The Walk-In

STAR RATING: ***** Brilliant **** Very Good *** Okay ** Poor * Awful

An Asian dentist is brutally attacked in a convenience store in Wales, hinting at a resurgence in far right violence. Michael Collins (Stephen Graham) is a reformed Neo Nazi, who now delivers anti-hate lectures at universities and lends his support to defeating the far right. Meanwhile, Robbie Mullen (Andrew Ellis), a disaffected young man drifting from job to job, becomes weary of Britain's Muslim population, and falls under the wing of National Action, a proscribed right wing organisation. In the build up to the Brexit referendum and the murder of Jo Cox MP, he becomes aware of a plot by NA member Jack Renshaw (Dean-Charles Chapman) to murder another MP. Robbie turns to Michael and the Searchlight organisation for help, but can he be called on to ultimately do the right thing?

Depicting a tale from fairly recent times and still so relevant it could have been torn from today's headlines, this hard hitting, unflinching dramatisation of this shattering true life tale certainly packs a powerful punch. With established director Paul Andrew Williams at the helm, it's reliably gritty and grimly believable, and carries an uncomfortable relevance, given the on-going threat from far right terrorism that lurks over our daily lives. But while it's themes allow it a natural edginess, the end result still leaves you feeling a little short changed.

In yet another role that feels almost pre-written for him, Graham gives the role a natural dynamism and intensity that it requires and which, to be fair, no one could probably have done better. But it's his This is England co star Ellis, re-emerging in a supporting role that gives him space to shine as a deeply flawed, ignorant young man, reflecting his own failings on to different groups in society, without having the insight to look in on himself. There must be hundreds of others like him around the country, but this one has a glimmer of hope about him, and needs to do the right thing. The big problem is that neither of these central characters really feel as fleshed out as they could have been, lacking a more in-depth examination of who they are, and their motivations for who they were and who they became.

It's still a compelling and fascinating tale, with reliably strong central performances, as well as sturdy support from the likes of Bobby Schofield, it just sadly doesn't deliver quite the end payoff it could have. ***