IMDb RATING
7.0/10
3.6K
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A chronicle of the tragic love affair between American poet Elizabeth Bishop and Brazilian architect Lota de Macedo Soares.A chronicle of the tragic love affair between American poet Elizabeth Bishop and Brazilian architect Lota de Macedo Soares.A chronicle of the tragic love affair between American poet Elizabeth Bishop and Brazilian architect Lota de Macedo Soares.
- Awards
- 9 wins & 21 nominations
Storyline
Did you know
- TriviaFour paragraphs appear between the end of the film and the beginning of the credits.
1. "Few women write major poetry. Only four stand with our best men: Emily Dickinson, Marianne Moore, Elizabeth Bishop and Sylvia Plath." - Robert Lowell
2. "I'd rather be called the 'The 16th Poet' with no reference to my sex, than one of 4 women - even if the other three are pretty good." - Elizabeth Bishop
3. Elizabeth Bishop died in 1979 in the United States. She is considered on the most important poets of the English language.
4. In 2012, UNESCO declared the city of Rio De Janeiro a World Heritage site. The Flamengo Park is one of its main attractions.
- GoofsOpening in 1951 but Bobby Vinton singing Blue Velvet was not until 1963.
- Quotes
Elizabeth Bishop: It's OK. I'm not drunk. I'm just crying in English.
- Crazy creditsNine of the main performers (the first 10) are listed in the credits without the name of their character. Only Treat Williams is credited as his character, Robert Lowell.
- ConnectionsReferenced in Programa do Jô: Episode dated 26 August 2013 (2013)
Featured review
Reaching for the Moon (2013)
Wonderful! The story of the Brazilian years of the great North American poet, Elizabeth Bishop. There are so many beautiful aspects to the characters, their setting, and their relationships it's hard to know where to begin. And even better, on top of all this, is the historical recreation of the times, and the changing political climate of Brazil. It's touching and uplifting and tragic.
The original title of this is "Flores Raras" because these were indeed rare people, and doing beautiful things. And yes, they were reaching for the moon but you might rather say they reached the moon. Succeeding at something is more than literally fulfilling.
The plot has a slightly meandering, unfamiliar arc through the main events, and there are times when you think one thing and then suddenly another happens. Don't blame bad writing, but rather realize that this is how life is, and how it really was. Remember as well that these are artists of privilege at work, they have money and education and act with a kind of license and liberation that we all should feel. And so it's unpredictable.
As a kind of true insight into the poetic process you might find few parallels in the movies. You learn their temperaments, and how circumstances make the artist and the poet come to their best. The intimate circumstances are about love, a really true deep love that grows between these two women. Their professional needs reinforce and conflict with their personal needs, but they make it work.
The outside circumstances are hard to understand from 2014. Brazil was once a very different country, filled with far more freedom and sense of liberation. (This seems to be a direction that are pointed in again, though going through fits and starts.) But the world in post-War Brazil was one of possibility. It was a haven (not just for ex-Nazis) and a growing "New World," but it was also stuffed with poverty (which the movie ignores), a legacy still at hand.
And this is exciting stuff. The movie moves mostly through the confines of their big, gorgeous estate in the hills, but it also shows us the city, and the larger world. So Bishop and Lota de Macedo Soares, an important architect of the era. grow and suffer and see their world fall apart around them (Brazil fell under dictatorship in the mid 1960s). It's filmed with utter beauty, the acting is sharp and convincing, and the writing (not surprisingly) is fluid and tight. Great stuff.
Wonderful! The story of the Brazilian years of the great North American poet, Elizabeth Bishop. There are so many beautiful aspects to the characters, their setting, and their relationships it's hard to know where to begin. And even better, on top of all this, is the historical recreation of the times, and the changing political climate of Brazil. It's touching and uplifting and tragic.
The original title of this is "Flores Raras" because these were indeed rare people, and doing beautiful things. And yes, they were reaching for the moon but you might rather say they reached the moon. Succeeding at something is more than literally fulfilling.
The plot has a slightly meandering, unfamiliar arc through the main events, and there are times when you think one thing and then suddenly another happens. Don't blame bad writing, but rather realize that this is how life is, and how it really was. Remember as well that these are artists of privilege at work, they have money and education and act with a kind of license and liberation that we all should feel. And so it's unpredictable.
As a kind of true insight into the poetic process you might find few parallels in the movies. You learn their temperaments, and how circumstances make the artist and the poet come to their best. The intimate circumstances are about love, a really true deep love that grows between these two women. Their professional needs reinforce and conflict with their personal needs, but they make it work.
The outside circumstances are hard to understand from 2014. Brazil was once a very different country, filled with far more freedom and sense of liberation. (This seems to be a direction that are pointed in again, though going through fits and starts.) But the world in post-War Brazil was one of possibility. It was a haven (not just for ex-Nazis) and a growing "New World," but it was also stuffed with poverty (which the movie ignores), a legacy still at hand.
And this is exciting stuff. The movie moves mostly through the confines of their big, gorgeous estate in the hills, but it also shows us the city, and the larger world. So Bishop and Lota de Macedo Soares, an important architect of the era. grow and suffer and see their world fall apart around them (Brazil fell under dictatorship in the mid 1960s). It's filmed with utter beauty, the acting is sharp and convincing, and the writing (not surprisingly) is fluid and tight. Great stuff.
- secondtake
- Jul 1, 2014
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- The Art of Losing
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $45,502
- Opening weekend US & Canada
- $14,573
- Nov 10, 2013
- Gross worldwide
- $1,534,391
- Runtime1 hour 58 minutes
- Color
- Aspect ratio
- 1.85 : 1
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