The Gatekeepers

I saw this film the first weekend it is showing to limited release in LA. The theater was packed. The directer was there for Q and A afterwords which helped get feel of how unlikely it would have seemed to get 6 former Shin Bet chiefs to all agree to speak openly in Public. ShinBet is like THEFBI and CIA together. Each in their own way showed their acceptance that guns and drones don't really get peace. Israel keeps winning battles but not the wars You know it was good film if liberals think it was too accepting of Israeli violence against Palistinians. And hawks think it was too critical of Israel. A friend of mine walked out silent. Politics aside if that is possible it was a talking heads film with lots intersperst videos

All said and done it was a powerful challenge to Israeli and American faith in violence to solve polotical conflicts.

I was kind of surprised by the candid nature of The Gatekeepers. I was expecting it to be tainted with political correctness or even overt propaganda, given its sensitive subject matter. But instead, all the former heads of Shin Bet seemed genuine to me - admitting to as many embarrassing exploits as heroic ones.

I am sure there will be people on the opposite side of the fence that will still see it as propaganda. And perhaps that is understandable given how much blood has been shed in that region of the world and just how contentious the issues are. But I for one found the perspectives honest, chilling and with a glimmer of hope that things can be better in the future.

Highly recommended.

Israelis abide to very few myths. In a young country that is a melting pot of people coming from almost one hundred different countries, where a majority of the population is either born some other place or belong to the second generation of children of immigrant parents, what unites even more than the shared traditions (respected in various manners and to very different levels of obedience) or the common history which is for many yet to be learned (if not to be written) are above all the permanent external menaces perceived in many moments, rightly or wrongly, as existential dangers. In such moments the trust of the nation is not that much focused on politicians but on the people who defend the country, some with the arms in hands, other in wars that are more secret than visible. The heads of the military and the heads of the security services – the legendary spy agency Mossad and the internal Security Service 'Shin-Beth' as it is called in this film are living legends for most of the Israelis. Until recently some of them were known only by their initials as long as they lived and were active. Their opinions count, and when they converge, as seems up to a certain extent to be the case in this film, people listen. The first major achievement of director Dror Moreh and the team that made this film is to have brought together six of The Gatekeepers, the former heads of the internal security service of Israel and make them talk about the history of the service, the war on terrorism, the relations with the Palestinian neighbors of Israel, the situation of Israel today, and the perspective ahead. The convergent views of these men should worry all Israelis who have seen or will see the film.

There is a lot of good and interesting information that is presented in this film, but of course, not all history and the whole complexity of the conflict could have been brought on screen in a documentary that lasts about 90 minutes. Lacking facts will certainly expose the film to critics from all directions, but these critics would be to some extent unfair. In fact for the Israeli audiences there is nothing completely new here, investigative reporting in the Israeli press, TV documentary movies, and books written by political experts and historians have exposed sometimes in much more details different aspects of the stories presented in this film. What is new and different is the candid manner the makers of the movie succeed to make the six different personalities who successively lead the service talk about the events that took place in the last 45 years, their meaning, their implications. Attentive spectators who also know the differences between the views and positions of the six leaders will perceive also the differences between their opinions and their approaches into presenting the facts, but overall a fascinating perspective is built by getting together their testimonies and the history of the area in the period between the Six Days War and today, the initial euphoria, the lost opportunities, the achievements and the mistakes in the fight against terror, the moral dilemmas and the price of the occupation, the human risks and morality of lack of morality of some of the methods – all come together in a perspective which is amplified by the coherent message delivered by each one of the speakers. If you search for information in this film you will not get the whole picture, and I am quite sure that the film will be much better understood from this point of view by Israelis than by audiences abroad. If you look for the historic trends and for indications about things to come, it's mandatory viewing, and it does not look like good news, but rather like a very strong warning signal from people who were in the middle of the policy making and security actions of Israel.

I believe that this film should be seen by as many people as possible and debated in Israel. Best would be probably a screening on prime time TV, but I am not optimistic about this happening soon as prime time TV in Israel seems to be almost fully booked by (i)reality shows. At least, by now The Gatekeepers is distributed commercially and the audiences seem to be interested. However, the more echoes may come from abroad, especially as the film is a candidate for the Oscar in the documentary category, certainly if it also wins the award. The editing of the film is smart, the combination between historical footage and computerized effects puts even more life into the illustrations, and the permanent images of the big screens as a symbol of the technology used to permanently supervise the territories is haunting. I have seen however much more sophisticated technical means put at work in documentaries. 'The Gatekeepers' is eventually a talking heads movie and is important because of the stories that the talking heads tell and the message that they deliver.

