A documentary about the impact of the newspaper comic strip "Calvin and Hobbes", created by Bill Watterson.





Cast overview, first billed only:
Berkeley Breathed ... Self
Seth Green ... Self
Stephan Pastis ... Self
Bill Amend Bill Amend ... Self
Jef Mallett ... Self
Dave Kellett Dave Kellett ... Self
Jan Eliot Jan Eliot ... Self
Lee Salem ... Self
Wiley Miller ... Self
Nevin Martell Nevin Martell ... Self
Jean Schulz Jean Schulz ... Self
Dan Piraro Dan Piraro ... Self
Keith Knight Keith Knight ... Self
Lucas Turnbloom Lucas Turnbloom ... Self
Andrew Farago Andrew Farago ... Self


Of American newspaper comic strips, few great ones have been so short-lived, and yet so enduring in the public, than "Calvin and Hobbes" by Bill Watterson. This film explores the strip, its special artistic qualities and its extraordinary lasting appeal decades after its conclusion. Furthermore, the film explores the impact of Bill Watterson, a cartoonist with high artistic ideals and firm principles who defied the business conventions of a declining medium. Although he forwent a merchandising fortune for his strip, various associates and colleagues speak about how Watterson created a legacy that would be an inspiration for years to come. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Add Synopsis


An Exploration of Calvin & Hobbes





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Crazy Credits

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References Star Wars: Episode IV - A New Hope (1977) See more »


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User Reviews

Let's Go Exploring!
7 December 2013 | by ferguson-6See all my reviews

Greetings again from the darkness. Two upfront admissions: First, I am not a comic strip historian. Second, there have been a hand full of comic strips that I have been obsessively "drawn" to, and Calvin and Hobbes was definitely one of them. Any fan of C&H would not miss the chance to see a documentary that might provide some insight into the genius behind the imaginative boy and his feline friend. Bill Watterson is now as famous for his life as an extreme recluse as he is for his artistry on the little boy and his feline friend.

Directed by uber fan Joel Allen Schroeder, we are presented with a steady stream of talking heads interrupted periodically by Schroeder's trips to the Cartoon Museum, Ohio State University library, and Chagrin Falls, Ohio (Watterson's hometown and the foundation of the Calvin and Hobbes world). Many of the talking heads are other cartoonists who remain in awe of Watterson's works. We get a glimpse into the business side as we hear from an executive at Universal Press Syndicate, Watterson's publisher. There is also a segment with Jean Schulz, the widow of Charles "Sparky" Schulz, the man behind "Peanuts".

Since we see so little of the actual published work, we lean heavily on the spoken words of those interviewed ... kind of frustrating when the subject is a medium of such visual relevance. Even more frustrating is the lack of insight into Watterson as an artist. Instead, the director rehashes what we already know from following the work. Watterson's "high art vs. low art" arguments are mentioned as is his belief that imagination and creativity are crucial to the good life.

By far the most interesting commentary comes from Stephan Pastis, known for his "Pearls Before Swine". Pastis not only admires Watterson's legacy but he provides insight into the world of artists who are constantly under the pressure of commercialism, and often find themselves doing business with those they have little in common with. He explains Watterson's vision and integrity in denying licensing rights to Calvin and Hobbes. Leaving hundreds of millions of dollars on the table by refusing to allow Calvin and Hobbes lunch boxes, t-shirts, stuffed animals, etc ... clearly shows that Watterson's vision was not about revenue, but rather about artistic integrity. The comparison to Snoopy selling insurance make the point quite directly.

So we walk away with no more insight into Watterson, no more insight into Calvin and Hobbes, but a clear understanding of the industry respect that the work carries. We all share the pure joy of reading and re-reading our favorite panels and not just the smiles they bring, but also the multiple layers of observation delivered by a boy and his tiger. It's reminder to keep your imagination active and never miss a chance to go exploring!

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Release Date:

18 May 2014 (Netherlands) See more »

Also Known As:

ディア・ミスター・ワターソン See more »

Filming Locations:

Appleton, Wisconsin, USA See more »


Box Office

Opening Weekend USA:

$6,199, 17 November 2013

Gross USA:


Cumulative Worldwide Gross:

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Company Credits

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Technical Specs




Aspect Ratio:

16:9 HD
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