Navy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
The story of the first major battle of the American phase of the Vietnam War, and the soldiers on both sides that fought it, while their wives wait nervously and anxiously at home for the good news or the bad news.
Chris Kyle was nothing more than a Texan man who dreamed of becoming a cowboy, but in his thirties he found out that maybe his life needed something different, something where he could express his real talent, something that could help America in its fight against terrorism. So he joined the SEALs in order to become a sniper. After marrying, Kyle and the other members of the team are called for their first tour of Iraq. Kyle's struggle isn't with his missions, but about his relationship with the reality of the war and, once returned at home, how he manages to handle it with his urban life, his wife and kids.Written by
A trained military man would never point a weapon at another person, whether the weapon is "presumed unloaded" or not, unless he intended to use it. This rule is more fundamental than the rule about never leaving your weapon on the ground. See more »
It's a fuckin' hot-box.
The fuckin' dirt here tastes like dog shit.
Ah, well you'd know, wouldn't you?
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Footage of the real Chris Kyle's memorial service is featured during the first half of the end credits, while the instrumental "The Funeral" by Ennio Morricone plays on the soundtrack. Following the music and the footage, the rest of the end credits play in complete silence. See more »
Due to the U.S. participation in Iraq and Afghanistan and related topics and issues, the two last decades have seen dozens of movies dealing with them - similarly to the decades after the war in Vietnam. Not many of them are good, focusing mostly on shootings and explosions, but American Sniper can be regarded as one of the best in its field.
This is thanks to the director Clint Eastwood, and the star Bradley Cooper, above all. Acts of war and human approach are nicely in balance, everything seems realistic, the main character is no dumb killing machine without any feelings, war is not "fun", etc., often lacking in movies alike. True, the movie is practically focused on Cooper's character Chris Kyle, there are no comparable performances, but I could hardly find glorification/justification of the U.S. military involvement in the movie in question - wars are initiated by political and/or economic interests, the military is supposed to obey the orders coming from government departments. And there is no place for reasoning during battles - either you kill, or you / your fellows get killed.
All in all, a serious and solid movie. I liked it more than e.g. The Hurt Locker or Zero Dark Thirty.
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