This film makes a big assumption that its audience has at least a practical knowledge of the history of the Israel/Palestinian conflict. There's almost no context offered other than a brief recap of the 6 Days War in 1967 when Israeli forces under the leadership of the charismatic Moshe Dayan invaded and conquered Palestinian controlled lands on two fronts, including Syrian, Lebanese and Jordanian lands. To the south on the border with Egypt is the Gaza Strip and to the east is the West Bank encompassing the lands extending to the Jordan River and includes the ancient city of Jerusalem. These ostensibly autonomous regions were officially under Palestinian rule but nearly every aspect of daily life was controlled, monitored and regulated by Israeli agencies and forces. Never mentioned are the contentious circumstances of Israel's establishment as an actual nation following World War II, and thus a key aspect of the conflict is conspicuously absent, presumably because it would require at least 2 or 3 hours just to review this subject, even superficially. Needless to say, it's a complex and convoluted history, and prior biases and prejudices are inevitable, and the film is certainly not innocent of this transgression, but this in no way diminishes the impact and resonance of the film's superbly executed theatrics.

Yes, the film relies extensively on the old documentary trope of the well lit talking head, but The Gatekeepers triumphs in its masterful incorporation of actual Israeli military footage of aerial and ground attacks, and even more so by the photographs which through remarkable computer enhancement are rendered sculptural. The way these black & white still photos are made to spring to 3 dimensional life is a sublimely potent metaphor for the ability of artful storytelling to reanimate presumably long dead history. The words of the various former leaders of the Shin Bet carry an undeniable gravitas and echo in the mind and soul as we are visually guided on a tour of their previously little known realm. By focusing on the subtle variations and contradictions of each speaker's version of events and policies and tactics we are made acutely aware of the generations old conflict's profound effect upon the psyches of everyone involved. The most confident and stoic of the former leaders is possessed of a deep sense of tragedy. Avraham Shalom - who headed Shin Bet from 1981 to 1986 during the time of an incident where two Palestinian prisoners were ordered killed while being held in captivity - casually denies his culpability but it's apparent that the incident has inflicted deep wounds which even today are still very tender.

The mind bending paradoxes of the seemingly intractable conflict have left their mark on all these competent, eloquent and even brave men, and some are willing to admit that perhaps they have behaved immorally and even criminally while also acknowledging the irony of their cruel treatment of Palestinians as inexcusable behavior for a people as historically mistreated as the Jews. It's a desperately poignant moment when the individual men all express their doubts and even contempt for the political leaders who so brazenly exploit the horrific conflict for their own ends. These six men who were charged with the gruesome task of eliminating threats to Israel's security are oddly some of the most compelling critics of their nation's treatment of the Palestinians.

This documentary consists of a series of interviews with former heads of Shin Bet, the Israeli Secret Service. They outline their work in protecting the country's interests, especially since the Six Day War of 1967, while reflecting on the morality of their actions. The film illustrates some of their maneuvers with the help of archive footage and reconstructions. What makes THE GATEKEEPERS so intriguing is its contradictory viewpoints; on the one hand many of those interviewed believe that it is their duty to protect Israeli interests at all costs, even if it means incurring collateral damage. If they targeted a particular Palestinian suspect, they accepted as a matter of course that innocent people would get killed, however much they tried to pinpoint their campaign. While accepting to an extent the Palestinian claims to their own separate state, the interviewees nonetheless have a jaundiced view of the methods their rivals employ: why should Palestinians believe they have achieved their revenge simply by making the Israelis suffer? Yet perhaps what is most interesting is the way in which the interviewees criticize their own government for perpetually pursuing militarist policies, and refusing to meet the Palestinians round the negotiating-table in a sustained way. The Oslo accords of the mid- Nineties represented a step in the right direction, but they collapsed within seven years. Since then, most Israeli Prime Ministers have been preoccupied with pursuing aggressive policies against the Palestinians. The interviewees understand that they, the Israelis, are the colonists, adopting modes of behavior which they themselves experienced in the past at the hands of the British. Perhaps greater care needs to be taken in the future about pursuing a more liberal policy; but the interviewees seem fairly pessimistic about this actually happening. THE GATEKEEPERS might not be a particularly dramatic film, but it is an invaluable text that helps to unravel the complexities underlying the Israel-Palestine conflict.