A seasoned FBI agent pursues Frank Abagnale Jr. who, before his 19th birthday, successfully forged millions of dollars' worth of checks while posing as a Pan Am pilot, a doctor, and a legal prosecutor.
On the occasion of his fifth wedding anniversary, Nick Dunne reports that his wife, Amy, has gone missing. Under pressure from the police and a growing media frenzy, Nick's portrait of a blissful union begins to crumble. Soon his lies, deceits and strange behavior have everyone asking the same dark question: Did Nick Dunne kill his wife?Written by
Twentieth Century Fox
Ben Affleck was concerned about the nine year age difference between him and Carrie Coon, considering that their characters are supposed to be twins, and opted that he should play Nick as being thirty years old. See more »
When Nick is in the airport on his way to meet Tanner Bolt, he sees a photo display publicizing his wife's disappearance. The display also features Amy's basic physical characteristics- height, hair color, and eye color. It lists her eye color as brown, but Amy has grey/green eyes throughout the film. See more »
When I think of my wife, I always think of the back of her head. I picture cracking her lovely skull, unspooling her brain, trying to get answers. The primal questions of a marriage: What are you thinking? How are you feeling? What have we done to each other? What will we do?
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Instead of the traditional 20th Century Fox music that accompanies the logo in the beginning usually, a track from the soundtrack, "What Have We Done to Each Other?" (the first track) plays while the logo is shown, and continues to the Regency logo and the movie's opening credits. See more »
Nick Dunne (Ben Affleck) comes home one day to find his wife Amy (Rosamund Pike) missing. The ensuing search and all the subsequent events, which shall not be revealed here, draw the viewer closer and closer into a complex world of everyday suburban reality and everyday suburban horror.
As if it needed to be pointed out, this balance of reality and horror, or horrendous reality, is the domain of Mr. Fincher. In his clear-cut no-nonsense style he has fashioned a powerful mystery-thriller that lands somewhere between Hitchcock, Lynch, Bergman and Chabrol. Although vastly different directors, they have shared an interest in dissecting reality and human nature.
Profiting from two exceptional lead actors (doubts about Mr. Affleck's acting abilities will hopefully be dispelled), it is Ms. Pike, who reveals herself as an immensely versatile and unpredictable force in this movie. Over more than ten years Ms. Pike has played big parts in small movies, or small parts in big movies (such as Pride & Prejudice", Wrath of the Titans" or Jack Reacher"). Under the guise of Mr. Fincher she excels in every aspect and if any contenders for awards are to be named so early in the season, hers would be one of the first names (next to the outstanding cast of Richard Linklaters Boyhood") to be written down.
Visually stunning as one would expect from Fincher, with an immersive soundtrack by Trent Reznor & Atticus Ross and an editing rhythm that cuts like a knife through the tissue of the story and its characters, Gone Girl" leaves no doubt about its craft and the deceptive nature of its source novel by Gillian Flynn. The author adapted her book into a tightly wound screenplay, that adds fuel to an already burning analysis of modern marriage and human frailty.
The themes are familiar to Fincher, but he assembles them in an expertly fashion. And we are left wondering, amidst the suspense, about many of the so called estimable American values of the 20th century, that have now come crashing down under the weight of an economic, political and spiritual crisis.
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