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Dear White People (2014)

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The lives of four black students at an Ivy League college.

Director:

Justin Simien

Writer:

Justin Simien (screenplay)
14 wins & 27 nominations. See more awards »

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Cast

Cast overview, first billed only:
Tyler James Williams ... Lionel Higgins
Tessa Thompson ... Samantha White
Kyle Gallner ... Kurt Fletcher
Teyonah Parris ... Colandrea 'Coco' Conners
Brandon P Bell ... Troy Fairbanks (as Brandon Bell)
Brittany Curran ... Sofia Fletcher
Justin Dobies ... Gabe
Marque Richardson ... Reggie
Malcolm Barrett ... Helmut West
Dennis Haysbert ... Dean Fairbanks
Peter Syvertsen ... President Fletcher
Brandon Alter ... George
Kate Gaulke ... Annie (as Katie Gaulke)
Brian James Brian James ... Martin
Keith Myers ... Mitch
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Storyline

A social satire that follows the stories of four black students at an Ivy League college where controversy breaks out over a popular but offensive black-face party thrown by white students. With tongue planted firmly in cheek, the film explores racial identity in acutely-not-post-racial America while weaving a universal story of forging one's unique path in the world. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

A satire about being a black face in a white place

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language, sexual content and drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

4 December 2014 (Brazil) See more »

Also Known As:

Cara Gente Branca See more »

Filming Locations:

Minneapolis, Minnesota, USA See more »

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Box Office

Opening Weekend USA:

$347,959, 19 October 2014

Gross USA:

$4,404,154

Cumulative Worldwide Gross:

$4,633,961
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color
See full technical specs »
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Did You Know?

Trivia

Sam's essay about racism in the film Gremlins is a reference to Patricia A Turner's book "Ceramic Uncles and Celluloid Mammies". The book analyses depictions of blacks in American culture, and the film Gremlins is analyzed. See more »

Goofs

When Sam is in the dining hall and chastises Kurt for eating in their dining hall - just before she stands up; she closes her Macbook twice. See more »

Quotes

Gabe: [Gabe and Sam are locked in Sam's room arguing] I'm sorry if I can't be your Nubian Prince on my black horse ready to take you back to fucking Zamunda.
Sam White: That's not a real African country.
Gabe: Can I at least get a little credit for a solid 'Coming to America' reference? This isn't you Sam.
Sam White: No? And who am I?
Gabe: You're this girl...
Sam White: Perceptive...
Gabe: Who likes to argue with me about *every fucking thing.* And I hate it because we both know you're smarter than me. Your favorite director is Bergman. But you tell ...
[...]
See more »

Crazy Credits

The end credits include photographs of the real-life blackface (and brownface) college parties that inspired the film's climax. See more »

Connections

References Coming to America (1988) See more »

Soundtracks

Relentless Chase
Composed by Keith Nichols
Courtesy of KPM APM
See more »

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User Reviews

 
Doesn't Deliver on Promising Trailer
31 March 2015 | by KetzelSee all my reviews

I am glad that this film addresses the important issue of racism on college campuses, and I have no disagreement with its political or social justice messages. Any sincere attempt by a filmmaker to make these experiences visible to the broader public is a good thing.

As a white educator who actually attended and later taught at top- tier colleges, I had been looking forward to experiencing a new sharp creative critique of American racism on college campuses as promised by the film's trailer.

This film utterly failed in its attempts to entertain or provoke. It did not provide me even with the typical pleasures of cinema, let alone fresh insight into its subject. It was little more than a leaden slow-moving soap opera with a contrived plot, oddly dressed characters and unconvincing dialogue. In my experience of elite campuses, it is the rare Ivy student (of any race) who routinely dresses like a junior business executive and uses this sort of pretentious speech pattern. Watching this film was like watching a Western in which all the characters had British accents and wore kimonos.

For readers who seek moving and insightful films on racism, I highly recommend Spike Lee "joints" which provide viewers with superior entertainment, dialogue, characters, plot, provocation and insight.


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