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465 user 339 critic

The Counselor (2013)

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ON DISC
A lawyer finds himself in over his head when he gets involved in drug trafficking.

Director:

Ridley Scott

Writer:

Cormac McCarthy
Reviews
Popularity
1,830 ( 628)
5 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Michael Fassbender ... Counselor
Penélope Cruz ... Laura
Cameron Diaz ... Malkina
Javier Bardem ... Reiner
Cesar Aguirre Cesar Aguirre ... Truck Driver #1 (as César Aguirre)
Daniel Holguín ... Truck Driver #2 (as Daniel Holguin)
Chris Obi ... Malkina's Bodyguard
Bruno Ganz ... Diamond Dealer
Richard Cabral ... Young Biker
Provence Maydew Provence Maydew ... Woman in Grocery Store
Brad Pitt ... Westray
Paris Jefferson ... Waitress
Dar Dash ... Barman
Rosie Perez ... Ruth
Alex Hafner ... Highway Patrolman
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Storyline

A rich and successful lawyer, the Counselor, is about to get married to his fiancée but soon becomes entangled in a complex drug plot with a middle-man known as Westray. The plan ends up taking a horrible twist and he must protect himself and his soon to be bride as the truth of the drug business is uncovered and targets are eliminated. Written by DJDC

Plot Summary | Plot Synopsis

Taglines:

Want it all. Risk it all. Lose it all. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for graphic violence, some grisly images, strong sexual content and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English | Spanish | Dutch

Release Date:

25 October 2013 (USA) See more »

Also Known As:

El abogado del crimen See more »

Filming Locations:

London, England, UK See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$7,842,930, 27 October 2013, Wide Release

Gross USA:

$16,973,715, 8 August 2014

Cumulative Worldwide Gross:

$71,009,334, 8 August 2014
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (extended cut) | (unrated extended cut)

Sound Mix:

Datasat | Dolby | SDDS (uncredited)

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Édgar Ramírez and Brad Pitt, were two of the few people who had the opportunity to work with both Ridley Scott and Tony Scott before Tony's death in 2012. Édgar worked with Tony in Domino (2005) and Brad in Spy Game (2001). See more »

Goofs

When the Counselor is in his car, on the phone with the Cartel lawyer, the mobile phone is upside down. See more »

Quotes

[first lines]
Laura: Are you awake?
Counselor: No. What time is it?
Laura: Two o'clock. Almost two o'clock.
Counselor: AM or PM?
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Alternate Versions

The 'Unrated Extended Cut' is 20 minutes longer than the 'Theatrical Cut'(117 min.) and runs nearly 138 minutes. It features new scenes, extended scenes and a little alternative footage. Some scenes are extended substantially, for example the philosophical dialogue between the Counselor and the Diamond Dealer and between the Counselor and the Cartel Leader. In this version the Diamond Dealer is characterized as a Sephardic Jew from Spain with a tragic past involving a deceased woman. The Cartel Leader's extended monologue gains nearly apocalyptic qualities. The sex scene at the beginning is longer and contains stronger sexual activity from Laura. The sexually ambiguous relationship between Laura and Malkina is explored deeper in an additional scene. Reiner tells more anecdotes about his former girlfriends, friends and what he 'learned' about women. The dialogue scenes with Westray contain more details about the unpredictable dangers of the drug trade. The notorious death scene of Westray is extended and more graphic. The 'Unrated Extended Cut' contains in general more profanity and sexual references than the R-rated 'Theatrical Cut'. See more »

Connections

Featured in The Tonight Show with Jay Leno: Episode #22.15 (2013) See more »

Soundtracks

Zapata Se Queda
Written by Lila Downs and Paul Cohen
Performed by Lila Downs Con Celso Piña Y Toto La Momposina
Courtesy of Sony Music Entertainment México, S.A. De C.V.
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Frequently Asked Questions

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User Reviews

 
I'm not a contrarian, but…
26 October 2013 | by ghost_dog86See all my reviews

With a star studded cast, featuring the likes of Michael Fassbender, Penelope Cruz, Cameron Diaz, Javier Bardem and Brad Pitt, and directed by Ridley Scott, with a script from one of the greatest American novelists alive, Cormac McCarthy, obviously I went to see "The Counselor" on face value alone. Admittedly, aside from the fact that this is not a very cinematic endeavor, the first half of this film is pretty bad. That is to say the first act and a half is far too cryptic for its own good, with dialogue that is in love with its own double entendres and lines which sound as though they would be more at home in a novel than spoken aloud by human beings. But, if you're patient enough to stay with this film until the second hour, you will be rewarded by witnessing how McCarthy and Scott weave this almost action-less tale together, quietly guiding audiences into a brilliantly disturbing and hypnotic finale.

The performances (the standout coming from Bardem) are all fine here. These are all great actors, so what else would you expect? Same goes for the direction. The wildcard with "The Counselor" was always McCarthy's transition from novel to feature film scriptwriting; a transition that was a first act failure on the grounds of dialogue alone. In that same breath, his high caliber story of a lawyer who gets involved in drug trafficking and his masterful construction redeems him almost entirely by the time it's all said and done.

As I alluded to before, there is not much action here, which may give the illusion to some that sequences are occurring but nothing is progressing, which may also promote watch checking. But within this conversation based film, as much as I would have preferred the dialogue to have been handled with more subtlety, the subtext is always interesting, gaining its momentum from the converging stories within the second half.

Final Thought: "The Counselor" is the film equivalent of an artichoke. You either like it or you don't. And both are understandable. Maybe one day, once all of the critical heat dies down, history will look more kindly on this movie. But for now, there will be flaws within it that a majority of mainstream audiences just won't be able to forgive.

Written by Markus Robinson, Edited by Nicole I. Ashland


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