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Yeh Jawaani Hai Deewani is the story of the relationship between two characters, Bunny (Ranbir Kapoor) & Naina (Deepika Padukone), at two separate but defining times in their lives... first... See full summary »
Aditya Roy Kapoor
Set in medieval Rajasthan, Queen Padmavati is married to a noble king and they live in a prosperous fortress with their subjects until an ambitious Sultan hears of Padmavati's beauty and forms an obsessive love for the Queen of Mewar.
Tamasha is about the journey of someone who has lost his edge in trying to follow socially acceptable conventions of society. The film is based on the central theme of abrasion and loss of ... See full summary »
After his wealthy family prohibits him from marrying the woman he is in love with, Devdas Mukherjee's life spirals further and further out of control as he takes up alcohol and a life of vice to numb the pain.
Sanjay Leela Bhansali
Shah Rukh Khan,
Aishwarya Rai Bachchan
Priyanka Chopra was approached for the leading role after Kareena Kapoor declined it.But things did not work and she danced on the song Ram Chaye Leela Chaye Ram.Earlier Madhuri Dixit and Aishwariya Rai were speculated to dance on the song. See more »
Even after Ram and Leela's finger are chopped off, we see their full fingers in some of the scenes that follow. See more »
There are hundred reasons to die, but only one to live.
See more »
Over the top movie making at its best. SLB disappoints.
In spite of the not-so-appealing formula music and over the top cinematography, the controversy clad 'Goliyon Ki Rasleela Ramleela' was one of the most anticipated movies this year, courtesy SLB. The opening scene has multiple common men shooting bullets and throwing glass bottles with close precision and accuracy. The grand entry of the hero himself, taking a selfie on a motor bike would have been mesmerizing had it been the 1980s. The overly tanned and oiled up body of Mr. Singh and the dhoti tied up as low as humanly possible attracts the attention of very many local women in the movie and a few watching it. Deepika is stunning as Leela, though. But the essence of the subtle yet intense romance of the great work by Shakespeare is completely lost in this very Indian rendition of the same. Mr Bhansali has reduced it to what we as an audience want, colourful dance numbers, extreme drama and a sexual reference in every other scene. Music is no charm either. With irrelevant songs at irrelevant junctions in the film, the audience is bound to get restless. There was a point in the first half when we became desperate for the intermission, it came some 20 minutes later. The second half is no better. With stretchy sequences, pure masala bollywood dialogues, more useless songs, pointless silhouettes and closeups and typical SLB elements at every step, the movie comes to a close. Supriya Pathak's, Richa Chadda's, and Barkha Bisht's performances are the only high for the movie. All in all the movie makes us feel used and violated. The makers of the film try to cash in on their name, legacy and the Indian viewers' mentality and give us a piece of cinema decorated with warm colours and excessive drama. The sad part is they will succeed in their propaganda with critics like Taran Adarsh and Mina Iyer eulogizing every frame. Sad.
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