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Spoiled billionaire playboy Oliver Queen is missing and presumed dead when his yacht is lost at sea. He returns five years later a changed man, determined to clean up the city as a hooded vigilante armed with a bow.
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11 wins & 56 nominations. See more awards »

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Cast

Series cast summary:
Stephen Amell ...  Oliver Queen / ... 161 episodes, 2012-2018
David Ramsey ...  John Diggle / ... 140 episodes, 2012-2018
Paul Blackthorne ...  Quentin Lance 138 episodes, 2012-2018
Emily Bett Rickards ...  Felicity Smoak / ... 134 episodes, 2012-2018
Willa Holland ...  Thea Queen / ... 131 episodes, 2012-2018
Katie Cassidy ...  Laurel Lance / ... 123 episodes, 2012-2018
Colton Haynes ...  Roy Harper / ... 78 episodes, 2013-2018
John Barrowman ...  Malcolm Merlyn / ... 66 episodes, 2012-2017
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Storyline

Oliver Queen and his father are lost at sea when their luxury yacht sinks, apparently in a storm. His father dies, but Oliver survives for five years on an uncharted island and eventually returns home. But he wasn't alone on the island where he learned not only how to fight and survive but also of his father's corruption and unscrupulous business dealings. He returns to civilization a changed man, determined to put things right. He disguises himself with the hood of one of his mysterious island mentors, arms himself with a bow and sets about hunting down the men and women who have corrupted his city. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

His fight. His city. His legacy. (Season 5) See more »


Certificate:

TV-14 | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

10 October 2012 (USA) See more »

Also Known As:

Arrow See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

16:9 HD
See full technical specs »
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Did You Know?

Trivia

In the comics, Deathstroke (aka Slade Wilson) is an anti-hero with enhanced or peak strength, speed, stamina, and reflexes (sometimes bordering on superhuman levels). He's tactically brilliant and adept at turning an opponent's own abilities against them. He has defeated Batman and Nightwing in combat, and he has given even Wonder Woman a run for her money in a fight. See more »

Goofs

In the promotional picture for the series it shows a shirtless Oliver. The scars from his time on the island are visible, but there is no tattoo. During the series Oliver has a tattoo on his chest, a tattoo that plays an important role in at least one episode (1x03 "Lone Gunmen") and has been visible in every other episode. See more »

Quotes

Slade Wilson: I'm going to tear everything he cares about away from him, destroy those who choose to follow him, corrupt those he loves. Once he has lost everyone and everything he values, I will drive an arrow through his eye.
See more »

Crazy Credits

The DC Comics logo is colored green and features a comic-book image of Green Arrow. See more »

Connections

Spin-off Arrow: Blood Rush (2013) See more »

Frequently Asked Questions

See more »

User Reviews

 
Great show ... if not for the Flashbacks from Hell
8 November 2013 | by A_Different_DrummerSee all my reviews

Let's take a moment of mourning for the TV plot arcs of yore. Back when shows prioritized the characterizations above the action and, if indeed there was action, it took place precisely in the last 7 minutes of the episode, and was all done with before the close, giving the characters a chance to make light comic banter, close down the storyline, and give the audience a chance to go to the toilet. How many TV shows followed that formula I cannot say, but the number was in the 100s. Now all that has changed. You can now have action many times in the body of a show, it is permitted, even encouraged. And you have action even before the characterizations are fully developed. All this is positive evolution I think. But here the catch. There are no more "closed" story-lines. In the multi-band, multi-channel, multi-device electronic age, where viewers tend to have attention span of a hummingbird, nighttime TV has astonishingly borrowed the Rule Book of daytime soap operas and, lo!, plots never actually resolve, they just become more complex. ARROW is one of the best exponents of the new type of comic-book-derived drama, arguably as good as or even better than SMALLVILLE (which was, thematically, all over the map). Amell is great. He has a whispery kind of delivery which oddly makes what he says that much more interesting. The supporting cast is great. In fact the only thing that prevented me from giving this a "10" are the flashbacks. They are terrible. They are like some silent Hell the viewers must go through to get back to the actual episodes. It is almost as if the lead writer, as a small child, was locked in a closet with a DVD looping KUNG FU, and grew up to believe that you cannot advance 10 minutes of plot in the present, without 2 minutes of flashback to fortify it.


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