Uwais plays a young man who washes ashore, an amnesiac with a serious head injury whose past comes back to haunt him shortly after being nursed back to health by a young doctor. Violence ensues. Sweet, sweet violence.
During the Japanese invasion of 1937, when a wealthy martial artist is forced to leave his home and work to support his family, he reluctantly agrees to train others in the art of Wing Chun for self-defense.
A young fighter named Kham must go to Australia to retrieve his stolen elephant. With the help of a Thai-born Australian detective, Kham must take on all comers, including a gang led by an evil woman and her two deadly bodyguards.
He thought it was over. After fighting his way out of a building filled with gangsters and madmen - a fight that left the bodies of police and gangsters alike piled in the halls - rookie Jakarta cop Rama thought it was done and he could resume a normal life. He couldn't have been more wrong. Formidable though they may have been, Rama's opponents in that fateful building were nothing more than small fish swimming in a pond much larger than he ever dreamed possible. And his triumph over the small fry has attracted the attention of the predators farther up the food chain. His family at risk, Rama has only one choice to protect his infant son and wife: He must go undercover to enter the criminal underworld himself and climb through the hierarchy of competing forces until it leads him to the corrupt politicians and police pulling the strings at the top of the heap. And so Rama begins a new odyssey of violence, a journey that will force him to set aside his own life and history and take on ...Written by
Sony Pictures Classics
The principal photography began on January 20th, 2013, and the production wrapped up in the first week of August 2013. See more »
During a shootout, Topan crawls to his safe to retrieve a gun. He hurriedly dials in a combination, grabs the door's handle, and then pulls the safe open without first turning the handle.
That can only mean that the safe wasn't actually locked in the first place. Dialing in the right combination allows the handle to be rotated. It's only through turning the handle do the bolts move to lock or unlock the door. See more »
It's a question of ambition, really. Let me rephrase that. It's a matter of limitation. And the importance of knowing yours.
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US release was cut "by frames" (as stated by director Gareth Evans) to avoid an NC-17 rating by the MPAA. The cuts only total around 5 seconds. They include a medium shot of Lieutenant Wahyu being shot, a brief additional shot of Uco cutting the throat of one of the bound men, Prakoso stabbing one of his attackers at the nightclub three times in the neck with a broken bottle, shot extensions when Hammer Girl attacks the bodyguards on the subway, and a longer shot of Rama killing the assassin in the kitchen. See more »
An Excellent Sequel and Fantastic Action / Martial Arts Movie
The first movie 'The Raid: Redemption' set the bar for action movies. With its fast paced action and believable fight scene choreography whilst not being over the top with an aim for realism that would diminish the combat's entertainment factor.
With 'The Raid 2: Berandal', we are brought back into the gritty world of the first movie directly following where the story left off. The viewers are introduced to an entirely new perspective on the world where the first movie is set. In the first movie we are locked in the one perspective of Rama and his battle through the building, whilst in the sequel we learn that this all takes place as part of a much larger setting. We find out that realism is not the aim of the series and instead its a world of gangsters, villains and corruption.
Evans is able to introduce new characters like the 'Hammer Girl' and the 'Baseball Bat' guy without making them seem totally over the top and ridiculous. We also get to watch them fight and are able to enjoy their unique styles rather than the usual, 'this character is a bad guy' scenes to barely introduce them.
The fight scenes are excellently choreographed and the way they are shot is spectacular, a lot of imagination and ingenuity is used to really throw the viewer directly into the action. The gore and violence level reflect far more realistic outcomes considering the brutality of both the scenarios and the weapons.
When I try to compare this to the usual Hollywood blockbuster action movies reduced to PG13 to get more people in to watch it, its impossible. The movie delivers far more in the way of action and fight sequences whilst maintaining a sensible and cohesive plot.
If you are expecting(for some bizarre reason) to see an amazing plot to compare to The Godfather or The Departed you probably are expecting the wrong things. If you are expecting to see a amazing fighting / martial arts movie with a believable plot you wont be disappointed. The movie reminded me a little of a Tarantino film with its characters, something like Kill Bill. But instead with way way way better fight scenes and frankly, a better plot as well.
Overall considering where this movie is from and the cast involved etc any negative rating is totally undeserved. Whilst not everyone's cup of tea as far as martial arts / action movies go this movie will be impossible to top in 2014, and frankly its probably the best action movie I have seen in the last decade, it will be on the top of my list for a while.
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