The death of the minotavr talks about the concept of the heroine's journey. In this integration of the audiovisual diptych composed by Mauve (2022) and Minotavr (2022), suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to Minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the Minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth. A hybrid, experimental and silent film that shows the darkness before escaping the labyrinth. Digital photography, Midraf calligraphy (an alphabet created by the filmmaker from dreams and altered states of consciousness), collage and automatismos are part of the visual language of the film, in which the archetype of the Jungian shadow is referenced. The death of the minotavr is a video art considered in the fourth wave feminism.
