Navy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
A con man, Irving Rosenfeld, along with his seductive partner Sydney Prosser, is forced to work for a wild F.B.I. Agent, Richie DiMaso, who pushes them into a world of Jersey powerbrokers and the Mafia.
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
Chris Kyle was nothing more than a Texan man who dreamed of becoming a cowboy, but in his thirties he found out that maybe his life needed something different, something where he could express his real talent, something that could help America in its fight against terrorism. So he joined the SEALs in order to become a sniper. After marrying, Kyle and the other members of the team are called for their first tour of Iraq. Kyle's struggle isn't with his missions, but about his relationship with the reality of the war and, once returned at home, how he manages to handle it with his urban life, his wife and kids.Written by
With the exception of two weeks filming in Morocco for exterior Iraq scenes, the movie was filmed entirely in California. See more »
While on a night mission, Kyle and marines entered an Iraqi's home and were invited to stay for dinner. The lights were on in the kitchen. There was a large window with its curtains wide open exposing everyone to sniper fire. The curtains would have been closed upon entering the kitchen. See more »
It's a fuckin' hot-box.
The fuckin' dirt here tastes like dog shit.
Ah, well you'd know, wouldn't you?
See more »
Footage of the real Chris Kyle's memorial service is featured during the first half of the end credits, while the instrumental "The Funeral" by Ennio Morricone plays on the soundtrack. Following the music and the footage, the rest of the end credits play in complete silence. See more »
When American Sniper first came out I ignored the film thinking that it was the usual war propaganda Hollywood delivers once a year.
After it received a couple of Oscar nominations I got a little curious and decided to go watch it. I am a big of Clint Eastwood and appreciate most of his work as a director, I am aware of his right-wing views and as I sat down in the theatre I was expecting a very patriotic story on the war in the Middle East.
But what I got was 2 hours of pure biased war propaganda. The story is supposed to be about a war hero, but what we get is a ruthless southern who kills "bad guys" because he saw some terrorist attacks against his country on TV. Not once are the his intentions questioned by either the character himself or others. The entire film just follows a one-track minded perspective on a "just" war. There is no morale to the story, there are no grey areas where the viewer is allowed to have an opinion and decide for himself what is right and what is wrong.
Now if this was satire, it would have been brilliant. The story of a redneck cowboy who after seeing some footage on TV about terrorist attacks decides he needs to protect his country by enrolling in the Navy and killing 150 people over 5000 miles away from where he lives, and without the slightest hesitation. But unfortunately it was not.
It is actually quite sad to see how low American cinema has stooped. The fact that people might actually believe this crap (and most Americans do) makes me lose hope for the future of a once great country.
There was a time when Hollywood war movies raised important questions on the righteousness of war (such as Full Metal Jacket, Thin Red Line, Apocalypse Now) where the viewer was given the clear picture that all war, justified or unjustified, is wrong.
Nowadays most war movies are just commercials to get the American public behind the idea that invading a foreign country is a God given right.
The fact that it got nominated for the Academy Award just shows how much a once acclaimed award is quickly becoming a pat on the shoulder to the most politically correct motion picture of the year.
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