Disgraced Secret Service agent (and former presidential guard) Mike Banning finds himself trapped inside the White House in the wake of a terrorist attack; using his inside knowledge, Banning works with national security to rescue the President from his kidnappers.
While on a tour of the White House with his young daughter, a Capitol policeman springs into action to save his child and protect the president from a heavily armed group of paramilitary invaders.
A retired CIA agent travels across Europe and relies on his old skills to save his estranged daughter, who has been kidnapped while on a trip to Paris.
When his peaceful life is threatened by a high-tech assassin, former black-ops agent Frank Moses reassembles his old team in a last ditch effort to survive and uncover his assailants.
Ex-government operative Bryan Mills is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, Mills brings out his particular set of skills to find the true killer and clear his name.
An air marshal springs into action during a transatlantic flight after receiving a series of text messages demanding $150 million into an off-shore account, or someone will die every 20 minutes.
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
Director:
Simon West
Stars:
Sylvester Stallone,
Liam Hemsworth,
Randy Couture
A man awakens from a coma, only to discover that someone has taken on his identity and that no one, (not even his wife), believes him. With the help of a young woman, he sets out to prove who he is.
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
When the White House (Secret Service Code: "Olympus") is captured by a terrorist mastermind and the President is kidnapped, disgraced former Presidential Secret Service Agent Mike Banning finds himself trapped within the building. As our national security team scrambles to respond, they are forced to rely on Banning's inside knowledge to help retake the White House, save the President and avert an even bigger disaster.Written by
FilmDistrict
The intruding aircraft is a modified Lockheed AC-130, itself a modified C-130 Hercules. In the movie, the plane has two GE M134 miniguns on each side. In real life, the aircraft only has air-to-ground armament on the left side to provide close air support to ground troops, among other high-risk tasks. See more »
Goofs
When the AC130 gunship is shot down, it's called a "bogey," which is an unidentified contact. It was identified as a foe, so it should have been called a "Bandit." See more »
The edited for TNT/TBS cable TV version aside from the usual language and violence edits most notably hackneys it's edit for the part where Mike (Gerard Butler) stabs Kang (Rick Yune) in the head. Instead, the viewer witnesses Mike about to stab and then it cuts straight to Kang's body ceasing to move making it unclear that Kang was stabbed let alone where. See more »
Christmas With The Man I Love
Written by Andrew Kingslow (as Andrew Peter Kingslow) (PRS) and Sarah Dowling (NS)
Published by KPM APM (ASCAP)
Courtesy of APM Music See more »
First off, let me say that the movie is a high production Hollywood film meaning the guns look real, there is ample budget for Apache helicopters and realistic sets, professionally choreographed fight scenes, and the requisite amount of explosions and CGI effects.
However, looking at this film in terms of realistic plot and character development, it lacks quite a bit. Without giving anything away, if you saw the trailer, this shouldn't be a spoiler, we're expected to believe an outrageous number of defensive failures on the part of several security organizations -- enough to bring on a not-so-clever or intriguing attack on the White House. Let's just go with that for a moment, using our advanced sense of Hollywood suspended disbelief syndrome and hope that, although the plot is implausible, at least the characters make it real.
Morgan Freeman gives one of his most cardboard, stale acting appearances ever. The stereotypical military head says to blow things up, the more reticent advisers say to act cautiously, the President decries the inhumanity of killing staff members while the body count from the aforementioned guns and ammo displays and explosions count easily into the many dozens (hundreds likely, difficult to count). Our one last hope is Gerard Butler. I must say I like him as an action hero, and he played his role well here. But he was vaguely a man of action at the beginning of the movie, albeit at a desk for a few brief moments about 10 minutes in to 14 minutes into the movie, and he was a more defined man of action by the end of the movie -- don't look for any more character development from any character in the movie at any time. That was it; no development whatsoever. It's like asking for architectural and civil planning lessons from the suburbs of Detroit. The phrase "devoid of" comes to mind.
Watch this only if you want some mindless action without having to think at all. And once again you can wave a patriotic American flag at the end and put another point forward for American exceptionalism.
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First off, let me say that the movie is a high production Hollywood film meaning the guns look real, there is ample budget for Apache helicopters and realistic sets, professionally choreographed fight scenes, and the requisite amount of explosions and CGI effects.
However, looking at this film in terms of realistic plot and character development, it lacks quite a bit. Without giving anything away, if you saw the trailer, this shouldn't be a spoiler, we're expected to believe an outrageous number of defensive failures on the part of several security organizations -- enough to bring on a not-so-clever or intriguing attack on the White House. Let's just go with that for a moment, using our advanced sense of Hollywood suspended disbelief syndrome and hope that, although the plot is implausible, at least the characters make it real.
Morgan Freeman gives one of his most cardboard, stale acting appearances ever. The stereotypical military head says to blow things up, the more reticent advisers say to act cautiously, the President decries the inhumanity of killing staff members while the body count from the aforementioned guns and ammo displays and explosions count easily into the many dozens (hundreds likely, difficult to count). Our one last hope is Gerard Butler. I must say I like him as an action hero, and he played his role well here. But he was vaguely a man of action at the beginning of the movie, albeit at a desk for a few brief moments about 10 minutes in to 14 minutes into the movie, and he was a more defined man of action by the end of the movie -- don't look for any more character development from any character in the movie at any time. That was it; no development whatsoever. It's like asking for architectural and civil planning lessons from the suburbs of Detroit. The phrase "devoid of" comes to mind.
Watch this only if you want some mindless action without having to think at all. And once again you can wave a patriotic American flag at the end and put another point forward for American exceptionalism.