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Title: I'm So Excited! (2013)
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| Cast overview, first billed only: | |||
| Antonio Banderas | ... | León | |
| Penélope Cruz | ... | Jessica | |
 |
Coté Soler | ... | Operario 2 (as Cote Soler) |
| Antonio de la Torre | ... | Álex Acero | |
| Hugo Silva | ... | Benito Morón | |
| Miguel Ángel Silvestre | ... | Novio | |
| Laya Martí | ... | Novia | |
| Javier Cámara | ... | Joserra | |
| Carlos Areces | ... | Fajas | |
| Raúl Arévalo | ... | Ulloa | |
| Pepa Charro | ... | Piluca (azafata 1) | |
| Nasser Saleh | ... | Joven étnico | |
|
|
Concha Galán | ... | Señora clase turista |
| José María Yazpik | ... | Infante (as José Mª Yazpik) | |
| Guillermo Toledo | ... | Ricardo Galán | |
A technical failure has endangered the lives of the people on board Peninsula Flight 2549. The pilots are striving, along with their colleagues in the Control Center, to find a solution. The flight attendants and the chief steward are atypical, baroque characters who, in the face of danger, try to forget their own personal problems and devote themselves body and soul to the task of making the flight as enjoyable as possible for the passengers, while they wait for a solution. Life in the clouds is as complicated as it is at ground level, and for the same reasons, which could be summarized in two: sex and death. Written by Production
Sometimes you go into a movie simply wanting a little fun. After so many years of Pedro Almodovar making twisted psychodramas and searing romances, often to acclaim like Academy Award nominations/wins and film festivals across the world, we now have a total screwball comedy that is another 'bottle' comedy from summer last year (remember This is the End all staged in one place). It's a filmmaker not going for anything serious, anything too deep, anything that will be About The Human Condition (in caps). And if there is, that's icing on the cake. This is just about farce, in the lightest ways for this filmmaker now in his latter years.
Here you get to see what these characters do at the end of their self-involved ropes. There's a lot of energy and a lot of silliness with these characters, played by actors who are familiar players in this director's oeuvre, but the sketches click mostly. It's only when Almodovar leaves the plane for a scene where a character calls a woman and we see her story for a bit that it drags and loses its energy.
But those male flight attendants are hysterical, in timing and how they express everything as BIG and frantic as possible, and when the music number of the film's title hits it finally releases one of only thinking of the song as that scene from Saved by the Bell (or maybe it's just for me it did). Fast, loose, and knowing how goofy it is, its movie-making that hits the spot at the end of a long day and maybe with a little drink on the side (minus he mescaline).