Uwais plays a young man who washes ashore, an amnesiac with a serious head injury whose past comes back to haunt him shortly after being nursed back to health by a young doctor. Violence ensues. Sweet, sweet violence.
A young fighter named Kham must go to Australia to retrieve his stolen elephant. With the help of a Thai-born Australian detective, Kham must take on all comers, including a gang led by an evil woman and her two deadly bodyguards.
During the Japanese invasion of 1937, when a wealthy martial artist is forced to leave his home and work to support his family, he reluctantly agrees to train others in the art of Wing Chun for self-defense.
He thought it was over. After fighting his way out of a building filled with gangsters and madmen - a fight that left the bodies of police and gangsters alike piled in the halls - rookie Jakarta cop Rama thought it was done and he could resume a normal life. He couldn't have been more wrong. Formidable though they may have been, Rama's opponents in that fateful building were nothing more than small fish swimming in a pond much larger than he ever dreamed possible. And his triumph over the small fry has attracted the attention of the predators farther up the food chain. His family at risk, Rama has only one choice to protect his infant son and wife: He must go undercover to enter the criminal underworld himself and climb through the hierarchy of competing forces until it leads him to the corrupt politicians and police pulling the strings at the top of the heap. And so Rama begins a new odyssey of violence, a journey that will force him to set aside his own life and history and take on ...Written by
Sony Pictures Classics
The final epic kitchen fight scene took 8 days to film and contains 195 shots and is a favorite of the director Gareth Evans. See more »
When Eka first calls Rama when he's still in his suite, the name appears on his phone in all caps. However, when he calls Rama later on when he's catching up with him in his car, only the first letter of his name is capitalized. See more »
It's a question of ambition, really. Let me rephrase that. It's a matter of limitation. And the importance of knowing yours.
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The most highly anticipated film of my life, and it actually met those expectations
Note: Check me out as the "Asian Movie Enthusiast" on YouTube, where I review tons of Asian movies.
The Raid 2: Berandal (2014) (Indonesian Action).
Viewed on March 28th at the Regal E-Walk cinema in the heart of New York City.
After surviving the apartment building raid, Iko Uwais goes undercover to take down an Indonesian crime syndicate that is feuding with an invasive Japanese yakuza clan in Jakarta. Things get out of control and everything goes to hell. That's the plot in a nutshell.
The fighting is the main draw of this film. Martial arts films are frequently under-appreciated because critics tend to downplay the artistry of orchestrating a fight sequence. In some ways it's like staging a complex dance with extremely difficult performances by physical talents who have spent their entire lives perfecting their craft. In many cases it can be even more challenging than executing a good dramatic moment. With that said, "The Raid 2" is an exquisite ballet of death with an incredible variety of expertly crafted action sequences that have a grounded, realistic feel to them. It's hard to describe, but despite the insane action there's very little outrageousness present. The choreography here is some of the best ever put on film.
There is no question that Uwais is currently the premiere martial arts star, and there is certainly no question that Gareth Evans is the greatest action director on the planet. This man is a genius in terms of visually expressing action through vivid, mind-blowing camera-work. This guy never directed a car chase sequence in his life, and yet his very first attempt is impressive. I did notice a bit more shaky cam in this film when compared to its predecessor, but one can see everything so it's not a problem. Evans is also a pro to create a crescendo of action where every fight seems to outdo the one before it. This generates an absolutely thrilling final hour that will go down in history.
The gory violence of "The Raid 2" is a big "screw you" to PG-13 action movies. Some critics are already whining about the graphic bloodletting, but these are the same guys who hand out 90% approval ratings to movies with incompetent action and no edge – *cough* "The Hunger Games 2: Catching Fire" (2013) *cough*. The gore in "The Raid 2" isn't just randomly thrown in either. It's a logical consequence of the situation and characters, and it is applied in very creative ways. I have heard that Evans was only coerced to cut a few "frames" due to the MPAA review, but I have no idea which frames those were because the now infamous shotgun kill is present in its full, unadulterated glory.
The $4.5 million budget is an even bigger "screw you" to mega budget Hollywood blockbusters. "The Raid 2" has more thrilling action than every $100+ million superhero movie I've ever seen . . . at less than 4.5% of the cost. It's almost unbelievable what these guys can do with a limited budget.
Given the exceptional quality of the action, the 148-minute runtime puts some pressure on the story to maintain its momentum between the violence. The first "Raid" received much criticism that asserted a generic story and undeveloped characters, but I felt that it nevertheless established a "feel" for the characters without the need for long-winded exposition. That "feel" can add quite a bit to an action film. "The Raid 2" spends more time setting up its premise, which results in some genuine plot and character development. It attempts to do this by taking a generic gangster template and infusing it with a sprawling crime saga that implements many characters. This is essentially a "chess board" setup where numerous pieces are first put into place, allowing for many possible confrontations. The viewer is therefore able to relish the moment when a particular piece attacks and takes down another, revealing the actual outcome amidst the countless possibilities.
I really liked some of the supporting characters in this, and actually felt a bit sad when they died (even some of the villains!). I am a bit disappointed that both "Hammer Girl" and Baseball Bat Man" are only given a few scenes, but they are certainly memorable. I really liked that brief moment where Hammer Girl picked up her hammers on the bar shelf. It was slightly child-like and innocent, like she was going out to play with friends. This brief, split-second moment can communicate a lot about her character.
I suppose it helps to already be a fan of the actors and actresses here, since there are a number of familiar faces from both Indonesian and Japanese film industries. Needless to say, the performances are top notch. The Japanese actors have their little moments, but they could have been given more to do in this. Maybe "The Raid 3" will give them more time in the spotlight.
Overall, "The Raid 2" is a very satisfying action film that justifies its hype after just one viewing. It's simply spectacular.
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