ridley at a writing meeting saying "this'll be cool, and this, and this, and then this" and the writer saying "uh, is this for the same film or later in the series?" "Yeah just cram it all in, make it happen".
You end up with three different films - a first act like a modern Alien which I loved, a middle act of Prometheus style philosophizing that feels like more Westworld, then a last act of two shoe-horned in action scenes homaging Aliens and Alien 3 respectively. Except there is no satisfaction at all, because the aliens are rushed, a bit silly, often awkwardly CGI looking, and not even convincing as threats because we don't care about any of it.
By the end I just have no idea what to think. I just think it would have worked much better if the ideas were done justice in their own film, rather than ham-fistedly trying to ram them into an Alien film to try and please fans and make box-office.
Then Ridley starts to indulge in his convoluted ideas about creation and destruction. Its like switching from 1977 George Lucas to 1999 Lucas. You can almost hear Ridley at a writing meeting saying "this'll be cool, and this, and this, and then this" and the writer saying "uh, is this for the same film or later in the series?" "Yeah just cram it all in, make it happen".
You end up with three different films - a first act like a modern Alien which I loved, a middle act of Prometheus style philosophizing that feels like more Westworld, then a last act of two shoe-horned in action scenes homaging Aliens and Alien 3 respectively. Except there is no satisfaction at all, because the aliens are rushed, a bit silly, often awkwardly CGI looking, and not even convincing as threats because we don't care about any of it.
By the end I just have no idea what to think. I just think it would have worked much better if the ideas were done justice in their own film, rather than ham-fistedly trying to ram them into an Alien film to try and please fans and make box-office.
helpful•270163
- rabbitmoon
- May 12, 2017
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