When the newly-crowned Queen Elsa accidentally uses her power to turn things into ice to curse her home in infinite winter, her sister Anna teams up with a mountain man, his playful reindeer, and a snowman to change the weather condition.
Determined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom. Granted one wish, Merida must rely on her bravery and her archery skills to undo a beastly curse.
Dory is a wide-eyed, blue tang fish who suffers from memory loss every 10 seconds or so. The one thing she can remember is that she somehow became separated from her parents as a child. With help from her friends Nemo and Marlin, Dory embarks on an epic adventure to find them. Her journey brings her to the Marine Life Institute, a conservatory that houses diverse ocean species.Written by
Although Destiny states that she's a whale, whale sharks are actually fish, the largest fish in the sea, as evidenced by how her fins are positioned and that she lacks a blowhole. Though her tank is presented in a way to support marine mammals like dolphins and smaller whales. See more »
Hi. I'm Dory. I suffer from short-term remembory loss.
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This film is dedicated to all our families - of every kind. You keep us swimming. See more »
A Nice Sidetrack to the Original, if Occasionally Over-Similar
Back to the pond for Pixar, where we find things largely unchanged from the end of 2003's Finding Nemo. As the continually-forgetful blue tang Dory has a sudden enduring flash of her childhood, a rush of recall, she gathers the clownfish for one more globe-spanning adventure. The setup is a little soft, lingering too long in the shadow of the first film, but eventually we break free of that sentiment and forge a new (if similar) identity for the sequel. The closed-in landscape of an aquatic themed zoo/amusement park feels a bit claustrophobic at first glance, but as hijinx ensue and we learn more of Dory's early years, it all fleshes out nicely. No shortage of colorful new characters there, literally and figuratively, not the least of which is Ed O'Neill's escape artist "septipus" (having lost a tentacle in the touch tank), who treads dangerously close to becoming a deus ex machina with his versatility. O'Neill brings his usual disgruntled pessimism to the role, though, and some genuinely clever sight gags using the creature's natural assets go a long way to smoothing that over. He's overly convenient, but we're always glad to see him again. Witty and fast-paced, with a good mix of gags for the adults and their kids, plus a potent dose of the studio's famed poignancy. I laughed, I misted up, but I never quite fooled myself into thinking it was superior to the first.
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