A confused religious girl tries to deny her feelings for a female friend who's in love with her. This causes her suppressed subconsciously-controlled psychokinetic powers to reemerge with devastating results.
Forsaken in a new Oslo apartment, a frail blind woman battles to come to terms with her condition, as she slowly retracts into an elaborate fantasy bubble. Are her stories fanning her suspicions, or is this what total blindness looks like?
Ellen Dorrit Petersen,
Karl Ove Knausgaard, renowned Norweigian novelist, is asked to curate an exhibition of compatriot Edvard Munch's work. This documentary follows Knausgaard's process as he opines about Norway, art, aging and more.
Karl Ove Knausgård
Isabelle and Gérard go to a strange appointment in Death Valley, California. They have not seen each other for years and are here to answer to an invitation from their son Michael, a ... See full summary »
The story of the five-day interview between Rolling Stone reporter David Lipsky and acclaimed novelist David Foster Wallace, which took place right after the 1996 publication of Wallace's groundbreaking epic novel, 'Infinite Jest.'
A clerk in a government agency finds his unenviable life takes a turn for the horrific with the arrival of a new co-worker who is both his exact physical double and his opposite - confident, charismatic and seductive with women.
An upcoming exhibition celebrating photographer Isabelle Reed three years after her untimely death, brings her eldest son Jonah back to the family house - forcing him to spend more time with his father Gene and withdrawn younger brother Conrad than he has in years. With the three of them under the same roof, Gene tries desperately to connect with his two sons, but they struggle to reconcile their feelings about the woman they remember so differently.
Greetings again from the darkness. Sometimes we just can't "get over it". Three years after a war photographer dies in a suspicious car accident, her husband and two sons find themselves in various states of emotional distress. Everyone deals with guilt in their own way, but these three seem to be doing anything and everything to avoid actually dealing with the emotional fallout.
Writer/director Joachim Trier (Oslo, August 31) delivers his first English-speaking film with an assist from co-writer Eskil Vogt and a terrific cast. As we would expect from Mr. Trier, it's a visually stylish film with some stunning images and the timeline is anything but simple as we bounce from past to present, and from the perspective of different characters (sometimes with the same scene).
The creativity involved with the story telling and technical aspects have no impact whatsoever on the pacing. To say that the film is meticulously paced would be a kind way of saying many viewers may actually get restless/bored with how slowly things move at times. Trier uses this pacing to help us experience some of the frustration and discomfort that each of the characters feel.
Isabelle Huppert plays the mother/wife in some wonderful flashback and dream-like sequences, while Gabriel Byrne plays her surviving husband. Jesse Eisenberg as Jonah, and Devin Druid as Conrad are the sons, and as brothers they struggle to connect with each other just as the father struggles to connect with each of them. In fact, it's a film filled with characters who lie to each other, lie to themselves, and lie to others. It's no mystery why they are each miserable in their own way. The suppressed emotions are at times overwhelming, and it's especially difficult to see the youngest son struggle with social aspects of high school it's a spellbinding performance from Devin Druid ("Olive Kitteridge").
Jesse Eisenberg manages to tone down his usual hyper-obnoxious mannerisms, yet still create the most unlikable character in the film and that's saying a lot. Mr. Byrne delivers a solid performance as the Dad who is quite flawed, and other supporting work is provided by David Strathairn and Amy Ryan. The shadow cast by this woman is enormous and deep and for nearly two hours we watch the family she left behind come to grips with her death and each other. It's a film done well, but only you can decide if it sounds like a good way to spend two hours.
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