Two of New York City's most notorious organized crime bosses vie for control of the city's streets. Once best friends, petty jealousies and a series of betrayals set them on a deadly collisi... Read allTwo of New York City's most notorious organized crime bosses vie for control of the city's streets. Once best friends, petty jealousies and a series of betrayals set them on a deadly collision course.Two of New York City's most notorious organized crime bosses vie for control of the city's streets. Once best friends, petty jealousies and a series of betrayals set them on a deadly collision course.
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I was the only one seeing this and I guess that's fair it's an average Robert De Niro film by masterful Berry Levinson he's definitely done better although I enjoyed for what it was. I like the characters, classic cars, and gangster style was fairly cool!
Kinda a downgrade adaptation of any crime story which is fine for the director since he's around 82 he still gets pretty good performances out. I imagine if someone else played Vito it'd be a different vibe. I like the way the dialogue flowed well Barry has always been talented at getting crisp dialogue delivered, I need to own some of his older films. Surely this was above average but I still recommend it!
Kinda a downgrade adaptation of any crime story which is fine for the director since he's around 82 he still gets pretty good performances out. I imagine if someone else played Vito it'd be a different vibe. I like the way the dialogue flowed well Barry has always been talented at getting crisp dialogue delivered, I need to own some of his older films. Surely this was above average but I still recommend it!
I saw the reviews of this and was surprised how negative they were.
I was always going to see it.
The critic in The Metro paper in the UK goes on about how old the film makers are,is this relevant?
I agree with her the film could be better but it is still a good watch.
I like this sort of film but am not an expert on the history of the story and viewers don't need to be.
Sending a reviewer who doesn't like gangster films to see a gangster film seems wrong.
I give no spoilers but the film reminded me of Once Upon A Time In America.
It is not as good as that film but this is still a quality production from a justly respected director.
The production design and costume design in this are excellent.
You believe you are in the 1950s.
I didn't notice any body using modern language either.
The soundtrack was great as well,I hope it is available on cd.
What about the script you ask? Well the script is fine,it tells a complicated story well.
The acting is great.
People playing older people look older.
I was not very familiar with all the cast but I was impressed with all the performances.
If anyone who likes this sort of film they should ignore the negative reviews and go and see it.
You believe.
I was always going to see it.
The critic in The Metro paper in the UK goes on about how old the film makers are,is this relevant?
I agree with her the film could be better but it is still a good watch.
I like this sort of film but am not an expert on the history of the story and viewers don't need to be.
Sending a reviewer who doesn't like gangster films to see a gangster film seems wrong.
I give no spoilers but the film reminded me of Once Upon A Time In America.
It is not as good as that film but this is still a quality production from a justly respected director.
The production design and costume design in this are excellent.
You believe you are in the 1950s.
I didn't notice any body using modern language either.
The soundtrack was great as well,I hope it is available on cd.
What about the script you ask? Well the script is fine,it tells a complicated story well.
The acting is great.
People playing older people look older.
I was not very familiar with all the cast but I was impressed with all the performances.
If anyone who likes this sort of film they should ignore the negative reviews and go and see it.
You believe.
If I ever wondered why "The Alto Knights", a return to the Gangster genre for both Robert De Niro and Nicholas Pileggi, was so under advertised prior to its release, having seen it I don't wonder anymore. It's because it's not very good.
In his retirement, Frank Costello (Robert De Niro) recounts the story of his life, intertwined as it was with that of Vito Genovese (Robert De Niro). Having grown up together and risen the ranks of the mafia - Frank makes a play for some legitimacy having become "the boss of bosses" whilst Vito was trapped overseas by World War 2 and other legal issues. On his return to America, Vito wants to resume his role at the top and introduce a burgeoning narcotics business to the group. Frank is resistant but learns that Vito will take back what he lost by force, if he needs too.
Impressively, I think that De Niro is miscast twice in this film. It would be fine if he just played reflective, end of the road Costello, bookending the film and providing voice over. But he also plays both middle aged Costello and middle-aged Genovese in enough prosthetics that you can tell them apart, but not enough so you can't tell it's him. Why? Don't know. The characters aren't twins, or even related, they don't feel like two sides of the same coin, or even similar men ripped apart by circumstances. He felt - to me - too old to be playing either of them and Vito in particularly doesn't feel like he has the sort of crazy, unhinged energy that other characters suggest he has.
It's not the only problem with the film though, perhaps not even the biggest one. For me, it felt like a TV movie. For all the experience, including Barry Levinson behind the camera, it's a low-key affair. With the dialogue often delivered with what I imagine was supposed to be 'naturalistic' but feels more like characters couldn't hear each other. The mix of flashback and documentary style viewing is confused and there's not really anything in the story that hasn't been taken and used in another, better, mob film, or series.
Never so bad that I thought about leaving, but definitely a slog to get through.
In his retirement, Frank Costello (Robert De Niro) recounts the story of his life, intertwined as it was with that of Vito Genovese (Robert De Niro). Having grown up together and risen the ranks of the mafia - Frank makes a play for some legitimacy having become "the boss of bosses" whilst Vito was trapped overseas by World War 2 and other legal issues. On his return to America, Vito wants to resume his role at the top and introduce a burgeoning narcotics business to the group. Frank is resistant but learns that Vito will take back what he lost by force, if he needs too.
Impressively, I think that De Niro is miscast twice in this film. It would be fine if he just played reflective, end of the road Costello, bookending the film and providing voice over. But he also plays both middle aged Costello and middle-aged Genovese in enough prosthetics that you can tell them apart, but not enough so you can't tell it's him. Why? Don't know. The characters aren't twins, or even related, they don't feel like two sides of the same coin, or even similar men ripped apart by circumstances. He felt - to me - too old to be playing either of them and Vito in particularly doesn't feel like he has the sort of crazy, unhinged energy that other characters suggest he has.
