Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and ultimately finds herself through love and loss.
Murphy is an American living in Paris who enters a highly sexually and emotionally charged relationship with the unstable Electra. Unaware of the effect it will have on their relationship, they invite their pretty neighbor into their bed.
Adèle is a high school student who is beginning to explore herself as a woman. She dates men but finds no satisfaction with them sexually, and is rejected by a female friend who she does desire. She dreams of something more. She meets Emma who is a free spirited girl whom Adèle's friends reject due to her sexuality, and by association most begin to reject Adèle. Her relationship with Emma grows into more than just friends as she is the only person with whom she can express herself openly. Together, Adèle and Emma explore social acceptance, sexuality, and the emotional spectrum of their maturing relationship.Written by
At Cannes, the film shocked some critics with its long and graphic sex scenes (although fake genitalia were used), leading them to state that the film may require some editing before it is screened in cinemas. Several critics placed the film as the front-runner to win the Palme d'Or and it went on to win the coveted prize. The judging panel, which included Steven Spielberg, Ang Lee and Nicole Kidman, made an unprecedented move to award the top prize to the film's two main actresses along with the director. Jury president Spielberg explained: "The film is a great love story that made all of us feel privileged to be a fly on the wall, to see this story of deep love and deep heartbreak evolve from the beginning. The director did not put any constraints on the narrative and we were absolutely spellbound by the amazing performances of the two actresses, and especially the way the director observed his characters and just let the characters breathe." See more »
When Adèle dresses up for Emma's vernissage, we see her painting her toe and finger nails red. In the next scene we see her walking to the vernissage, and when she adjusts her hair, her finger nails are not polished. See more »
Cinematic orgasm. Cinematic. Orgasm. Put the words together and separately, it does not matter actually. I was watching the film with a sense of bitten apricot in my mouth, so from time to time I kept checking if indeed something was dripping from my lips . In any case, you can feel all kinds of dripping in this garden of delight and from many different angles. A deep diving into puberty, into the raw desires of youth, above the thunderous victory of human need. Adele is the personification of youth, just in time when it begins to grown. That exact moment when the juices of love are instantly aggressive and the human body seems like a fruit with the heart as a kernel. When you are in the midst of immortality, gaining the illusion of eternity, just before the fruit is eaten, shortly before the kernel sits at your neck with the bitter taste of rejection, while you greedily swallow life, which seems so inexhaustible. I left my local cinema with the feeling of a hot lump in my throat and stomach. As a teenager in love and disappointed at the same time. And from that moment I keep seeing little hearts and stars everywhere. I keep seeing Adele everywhere.
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