Pozitia copilului (2013)

After the terrible news of a fatal car accident involving her son, a desperate mother will do anything in her powers to set her child free.

Director:

Cãlin Peter Netzer

Writers:

Razvan Radulescu (screenplay), Cãlin Peter Netzer (screenplay)

Stars:

Luminita Gheorghiu, Bogdan Dumitrache, Natasa Raab

13 wins & 6 nominations.

Cast

Cast overview, first billed only:
Luminita Gheorghiu	...	Cornelia Keneres
Bogdan Dumitrache	...	Barbu
Natasa Raab	...	Olga Cerchez
Ilinca Goia	...	Carmen
Florin Zamfirescu	...	Domnul Aurelian Fagarasanu
Vlad Ivanov	...	Dinu Laurentiu
Mimi Branescu	...	Policeman
Cerasela Iosifescu
Adrian Titieni	...	Child's father
Tania Popa
Leontina Vaduva	...	Leontina Vaduva, the Soprano (as Leontina Väduva)
Ion Grosu
Oxana Moravec
Mihai Dorobantu
Nicolae Scarlat

Storyline

Seeing a way to reassert control over her adult son's life when he faces manslaughter charges, an affluent Romanian woman sets out on a campaign of emotional and social manipulation to keep him out of prison, navigating the waters of power, corruption and influence. Child's Pose is based on the sense of loss of parents who have to send their children away-physically and psychologically. The parent-child relationship is re-assessed through a son in his 30s that wants to escape from his mother, who in turn wants to keep her adult son by her side. The mother's character is quite familiar, but this film is unique in that the director delicately portrays how the controlling mother wants to deny that her son is destined to leave her by following the characters' emotional flows and gazing at their twisted desires. Luminita Gheorghiu turns in an extraordinary performance in playing a mother struggling to "save" her son. Heading to the conclusion, the film shows that the unhealthy mother-son ...

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Plot Keywords:

tragedy | familial stereotypes | problem | alienation | precinct | 

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Taglines:

How far will a mother go to right a son's wrong?

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Genres:

Drama

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Certificate:

Not Rated

Details

Official Sites:

Official Facebook Official site [Japan]

Country:

Romania

Language:

Romanian

Release Date:

8 March 2013 (Romania)

Also Known As:

Child's Pose

Filming Locations:

Bucharest, Romania

Box Office

Budget:

€850,000 (estimated)

Opening Weekend:

$78,138 (Romania), 4 March 2013, Limited Release

Opening Weekend USA:

$12,955, 23 February 2014, Limited Release

Gross USA:

$94,853, 27 April 2014

Company Credits

Production Co:

Parada Film,Hai Hui Entertainement,HBO Romania

Technical Specs

Runtime:

112 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

In Italy the title was re-written with a typo in it ('Il Caso Kerenes' instead of the correct spelling of the family name Keneres) and the film was advertised on posters and published on DVD with this typo there.

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Quotes

Cornelia Keneres: What did I do wrong?
Barbu: Never mind now. I'm putting this on the table. You can say yes or no. You either let me call you when I feel like it, or it's nothing. And a suggestion. If it's hard, find a substitute. A dog, a lover, a hobby. People your age visit the Pyramids.
Cornelia Keneres: Other people my age have a normal relationship with their child. Parents find their fulfillment in their children. Everything they failed to accomplish, they achieve through their children.
Barbu: So we're agreed.

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Soundtracks

Visator
Performed by Laurentio Duta

User Reviews

the destructive power of love

With Pozitia Copilului (Child's Pose) the Romanian cinema seems to complete a cycle that started almost a decade ago with Moartea Domnului Lazarescu (The Death of Mr. Lazarescu). The path was marked by a number of prizes at important cinema festivals around the world, with the first candidacy of a Romanian film for an Academy Award, but more important by the recognition by viewers that Romania is one of the locations where some of the most interesting movies come from, and that a specific style, a consistent set of themes, and a typology of characters combine to make the Romanian cinema distinct from other film schools. It did help that many of the actors in these films are constant collaborators of the leading directors of the 'wave', some of them becoming familiar faces to world cinema spectators. Luminita Gheorghiu and Bogdan Dumitrache - the lead actors here - acted also in Moartea Domnului Lazarescu, while Vlad Ivanov was the evil figure in 4,3,2.

As many of the good Romanian films in this period Calin Peter Netzer's movie can be seen and interpreted at multiple layers. One of them is composed of the social realities of Romania more than two decades after the fall of the communism. Class disparities are more obvious than in other places and contrast with the forced (and false) egalitarianism that dominated the Romanian society for most of the second half of the 20th century. The introductory scenes build for the viewer the context of the relations of the mid-upper class where the main heroes belong, with bourgeois occupations and family crisis, stylish social events and opera master classes. The obsessive relationship between the dominant mother and the spoiled son who seems to behave like an ingrate brute defines the second layer, the one of the personal relations between the characters. When the road accident that turns the world of the heroes upside down happens, the heroes will be obliged to make contact with the other Romania, the one of the pauper country people, with course manners but maybe with more character and moral strength. The system of relations and corruption is immediately put in motion by the mother, trying to protect her son and make him avoid the consequences of his behavior - a social comment about today's Romania which does not go lost neither for the Romanian nor for the foreign viewer. While this part is more clearly cut, there is no moral judgment made on the rest of the relations, and this is a smart choice made by the director.

The rest is left to the actors and they are simply said wonderful. Luminita Gheorghiu as the possessive mother and Bogdan Dumitrache as the traumatized son who makes all the wrong moves at the wrong moments in order to cut-off the invisible umbilical cord play one of the most meaningful and highly charged mother-son relationships that I have seen lately. Most of the actors in the supporting cast give sincere and expressive performances, which I would rather describe not as acting but as living their roles. A few memorable scenes (the master class at the beginning and the final scene of the confrontation with the family of the kid killed in the accident) may live in the memory of the viewers even longer than the rest of the film. Dealing with a subject that could have easily turned into melodrama or soap opera Pozitia Copilului succeeds to make a sharp social comment that works well with the more universal story of a suffocating love which is touched by miscommunication and tragedy.