It's not the only problem with the film though, perhaps not even the biggest one. For me, it felt like a TV movie. For all the experience, including Barry Levinson behind the camera, it's a low-key affair. With the dialogue often delivered with what I imagine was supposed to be 'naturalistic' but feels more like characters couldn't hear each other. The mix of flashback and documentary style viewing is confused and there's not really anything in the story that hasn't been taken and used in another, better, mob film, or series.
Never so bad that I thought about leaving, but definitely a slog to get through.
The Alto Knights-
In Cinemas now
My Rating - 6/10
I wondered why and how a Robert Di Niro movie based on a true story about two rival New York organised Crime bosses directed by Barry Levinson could possibly flop at the box office?
Is it because there's been so many movies along similar lines starring Robert Di Niro like The Irishman 2019, Goodfellas 1990, The Godfather 11 1974, A Bronx Tail 1993, The Untouchables 1987, and Once Upon a Time in America 1984 etc?
Perhaps audiences are a bit tired of mafioso and gangsters however for me the reason The Alto Knights is inferior to the above listed movies is misplaced ego .
By that I mean as fine an actor as DeNiro is playing two roles in one movie especially when the only difference basically is a different nose and chin only confuses the characters for the audience and is a stretch to far.
I found myself trying to differentiate between the two main characters Frank Costello and Vito Genovese both played well by Robert DeNiro however it would have been better separate actors played each role .
After all they're not even related but look like twins , it's just a silly casting choice.
The story meanders also back and forth and doesn't have much impact at all.
It's basically the story of 2 gangland bosses on a collision course as told by Frank Costello married to Bobbie played very well by Debra Messing ,nice to see her in a dramatic role.
The usual scenario of gangland violence as the 2 men who were friends as teenagers vie for control of the drug trafficking and alcohol supply on New Yorks city's streets.
Once best friends, petty jealousies and a series of betrayals set them on a deadly collision course.
For me this is a straight to streaming movie.
I wondered why and how a Robert Di Niro movie based on a true story about two rival New York organised Crime bosses directed by Barry Levinson could possibly flop at the box office?
Is it because there's been so many movies along similar lines starring Robert Di Niro like The Irishman 2019, Goodfellas 1990, The Godfather 11 1974, A Bronx Tail 1993, The Untouchables 1987, and Once Upon a Time in America 1984 etc?
Perhaps audiences are a bit tired of mafioso and gangsters however for me the reason The Alto Knights is inferior to the above listed movies is misplaced ego .
By that I mean as fine an actor as DeNiro is playing two roles in one movie especially when the only difference basically is a different nose and chin only confuses the characters for the audience and is a stretch to far.
I found myself trying to differentiate between the two main characters Frank Costello and Vito Genovese both played well by Robert DeNiro however it would have been better separate actors played each role .
After all they're not even related but look like twins , it's just a silly casting choice.
The story meanders also back and forth and doesn't have much impact at all.
It's basically the story of 2 gangland bosses on a collision course as told by Frank Costello married to Bobbie played very well by Debra Messing ,nice to see her in a dramatic role.
The usual scenario of gangland violence as the 2 men who were friends as teenagers vie for control of the drug trafficking and alcohol supply on New Yorks city's streets.
Once best friends, petty jealousies and a series of betrayals set them on a deadly collision course.
For me this is a straight to streaming movie.
This film was a bit like all of the other Robert De Niro Italian Mafia films, so you know what you're going to get. It's enjoyable, and by no means a bad film, but a tad formulaic.
I am unclear why De Niro played both main characters - at times it felt a little confused and, to be honest, my mind wandered to the prosthesis that went in to differentiating his looks. Was the fact he played both, a metaphor on the nature of the individuals (because this was based on real people), a commentary on the nature of the type of people involved, just a bit of fun for the actor, or an attempt to save money? Whichever, whilst it didn't have much of an impact on the film, it was odd.
As I say above, even though formulaic, an Nobel film, but with no surprises.
I am unclear why De Niro played both main characters - at times it felt a little confused and, to be honest, my mind wandered to the prosthesis that went in to differentiating his looks. Was the fact he played both, a metaphor on the nature of the individuals (because this was based on real people), a commentary on the nature of the type of people involved, just a bit of fun for the actor, or an attempt to save money? Whichever, whilst it didn't have much of an impact on the film, it was odd.
As I say above, even though formulaic, an Nobel film, but with no surprises.
Did you know
- TriviaThis is the fifth collaboration between Barry Levinson and Robert De Niro after Sleepers (1996), Wag the Dog (1997), What Just Happened (2008) and The Wizard of Lies (2017).
- GoofsWhen Frank and Vito are talking, the level of the foam in Frank's cola changes multiple times. Level with the liquid in the glass, almost to the top of the glass and in between.
- ConnectionsReferenced in Coffee with Scott Adams: CwSA 03/24/25 (2025)
- SoundtracksThat Old Black Magic
Written by Harold Arlen and Johnny Mercer
Performed by Louis Prima and Keely Smith
- How long is The Alto Knights?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- The Alto Knights: Mafia y poder
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $45,000,000 (estimated)
- Gross US & Canada
- $6,103,664
- Opening weekend US & Canada
- $3,165,349
- Mar 23, 2025
- Gross worldwide
- $9,503,664
- Runtime2 hours 3 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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