5.8/10
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14 user 38 critic

Whitewash (2013)

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In the harsh, wintry woods of rural Quebec, Bruce (Thomas Haden Church), a down-on-his-luck snowplow operator, accidentally kills a man during a drunken night joyride. Stricken with panic, ... See full summary »
2 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Thomas Haden Church ... Bruce Landry
Marc Labrèche ... Paul Blackburn
Anie Pascale ... Waitress
Sylvio Archambault Sylvio Archambault ... Cook
Yvette Auger-Pratte Yvette Auger-Pratte ... Elderly Lady - Diner
Bonfield Marcoux Bonfield Marcoux ... Man - Garage
Claire Jacques ... Cashier - General Store
Pierre LeBlanc Pierre LeBlanc ... Customer - General Store
Geneviève Laroche ... Woman - Cottage
Vincent Hoss-Desmarais ... Man - Cottage
Isabelle Nélisse ... Child - Cottage
Keir Cutler ... Friend - Cottage
Emanuel Hoss-Desmarais ... Man - Lake
Marie-Michelle Garon ... Woman - Lake
Gaston Caron Gaston Caron ... Bruce's Neighbor
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Storyline

In the harsh, wintry woods of rural Quebec, Bruce (Thomas Haden Church), a down-on-his-luck snowplow operator, accidentally kills a man during a drunken night joyride. Stricken with panic, he hides the body and takes to the deep wilderness in hopes of outrunning both the authorities and his own conscience. But as both begin to close in, Bruce falls apart mentally and morally and mysteries unravel to reveal who he was before the accident, the truth behind his victim, and the circumstances that brought them together in a single moment. Written by Oscilloscope Pictures

Plot Summary | Add Synopsis

Taglines:

Hell can be a cold dark place.

Genres:

Drama | Thriller

Parents Guide:

View content advisory »
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Details

Country:

Canada

Language:

English

Release Date:

2 May 2014 (USA) See more »

Also Known As:

Czysty jak lza See more »

Company Credits

Production Co:

micro_scope See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Quotes

Paul: I was the top IT consultant in town. World wide web, e-mails, 2.0. I can do anything.
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User Reviews

 
Thomas Haden Church dives head first into the suspenseful tale about redemption and survival...
24 April 2013 | by ClaytonDavisSee all my reviews

Since his first entry into the realm of Oscar-lovers and voters, Thomas Haden Church seemed like a one-trick pony. His newest effort in Emanuel Hoss-Desmarais' film Whitewash has the actor delivering his finest work yet. Telling the story of Bruce, a man heavy on the bottle, who after he hits a man with his bulldozer during a snowstorm, ventures out into the cold Canadian woods to hide for survival.

As the narrative travels in and out of present and past time, writers Emanuel Hoss-Desmarais and Marc Tulin manage to keep the subdued aura of the film while still keeping it interesting and inventive. Many choices in storytelling and shooting will remind many of the underrated film from Joe Carnahan, The Grey (2012), but the characters here felt much more accessible, both in flaws and pros. The dreary and intimate portrait captured by Cinematographer André Turpin is what encourages the film to go to another place cinematically. His choices along with Hoss- Desmarais' direction keep the story and the audience close and working together to get to our resolution.

Thomas Haden Church really manages to outdo himself as an actor and for the first time, becomes something bigger than he probably though of himself to be. In a tale of survival, in both the physical and criminal sense, Church lays out of an agenda that is both demanding of himself and philosophically sound. He walks the line of composure and is absolutely hypnotic. His performance is both poetic and visceral and becomes the first authentically genuine and raw male performance of the film year. He has never been better. What Whitewash also manages is an introduction to actor Marc Labrèche, who is simply fantastic in his role of Paul, a mysterious figure that will bring you on an emotional roller coaster to his defying finale.

The film is surely a risky endeavor and while the film utilizes the audience's imagination and requirement to let certain laws of physics go, the bridge from the film to the resounding mind of film-lovers is clearly passionate and aptly brutal. It's vividly melancholic in execution and could be one of the best films of the year. Small yet larger than itself, Whitewash is a tranquil message of survival and redemption.


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