Luke and Kate are coworkers at a brewery who spend their nights drinking and flirting heavily. One weekend away together with their significant others proves who really belongs together and who doesn't.
After a break up, Jenny moves in with writer Kelly, her filmmaker husband, and their child. Despite a rocky start, Jenny's influence helps Kelly realize that an evolution in her life, career and relationship is necessary for her happiness.
Eddie Garrett agrees to watch a duffel bag for an acquaintance who is heading to prison. When he discovers cash in the bag, he's unable to resist the temptation and winds up deeply in debt.... See full summary »
Luke and Kate are co-workers at a Chicago brewery, where they spend their days drinking and flirting. They're perfect for each other, except that they're both in relationships. Luke is in the midst of marriage talks with his girlfriend of six years, Kate is playing it cool with her music producer boyfriend Chris. But you know what makes the line between "friends" and "more than friends" really blurry? Beer.Written by
This film was entirely improvised. There was no script, and the only things the actors and the crew had was a vague outline of the plot and the order in which certain events would take place. See more »
When Kate is riding her bike to Chris's apartment for the first time, the production van carrying the camera can be seen reflected when they pass by a store window. See more »
I just needed a smaller place because my place is meant for two, and I am meant for one, so I am moving to a little place. It's good; it's got just enough room for me and my imaginary cat.
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The title of the movie only appears in the ending credits and Jason Sudeikis's character 'Gene Dentler' is credited as 'Himself'. See more »
About 30 minutes into this film, after a long time of thinking there was something peculiar about it that made it not really work, it occurred to me what was wrong. So I jumped on IMDb and confirmed my suspicion: all the dialogue here is improvised. Yeah, that doesn't often work, and it certainly doesn't here. It all felt slightly unnatural and uncomfortable, and it didn't seem to be going anywhere. Even if it had been scripted, the story (the basic story was known when the actors and directors started making it) is extremely slight. It might have been good enough, though, since the actors here are enjoyable. Jake Johnson (who kills on the Fox sitcom New Girl) plays a worker in a beer factory who is best friends with receptionist Olivia Wilde. Both are involved, he, quite seriously, with Anna Kendrick and she, not very seriously, with Ron Livingston. The four of them go on a trip to Livingston's cabin one weekend, and everything becomes awkward when Livingston steals a kiss from Kendrick when the two go on a nature hike together. This is hardly torture, but it's very forgettable.
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