Koch (2012)

A documentary on Ed Koch, the mayor of New York City from 1978 to 1989.

Director:

Neil Barsky

Stars:

Ed Koch, Michael Bloomberg, Calvin O. Butts III

Cast

Credited cast:
Ed Koch	...	Himself
Rest of cast listed alphabetically:
Michael Bloomberg	...	Himself
Calvin O. Butts III	...	Himself
Carl McCall	...	Himself
Christine Quinn	...	Herself
Charles Rangel	...	Himself

Storyline

Three-time New York City Mayor (1978-1989) Ed Koch was combative, funny, and blunt. He was also intensely private. 'Koch' gives us a contemporary history of the world's greatest city, and an intimate portrait of the 86-year old former mayor, as he confronts his own mortality and legacy. The film examines issues still relevant today - race, homelessness, AIDS, and gay rights - and gives us a window into the trials and tribulations of the nation's most famous mayor in the world's most wondrous city.

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Taglines:

The man. The mayor. The movie.

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Genres:

Documentary | Biography | History

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Certificate:

Not Rated

Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

8 October 2012 (USA)

Box Office

Opening Weekend USA:

$35,196, 3 February 2013, Limited Release

Gross USA:

$342,212, 19 May 2013

Company Credits

Technical Specs

Runtime:

100 min

Color:

Color

User Reviews

a warts-and-all look at one of NYC's most colorful figures

Marking the directorial debut of journalist Neil Barsky, the documentary "Koch" provides us with a comprehensive look at one of the most outspoken, colorful and controversial mayors in New York City history. Ed Koch served in that role for three tumultuous terms, from 1978 to 1989. He continued on as a robust, politically active advocate for the city he loved until his death on February 1, 2013 at the ripe old age of 88 (an event that happened shortly after the release of the movie).

The movie begins in 1977, a low point in New York City history, when the city itself was facing bankruptcy, the serial killer known as the Son of Sam was terrorizing the citizenry, and crime and hopelessness were the order of the day. It was into this quagmire of despair and seemingly intractable problems that a comparatively obscure New York congressman named Ed Koch ran for and won the highest office in the biggest city in America. The movie goes on to chronicle the ups and downs of Koch's time in office, his often uneasy relationship with large segments of the black community (charges of racism were not uncommon throughout his career), the emergence of the city from the shadows of bankruptcy under his leadership and the transformation of areas like Times Square from "dens of iniquity" to vibrant centers of tourism and business, bringing life back to the community. The movie also addresses the rumors of homosexuality that dogged Koch throughout his life, sometimes to the detriment of his career as a politician and sometimes not.

If Koch could be pigeonholed, he could be most accurately described as a fiscal conservative and a social liberal who believed strongly in gay rights and a woman's right to choose. This dichotomy frequently alienated a number of his natural constituencies, resulting in Koch's reputation for being forceful and courageous and for always being his own man. He also craved the spotlight and was not afraid to let his freak flag fly in pop culture settings, ranging from bit parts in movies (often playing himself) to roles on Broadway and appearances on "Saturday Night Live." In his third term, beginning in the mid '80's, Koch was haunted by a corruption scandal that permeated the city government (crimes investigated by an up-and-coming prosecutor by the name of Rudy Giuliani) and by a gay community that felt Koch was not responding with proper force to the then-burgeoning AIDS crisis. But this term was also marked by Koch's push for affordable housing and a falling crime rate. It was also the period in which he suffered a stroke. Finally, Koch was defeated in his attempt at securing a fourth term as mayor, but, even out of office and despite declining health, he remained ever active and engaged in the affairs of his town.

Because Koch died almost immediately after its release, there is obviously no reference to his passing in the movie. It also means that Koch is able to tell his own story in his own words, eliminating the need for a voice-over narrator. And all his friends, critics and colleagues get to speak of him as well in the present tense.

Thus, what was originally intended as a tribute has become a moving elegy to a man who, for all his failings, made his mark on the city as few others ever have or ever will.