A damaged homicide detective (Johnny Messner) must prevent a grieving father from unleashing a "robotic virus" that he believes will destroy the terrorist cell that murdered his son, but at an unimaginable cost.
Timothy Woodward Jr.
Convicted cop-killer Carl Lucas, aka Frankenstein, is a superstar driver in the brutal prison yard demolition derby known as Death Race. Only one victory away from winning freedom for himself and his pit crew.
Tanit Phoenix Copley,
A drug lord is captured and held "secretly" by 6 US agents at a hotel in Constanta, Romania. He agreed to testify against others in the drug business. They send lots of armed men to the hotel. Lots of shooting follows.
In this modern-day Romeo and Juliet, star-crossed lovers are torn apart by cultural tensions between the East and the West. Sarah takes her American boyfriend Frank to her home country in the Arab world. After an incident during a night stroll, Frank is imprisoned by corrupt police for Sarah's murder. His quest for justice turns into a spiritual journey led by Muslim inmates, from the moderate ... See full summary »
A Vietnam veteran who becomes a local hero after saving a man from attackers on a city bus decides to take action when his best friend is murdered and the police show little interest in solving the crime.
Charles S. Dutton,
Inspired by true events, an oil-rich Nigerian community wages war against an oil corporation to protect their land from being destroyed. Rebels kidnap an American oil executive and demand that his corporation end the destruction.
A gang overruns a small mining town murdering their own leader Guerrero (Trejo) in a cold-blooded power grab. Sentenced to eternity in hell he finds himself confronted by Satan himself (Rourke), offering a daring proposition: deliver the six souls of his former gang and he will escape damnation. With time running out, he sets out on a brutal rampage to avenge his own death.Written by
S. D. Adeh
Man, what happened to Rourke? After "The Wrestler," he had a second act career resurgence that appeared to be another great Hollywood comeback story. He had a string of high-profile blockbuster films -- "Expendables," "Iron Man 2" among them -- and a whole list of films on IMDb that were slated in pre-production, many with large casts and studios.
He swore in all his cover story interviews around the release of The Wrestler that he'd "learned his lesson" the hard way by bad-mouthing Hollywood in the '80s and '90s, and that he wouldn't allow his career to become ruined again, as he had resorted to straight-to-video flicks in the late '90s and early '00s when his career was in truly dire straits. (He claims a narrative that he was out of work entirely for a decade, but the truth is, he was just appearing in really crap films.)
But he didn't heed his own words of wisdom. Within a couple years, these things had happened: he publicly dissed The Expendables 2, claiming he wouldn't return unless they paid him more. He was never cast in the film, and the plot was re-written to involve a younger character in his place. After the worldwide success of EX2, which could have been another franchise for Rourke, a producer on the film was asked whether he'd be back for round three. "Maybe if he doesn't act so crazy," was the reply from the producer. As of September 29th, the third film is in production, and Rourke's name is absent from the cast.
He also publicly bad-mouthed writer/director Martin McDonaugh (In Bruges), claiming he wasn't being paid enough by the "creep" to star in the film Seven Psychopaths; he dropped out, and was replaced by Woody Harrelson. The film wasn't a big hit financially, but critics loved it, and it had a huge ensemble cast. Instead of starring in that film, he starred in a straight-to-video movie with Kellen Lutz...if you don't know who that guy is, it's because he was one of the shirtless vampires in Twilight.
Then he bad-mouthed Marvel Studios, claiming they butchered Iron Man 2. Not a huge deal since his character had no chance of coming back anyway, but it's more burnt bridges. He also annoyed the crap out of Robert Downey Jr on the set of the film (RDJ went out on a limb for him and fought to have him cast in the film after Rourke's pay demands were deemed too high by Marvel, btw); apparently his Method Acting routine was hugely obnoxious to cast and crew, as he demanded odd flourishes such as blaring Gnarls Barkley's song "Crazy" at full volume before filming every one of his scenes.
My point of this long-winded rant is that Mickey Rourke has essentially ruined what could have been a golden opportunity comeback to fulfill his early potential as one of the great actors of all time, and now he has resorted to starring in utter dreck like this film, which is an absolutely abysmal production and something that any actor should be embarrassed to list on their resume.
It's a standard revenge flick, set in a western atmosphere. It is poorly made (the low budget stands out at every turn), poorly acted (Anthony Michael Hall is the villain - enough said), and poorly shot (the lighting is atrocious at times). Danny Trejo has experienced some kind of grindhouse-type career revival thanks to Robert Rodriguez, but he's best buried as a minor character in ensemble films, and he does not have the charm or charisma to carry a full-length picture.
The only remotely interesting thing about this film? Rourke plays the devil incarnate. Which, if you've ever seen his 1987 psychological thriller "Angel Heart," is an interesting twist. Unfortunately this film isn't remotely similar to Angel Heart in any other regard, which was one of the best films of the 1980s in this humble critic's opinion; Dead in Tombstone, by contrast, is Dead On Arrival (har, har) and a truly bad film.
Rourke, you only have yourself to blame for this.
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