Disgraced Secret Service agent (and former presidential guard) Mike Banning finds himself trapped inside the White House in the wake of a terrorist attack; using his inside knowledge, Banning works with national security to rescue the President from his kidnappers.
Ex-government operative Bryan Mills is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, Mills brings out his particular set of skills to find the true killer and clear his name.
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
When the White House (Secret Service Code: "Olympus") is captured by a terrorist mastermind and the President is kidnapped, disgraced former Presidential Secret Service Agent Mike Banning finds himself trapped within the building. As our national security team scrambles to respond, they are forced to rely on Banning's inside knowledge to help retake the White House, save the President and avert an even bigger disaster.Written by
The edited for TNT/TBS cable TV version aside from the usual language and violence edits most notably hackneys it's edit for the part where Mike (Gerard Butler) stabs Kang (Rick Yune) in the head. Instead, the viewer witnesses Mike about to stab and then it cuts straight to Kang's body ceasing to move making it unclear that Kang was stabbed let alone where. See more »
First, you know this film was pitched as "Die Hard in the White House." Yet, given that limitation, the film manages to avoid a number of pitfalls that have crept into the many lesser imitations of the first (and still best of them) "Die Hard." It's the characters in the film that keep it from being too much of a cartoon. The lead character, played by Butler, has had a fall a grace. In a more clichéd film, he'd be a broken, embittered alcoholic (e.g., Kevin Bacon in "The Following") who happens upon a chance for redemption and salvation. Instead, Butler's Secret Service agent is getting on with his life in a desk job, disappointed, anxious to be of more use, but not a shambling wreck of a human. He is a career professional, and when the events of the story take place, he reacts like a professional. The wisecracks are few (he doesn't "kill n' quip") and understated, which makes them more effective. Other characters have small touches (especially Melissa Leo) that make them distinctive and worth rooting for. A very welcome touch is the way the film-makers foil our expectations...they've seen many of the same movies, and rather than follow the cookie-cutter approach of bad scripts, they twist those situations to make them new and interesting.
The action is well done and exciting. It's not a perfect film, but more than competent, continually engaging, and, in the highest praise I can offer, worth full price.
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