6.5/10
85,267
194 user 326 critic

Money Monster (2016)

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2:33 | Trailer

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Financial TV host Lee Gates and his producer Patty are put in an extreme situation when an irate investor takes them and their crew as hostage.

Director:

Jodie Foster

Writers:

Jamie Linden (screenplay), Alan DiFiore (screenplay) | 3 more credits »
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Popularity
2,639 ( 137)
2 nominations. See more awards »

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Cast

Cast overview, first billed only:
George Clooney ... Lee Gates
Julia Roberts ... Patty Fenn
Jack O'Connell ... Kyle Budwell
Dominic West ... Walt Camby
Caitriona Balfe ... Diane Lester
Giancarlo Esposito ... Captain Powell
Christopher Denham ... Ron Sprecher
Lenny Venito ... Lenny (The Cameraman)
Chris Bauer ... Lt. Nelson
Dennis Boutsikaris ... Avery Goodloe CFO
Emily Meade ... Molly
Condola Rashad ... Bree (The Assistant)
Aaron Yoo ... Won Joon
Carsey Walker Jr. Carsey Walker Jr. ... Tech Sam
Grant Rosenmeyer ... Tech Dave
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Storyline

In the real-time, high stakes thriller Money Monster, George Clooney and Julia Roberts star as financial TV host Lee Gates and his producer Patty, who are put in an extreme situation when an irate investor who has lost everything (Jack O'Connell) forcefully takes over their studio. During a tense standoff broadcast to millions on live TV, Lee and Patty must work furiously against the clock to unravel the mystery behind a conspiracy at the heart of today's fast-paced, high-tech global markets. Written by Sony Pictures Entertainment

Plot Summary | Plot Synopsis

Taglines:

Anyone who can get out, get out right now. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for language throughout, some sexuality and brief violence. | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Korean | Icelandic | Russian

Release Date:

13 May 2016 (USA) See more »

Also Known As:

El maestro del dinero See more »

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Box Office

Budget:

$27,000,000 (estimated)

Opening Weekend USA:

$14,788,157, 15 May 2016, Wide Release

Gross USA:

$41,012,075, 4 August 2016

Cumulative Worldwide Gross:

$92,766,958, 4 August 2016
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

George Clooney has become a fan of Jack O'Connell's hometown football team, Derby County. See more »

Goofs

After Kyle finishes the conversation with Diane Lester via TV, he is clearly releasing his left thumb holding the "dead man's switch", making the red button clearly go up, which should have detonated the explosives. See more »

Quotes

[first lines]
Lee Gates: Okay, here we go. Are you listening? Are you paying attention out there? Good. Because it's about to get complicated, so I'm gonna start out slow and make it nice and simple for you. You don't have a *clue* where your money is. See, once upon a time, you could walk into your bank, and they'd open a vault and point to a gold brick. Not anymore. Your money - that thing that you bust your ass for - it's nothing more than a few photons of energy traveling through a massive network of ...
[...]
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Soundtracks

What Makes The World Go Round? (MONEY!)
Written by Dan Nakamura (as Daniel Nakamura) and Del (as Teren Delvon Jones)
Additional Arrangement by Daniel Rojas
Produced by Dan Nakamura (as Dan The Automator)
Performed by Dan Nakamura (as Dan The Automator) featuring Del (as Del The Funky Homosapien)
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User Reviews

 
6.5/10
12 May 2016 | by James_De_BelloSee all my reviews

Despite a failure to realize its full potential and become something like this decade's "Inside Man", which ironically Jodie Foster stars in and from which the film clearly takes a page or two, "Money Monster"is a fine thriller that doesn't run too low on adrenaline or surprise and even manages to squeeze in some genuine commentary and emotion.

What the film has to be commended for is for not presenting an easy way out of things. It presents an enormous amount of ideas and moralities and doesn't cheapen things to black and white. The fact is that this variety and complexity of points of views isn't brought to the screen in the most organic way. If you compare every story beat to a brick in a wall I'd say the wall stands up overall because of a major presence of strong bricks in it, but it is repeatedly undermined by the lesser, but notable percentage of weaker beats.

Many times when you think the film has finally won you over, in comes something, an out of place action or a character, that really takes you out of the groove. Yet, also the exact opposite is true: for every time I thought the movie just did something that it wouldn't be able to recover from, in came a new twist that sparked my interest again. What it ultimately comes down to is the fact that the screenplay always keeps giving some new challenge to the characters or the audience, it is relentlessly paced and so despite the fact that some don't work, the majority do and it is always fresh enough for the viewer to put aside what is not working and focus on the interesting parts.

Talking about the parts that don't work, I noticed the film does a little too much spoon feeding to the audience. Sometimes situations aren't given a chance to breathe and make the editing do the storytelling and we are fed exposition by characters or the characters themselves overcome an obstacle or further the story by coincidence and you aren't really sold on why some of the stuff that's happening is happening. That's the inherent problem of the film, which it never overcomes, you are never 100% free of doubt or hesitation on character motivation or plot developments and that deeply undermines the overall structure of the thriller. All the problematic parts arise because of a lack of subtlety in them.

That is frustrating when you consider the fact that there is a lot subtlety in the film which works and which ultimately makes this a good ride. When it is not preaching to you the film really has it, characters, performances, Jack O'Connel is really great in this, cinematography, script, these elements are all in good place. As I said before, the majority of the moral issues that are presented to you work because they are all in the subtext of what is going on, those parts make for a thrilling watch, it's when it got too on the nose that it really bothered me.

I loved the setup, the cast, the conversation it brought up, the tight pace, I just wish it could have trusted the audience a little more and focused on less fancy material at times to bring a more complete film together.


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