On this IMDbrief, we break down the worst gifts ever given in our favorite holiday movies. For some great gift ideas, check out IMDb's Holiday Gift Guide, curated with the entertainment lover in mind!
After his wife's sudden death, a best selling author returns to his cabin retreat where he receives paranormal visitations and becomes involved in a custody battle.
Widowed Liz Garfield (Hope Davis) and her son Bobby (Anton Yelchin) change when mysterious stranger Ted Brautigan (Sir Anthony Hopkins) enters their lives.
The novel was written based off the BTK serial killer (Dennis Rader) that occurred in Kansas from 1974 to 1991. See more »
Goofs
Around 59 minutes in, Bob is seen working under his truck, a 2000-2005 Chevrolet Blazer. The truck is suspended using a bumper jack, and Darcy contemplates releasing the jack to crush Bob (assumed).
The problem is the Chevrolet blazer used a bumper cover over a steel bumper, and did not have the slots necessary for a bumper jack. This model truck used a scissor jack to raise and lower the truck, and a bumper jack would not fit or lift the truck. See more »
Quotes
[first lines]
Bob Anderson:
[as narrator]
I fled him down the nights and down the days. I fled him down the arches of the years. I fled him down the labyrinthine ways of my own mind. And in the mist of tears, I hid from him, and under running laughter.
See more »
Even though author Stephen King's name is frequently used as a marketing tool, it might be damaging in the case of the film A Good Marriage, because the reference to the "Master of Horror" creates very different expectations to what this movie offers. To start with, A Good Marriage isn't a horror film, but a boring thriller lacking of energy, suspense or atmosphere, and with weak performances from Joan Allen and Anthony LaPaglia. The main problem of A Good Marriage is that it needed more... something. Whatever it could be. More atmosphere, more suspense, more twists. Anything to make it even remotely interesting. To be fair, I haven't read the short story on which A Good Marriage is based, so I can't determine whether the problem comes "of origin", or whether the film couldn't find the proper angle to adapt the story in a more attractive way. But, well... I used to be a fan of King's in previous decades, and I know that his prose is particularly difficult to be translated to cinema, because his characteristic literary "voice" is the first thing to be eliminated when writing a screenplay, something which leaves us with a distillation of characters and concepts which aren't always enough to support a film, unless the movie counts with the necessary ingredients (style, atmosphere, performances) to compensate those things which were lost during the transition. Unfortunately, A Good Marriage couldn't fulfill with those conditions, and I can't recommend it.
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Even though author Stephen King's name is frequently used as a marketing tool, it might be damaging in the case of the film A Good Marriage, because the reference to the "Master of Horror" creates very different expectations to what this movie offers. To start with, A Good Marriage isn't a horror film, but a boring thriller lacking of energy, suspense or atmosphere, and with weak performances from Joan Allen and Anthony LaPaglia. The main problem of A Good Marriage is that it needed more... something. Whatever it could be. More atmosphere, more suspense, more twists. Anything to make it even remotely interesting. To be fair, I haven't read the short story on which A Good Marriage is based, so I can't determine whether the problem comes "of origin", or whether the film couldn't find the proper angle to adapt the story in a more attractive way. But, well... I used to be a fan of King's in previous decades, and I know that his prose is particularly difficult to be translated to cinema, because his characteristic literary "voice" is the first thing to be eliminated when writing a screenplay, something which leaves us with a distillation of characters and concepts which aren't always enough to support a film, unless the movie counts with the necessary ingredients (style, atmosphere, performances) to compensate those things which were lost during the transition. Unfortunately, A Good Marriage couldn't fulfill with those conditions, and I can't recommend it.