Dave Skylark and his producer Aaron Rapoport run the celebrity tabloid show "Skylark Tonight". When they land an interview with a surprise fan, North Korean dictator Kim Jong-un, they are recruited by the CIA to turn their trip to Pyongyang into an assassination mission.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Jon Martello objectifies everything in his life: his apartment, his car, his family, his church, and, of course, women. His buddies even call him Don Jon because of his ability to pull "10s" every weekend without fail. Yet even the finest flings don't compare to the transcendent bliss he achieves alone in front of the computer watching pornography. Dissatisfied, he embarks on a journey to find a more gratifying sex life, but ends up learning larger lessons of life and love through relationships with two very different women. Written by
(Somewhat Spoiler-y) I've dated an older woman, and in a lot of ways she tried to tell me the same things Esther tells Jon. In fact I remember a few distinctly similar interactions, so on that level the movie really spoke to me.
I imagine one could say the movie relies on some clichés, just enough to satisfy the romance/comedy genre, but it uses them in very unique ways to tell a story that at least seems a little more real. Sort of like 500 Days (of Summer) on steroids. No pun intended. In fact it may be even safe to say that Don Jon is the next chapter in the 500 Days saga, albeit with a different character. Perhaps one made cynical by the events of JGL last romance comedy outing.
Don Jon has graduated beyond puppy love, certainly, and onto full blown adult fun. But the movie is very biting, and sort of tears apart his self-serving agenda.
A lot of people seem to be caught up in the "porn" aspect of the movie, but honestly the "porn" is a metaphor, no more important to the gym-tan-laundry-sexualized commercials.
There are only two real female characters in the film: Esther, and Jon's quiet-except-for-one-powerful-line sister. The sister in fact almost makes the movie, as they use her small character to incredible effect.
The movie does a nice job of tricking the audience into rooting for Jon and Barbara, of course it's all a ploy. They even set up Esther as a sort of antagonist. She is enticing yet feels all wrong for Jon. Older, sort of run down, maybe a bit of a predator of weak men, the movie isn't very clear about her at the start. She runs completely counter to the stereotypes of women as set up by the film. She is far from perfect, but Moore makes her believably beautiful. I truly doubt many other actresses could've sold this role in the way she did. While her age played right into the character she probably was right for the character for mostly other reasons.
I don't think the movie is overall that outstanding. Many of the jokes fall flat, and some of it is tedious. In fact the vast majority of it could be considered filler, but the end is so incredible it does a great job of tying all these scenes together in a way that makes perfect sense and delivers a powerful message. Without completely ruining it the end embraces the typical cliché, but flips it on it's head. What results is a very mature version of what audiences have come to expect from these types of movies. The same, but also very different.
I would expect JGL will have continued success as a Director and actor.
The guy truly gets it.
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