A reclusive American composer with an online following has a tentative romance with a beautiful social worker. This offers a glimmer of hope, but his mind fractures as the voices in his ...
See full summary »
After his father is killed in a car crash, Jack travels home to Colorado to help nurse his mother (who was injured in the crash) back to health. There, he uncovers long buried secrets and ... See full summary »
Director:
Thomas Dekker
Stars:
Rory Culkin,
Nando Del Castillo,
Sally Del Castillo
After his mother is tragically killed, a privileged young man discovers that he was the product of a vicious rape, and so he sets out to track down his sinister biological father.
Asks the question, Is it really possible to relate to ones parents and siblings after being replaced by the family dog? . . . Perhaps as friends - weird friends?
In a community where social status is a birthright and newcomers are kept at a distance, a closeted gay teen is out to destroy the relationship between a girl and the boy he secretly loves.
Twin boys move to a new home with their mother after she has face changing cosmetic surgery, but under her bandages is someone the children don't recognize.
Directors:
Severin Fiala,
Veronika Franz
Stars:
Lukas Schwarz,
Elias Schwarz,
Susanne Wuest
Young real estate agent Clara Morales encouraged risky loans to her clients during the housing boom. She must now rescue her father's home from foreclosure-- a consequence of the loan she advised him to take.
Director:
Odin Ozdil
Stars:
Michael Ironside,
Rutina Wesley,
Erick Avari
With marriage, graduation, and the real world looming on the horizon, fifth year senior Caleb Fuller reassembles the ol' team of misfits for one last epic run in Intramural football.
Two best friends caught in a twenty-first century love triangle spanning space, time and sexuality. Three fraught relationships in an age of text message and Skype.
A reclusive American composer with an online following has a tentative romance with a beautiful social worker. This offers a glimmer of hope, but his mind fractures as the voices in his head grow louder and more destructive.Written by
Cima
Enter the Dangerous Mind had a great concept that was refreshing and extremely cerebral, honestly, it sounded great. Unfortunately for anyone looking forward to this film, this was quite possibly not only one of the worst films I've seen in a while but it also features some of the worst acting I've seen since Troll 2. The only way to describe this film in a nutshell is that it is like watching Uwe Boll emulate Nicolas Winding Refn. It is horrendous. The story follows a young dubstep DJ by the name of Jim who falls for a beautiful social worker only to have voices in his head drive him insane. While this sounds like a nice blend of cerebral psychological romantic drama mixed with a bit of horror, it is anything but. It is essentially a terribly acted film about the outcast getting the pretty girl only to have his nerves get the best of him in the form of inner demon voices that tell him to do terrible things by the end of it all. The acting in this film is abysmal, starring a slew of B-movie actors such as Jake Hoffman, Thomas Dekker, and Nikki Reed, it sinks in a matter of seconds as the acting gets to be so bad that you start to question whether this is supposed to be a hard hitting psycho-drama or a really bad comedy. My biggest problem with this film is Hoffman as Jim. He is unbelievable in every frame and approaches his character's musical tendencies as if he doesn't have a clue. Now, I'm not sure how Hoffman prepared for this role but judging from what we see on screen, I doubt he even knew what dubstep was let alone how to make it. Nikki Reed wasn't as bad as the rest of the pack, but it still would have been nice to see her try just a little bit. The true artistic criminals here are the directors, Youssef Delara and Victor Teran, the latter being the screenwriter as well. Delara and Teran have absolutely no idea how to keep up the pace. Just because your film is a brisk 88 minutes, doesn't mean that it is automatically going to be paced well. Quite the contrary, this film is paced terribly and has no balance to it whatsoever. One minute we're in a love story, the next minute we are plagued by Delara and Teran's half assed attempts at cerebral cinema, it makes for a brutally and painfully boring film that never clicks. Overall, if you have the chance to see this film, don't...run as far and as fast as you can and if you think you're far enough, you're not, keep running until you forget the name of this terrible, ridiculous attempt at a really cool concept.
16 of 32 people found this review helpful.
Was this review helpful to you?
| Report this
Enter the Dangerous Mind had a great concept that was refreshing and extremely cerebral, honestly, it sounded great. Unfortunately for anyone looking forward to this film, this was quite possibly not only one of the worst films I've seen in a while but it also features some of the worst acting I've seen since Troll 2. The only way to describe this film in a nutshell is that it is like watching Uwe Boll emulate Nicolas Winding Refn. It is horrendous. The story follows a young dubstep DJ by the name of Jim who falls for a beautiful social worker only to have voices in his head drive him insane. While this sounds like a nice blend of cerebral psychological romantic drama mixed with a bit of horror, it is anything but. It is essentially a terribly acted film about the outcast getting the pretty girl only to have his nerves get the best of him in the form of inner demon voices that tell him to do terrible things by the end of it all. The acting in this film is abysmal, starring a slew of B-movie actors such as Jake Hoffman, Thomas Dekker, and Nikki Reed, it sinks in a matter of seconds as the acting gets to be so bad that you start to question whether this is supposed to be a hard hitting psycho-drama or a really bad comedy. My biggest problem with this film is Hoffman as Jim. He is unbelievable in every frame and approaches his character's musical tendencies as if he doesn't have a clue. Now, I'm not sure how Hoffman prepared for this role but judging from what we see on screen, I doubt he even knew what dubstep was let alone how to make it. Nikki Reed wasn't as bad as the rest of the pack, but it still would have been nice to see her try just a little bit. The true artistic criminals here are the directors, Youssef Delara and Victor Teran, the latter being the screenwriter as well. Delara and Teran have absolutely no idea how to keep up the pace. Just because your film is a brisk 88 minutes, doesn't mean that it is automatically going to be paced well. Quite the contrary, this film is paced terribly and has no balance to it whatsoever. One minute we're in a love story, the next minute we are plagued by Delara and Teran's half assed attempts at cerebral cinema, it makes for a brutally and painfully boring film that never clicks. Overall, if you have the chance to see this film, don't...run as far and as fast as you can and if you think you're far enough, you're not, keep running until you forget the name of this terrible, ridiculous attempt at a really cool concept.