1980s. Juliano and Joaquin are best friends who get excited when learning of Serra Pelada, the largest open pit gold mine decides to leave from St. Paul and to the local dreaming of wealth.... See full summary »
Brazilian baroque. The young son that ran from his dominant family, descends into decadence and then returns to the nest. With melodramatic themes of tyrannical fathers, incest, fierce ... See full summary »
Following a newspaper ad, ordinary women tell part of their life stories to director Eduardo Coutinho, which are then re-enacted by actresses, blurring the barriers between truth, fiction and interpretation.
A small community of descendants of Italian immigrants in the interior of the state of Rio Grande do Sul resorts to making a video to try to solve the problems of basic sanitation that plague their village.
In the film there is a character named Ayrton in honor of Ayrton Senna. According to the director, Ayrton's personality of the film was built upon heroic figures, and the three-time Formula One champion was one of the bases that helped to consolidate this character. See more »
When Konrad drives around on a KTM in Germany, the motor noise you hear is clearly from a 4-in-a-row cylinders engine. But KTM only manufactures 1 and 2 cylinders motors that would never sound like this. See more »
The first love scene in the film's Part II section (containing footage of oral sex being performed) was cut in the theatrical/home video release. See more »
A Visually Stunning Snapshot of the Voyage that is Life
As beautiful a cinematic essay on the subject of fear as I've seen in a while, Karim Aïnouz's "Futuro Beach" manages to cover a plethora of fears common to the human condition - fear of solitude, fear of commitment, fear of rejection, fear of change, fear of death (hell, even fear of water is covered) – and the remarkable human ability to overcome them.
Donato (Wagner Moura) is a lifeguard at a Brazilian Beach who is only able to save one of two German tourists from drowning. Having never had to face death before, he reaches out to the surviving tourist Konrad (Clemens Schick) and soon finds himself in a complex relationship that leads him to question who he is and what he wants from life. Faced with making difficult choices, including the decision to abandon his younger brother and mother and relocate to Germany to join Konrad, Donato finds that his fears have followed him. Eventually isolating himself from Konrad and still unable to deal, he finds himself living a solitary life until he comes face-to-face with his past. Only then can he finally begin the journey of self-acceptance necessary to move beyond the fears that have held him back from experiencing a full life.
Cinematographer Ali Olay Gözkaya's stunning photography captures the natural beauty of the Brazilian and European locations and enhances the story's mood and tone. Performances are strong from the two principals and the two actors playing the younger brother Ayrton, ages 10 and 18 (Sávio Ygor Ramos and Jesuíta Barbosa,) also acquit themselves nicely. The scenes with the two brothers ably capture the special bond often shared between male siblings.
Often jumping from moments of quiet and solitude to scenes with pulsating sounds and action, "Futuro Beach" grabs you from its opening shots of motorcyclists dwarfed by the turbines of a wind farm to its concluding POV imagery of another motorcycle trek down an endless road at dusk. It excels at cinematically and dramatically capturing a snapshot of the often emotionally treacherous voyage that is life.
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