Uwais plays a young man who washes ashore, an amnesiac with a serious head injury whose past comes back to haunt him shortly after being nursed back to health by a young doctor. Violence ensues. Sweet, sweet violence.
During the Japanese invasion of 1937, when a wealthy martial artist is forced to leave his home and work to support his family, he reluctantly agrees to train others in the art of Wing Chun for self-defense.
A young fighter named Kham must go to Australia to retrieve his stolen elephant. With the help of a Thai-born Australian detective, Kham must take on all comers, including a gang led by an evil woman and her two deadly bodyguards.
He thought it was over. After fighting his way out of a building filled with gangsters and madmen - a fight that left the bodies of police and gangsters alike piled in the halls - rookie Jakarta cop Rama thought it was done and he could resume a normal life. He couldn't have been more wrong. Formidable though they may have been, Rama's opponents in that fateful building were nothing more than small fish swimming in a pond much larger than he ever dreamed possible. And his triumph over the small fry has attracted the attention of the predators farther up the food chain. His family at risk, Rama has only one choice to protect his infant son and wife: He must go undercover to enter the criminal underworld himself and climb through the hierarchy of competing forces until it leads him to the corrupt politicians and police pulling the strings at the top of the heap. And so Rama begins a new odyssey of violence, a journey that will force him to set aside his own life and history and take on ...Written by
Sony Pictures Classics
According to Gareth Evans, the idea of "Hammer Girl" came to him from his first feature film, Merantau, where one of the silat styles featured is called "tiger style" because the hits are made with the palm of a hand while the fingers are kept in a claw-like position. Evans wanted an "extension" of the tiger style where a weapon would be used, and the only weapon he could think of was a claw hammer. See more »
The front license plate on Eka's car varies position while he is trying to catch Rama - sometimes it is hanging at an angle, other times it is straight. See more »
I was lucky enough to catch a limited release screening of this film here in Australia as I was in high anticipation to see it after more than enjoying the first Raid film and in no way was I disappointed with this film. This is honestly, by far, one of the best sequels in existence today. The isolated first film is completely removed of all boundaries and expanded it to this ultra-violent masterpiece. First the possible negatives for some people; this movie is very long and structured differently to the first (Beginning Story - Action Centre - Ending Story) this film follows a back and forth style of (Story - Action - Story - Action) so the accumulation of story is quite large meaning a lot of reading for English viewers. Another possible negative is the fact this film feels almost nothing like the first film, the first being like an action survival story while this film is an action, espionage, martial arts film filled with gangs and all different personalities though in my opinion this gives the film a fresh style for viewers. If you were expecting same old style you may be disappointed but there is an American remake of the first film in production. The final possible negative is the vast amount of brutal and graphic violence throughout the film, this is one of the most violent action films I have ever seen but I enjoy the extreme violence side of cinema but those with a light stomach may find this film difficult for the sheer amount of blood there is in this movie in comparison to the first. These negatives in my eyes are strong points for the film in my eyes but to others might not be. To the positives which there are plenty of, firstly and most important; the action. As you probably would've expected the action in this film is the greatest bone crunching action you will most likely see in your whole life, its gritty and incredibly well planned style makes it like a form of bloody art. Gareth Evans knows exactly what he is doing here. One of my favorite aspects of the films was the direction. The slow pans and zooms Evans uses to build suspense as well as a perfect use of slow motion, not over the top in any way, just give the film an added visual style which boosts it even further. Evans also knows exactly how to build up an action scene, one of my absolute favorite fight scenes in the film in the prison yard fight which is so incredibly well choreographed whilst having this dark and suspenseful build up to the fight. This film try's a lot of new things and all of which work for example are car chase scene which is one of the best I've seen in any movie. The story in this film delivers what the first film was lacking, putting characters in the flesh and making you care a lot more, even for the villains. And with good story and characters of course comes excellent acting which is often rare in action films, these actors are absolutely teeming with talent, all of which can act and can fight. As I read the credits I could only see two stunt doubles for the whole film which is saying something. This is an absolute must see for any action film fan, it is nothing short of a masterpiece and needs to receive the credit it absolutely deserves
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