Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and ultimately finds herself through love and loss.
Adèle is a high school student who is beginning to explore herself as a woman. She dates men but finds no satisfaction with them sexually, and is rejected by a female friend who she does desire. She dreams of something more. She meets Emma who is a free spirited girl whom Adèle's friends reject due to her sexuality, and by association most begin to reject Adèle. Her relationship with Emma grows into more than just friends as she is the only person with whom she can express herself openly. Together, Adèle and Emma explore social acceptance, sexuality, and the emotional spectrum of their maturing relationship.Written by
There was controversy surrounding Abdellatif Kechiche and his work methods. It was revealed that he would do hundreds of takes for small scenes to achieve the desired realism of the story, and his intense directorial style was borderline abusive. Both actresses stated that the film looks so real because Kechiche pushed them to their breaking point, and that they were really struggling. They also said that they did not wish to work with him again. See more »
When Adèle dresses up for Emma's vernissage, we see her painting her toe and finger nails red. In the next scene we see her walking to the vernissage, and when she adjusts her hair, her finger nails are not polished. See more »
I miss you. I miss not touching each other. Not seeing each other, not breathing in each other. I want you. All the time. No one else.
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Written and Performed by Bill Baylis and Julie Anne Tulley
Courtesy of EMI Production Music / KPM Music See more »
I was fortunate enough to see this movie at a screening last night in Los Angeles. It was amazing, everything about it amazing! Kechiche is something special. He works on something until he gets it right, and the only time he gets it right is when he feels comfortable with what he has shot. At the Q&A afterward with Kechiche, Seydoux and Exarchopoulos, I learned that they shot some of the takes 100 times!
His methods are unconventional. Because of this you are able to experience cinema in a whole new light. The acting was so real, so moving; these actresses gave everything they had, I'm just blown away with what I viewed. My hat is off to Exarchopoulos and Seydoux as actresses. No matter how painful and difficult the process must of been to make this movie in the end I think that they would have to agree it was worth it. To know that you gave everything is something special, and something that I hope I can look back to on my career and say I felt as well. Kechiche, call me, I want to be in your next film!!
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