After making their way through high school (twice), big changes are in store for officers Schmidt and Jenko when they go deep undercover at a local college.
John Bennett, a man whose childhood wish of bringing his teddy bear to life came true, now must decide between keeping the relationship with the bear or his girlfriend, Lori.
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
Six Los Angeles celebrities are stuck in James Franco's house after a series of devastating events just destroyed the city. Inside, the group not only have to face the apocalypse, but themselves.
Two years after the bachelor party in Las Vegas, Phil, Stu, Alan, and Doug jet to Thailand for Stu's wedding. Stu's plan for a subdued pre-wedding brunch, however, goes seriously awry.
Director:
Todd Phillips
Stars:
Bradley Cooper,
Zach Galifianakis,
Ed Helms
A process server and his marijuana dealer wind up on the run from hitmen and a corrupt police officer after he witnesses his dealer's boss murder a competitor while trying to serve papers on him.
After making their way through high school (twice), big changes are in store for officers Schmidt (Jonah Hill) and Jenko (Channing Tatum) when they go deep undercover at a local college. But when Jenko meets a kindred spirit on the football team, and Schmidt infiltrates the bohemian art major scene, they begin to question their partnership. Now they don't have to just crack the case - they have to figure out if they can have a mature relationship. If these two overgrown adolescents can grow from freshmen into real men, college might be the best thing that ever happened to them.Written by
Sony Pictures Entertainment
After the plot is resolved, Jenko says, "We're getting too old for this shit," a line popularized by Danny Glover's character Roger Murtaugh in Lethal Weapon (1987), Lethal Weapon 2 (1989), Lethal Weapon 3 (1992), and Lethal Weapon 4 (1998). During the mock sequel credits, where Schmidt and Jenko play senior citizens, Schmidt states the same Glover quote. Jenko, amused, replies, "Nice." See more »
Goofs
When Captain Dickson sends Schmidt a bunch of texts to his phone threatening to kill him, his name at the top of the phone screen changes from "DICKSON" to "Dickson" between screen shots... See more »
Quotes
Schmidt:
Slam... poetry. Yelling! Angry! Waving my hands a LOT! Specific point of view on THINGS! Cynthia! Cyn-thi-a! Jesus died for our sin-thi-as! Jesus cried, runaway bride. Julia Roberts! Julia Rob... hurts! Cynthia! Ooh, Cynthia. You're dead. You are dead. Bop boop beep bop bop boop bop. You're dead. That's for Cynthia... who's dead.
See more »
Crazy Credits
Mr. Walters (Rob Riggle) says "I'm late" as he snuggles Eric Molson (Dave Franco) in prison bed after the end credits. See more »
#STUPiDFACEDD
Written by Ricky Reed (as Eric Frederic)
Performed by Wallpaper (as Wallpaper.)
Courtesy of Epic Records
By arrangement with Sony Music Licensing See more »
User Reviews
Hilarious and the funniest movie for the rest of the summer.
22 jump Street pulls off an amazing balancing act between elements of its predecessor whilst adding many new and better plot twists, characters and jokes.
This movie is hilarious and fun and wins us over from the start by making fun of itself as a sequel, but like many of its other ongoing jokes, juices this just enough to get maximum laughs without it becoming annoying.
22 jump Street should not only be regarded as one of the rare sequels to better an already good first film, but as a case study for all comedy sequels on how to not just replicate predecessors but truly BUILD on them.
22 of 41 people found this review helpful.
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22 jump Street pulls off an amazing balancing act between elements of its predecessor whilst adding many new and better plot twists, characters and jokes.
This movie is hilarious and fun and wins us over from the start by making fun of itself as a sequel, but like many of its other ongoing jokes, juices this just enough to get maximum laughs without it becoming annoying.
22 jump Street should not only be regarded as one of the rare sequels to better an already good first film, but as a case study for all comedy sequels on how to not just replicate predecessors but truly BUILD on them.