6.5/10
886
7 user 33 critic

Boven is het stil (2013)

Not Rated | | Drama | 25 April 2013 (Netherlands)
Trailer
2:07 | Trailer

Watch Now

With Prime Video

A middle aged farmer, living with his old and bedridden father, tries to find truth in life.

Director:

Nanouk Leopold

Writers:

Gerbrand Bakker (novel), Nanouk Leopold (adaptation)
5 wins & 7 nominations. See more awards »

Videos

Photos

Learn more

More Like This 

Wolfsbergen (2007)
Drama
    1 2 3 4 5 6 7 8 9 10 6.2/10 X  

Konraad, 83, has written a letter to his relatives saying he wants to die. Maria, Konraads daughter and only child, refuses to discuss her fathers wish. Instead, she wants to move him to a ... See full synopsis »

Director: Nanouk Leopold
Stars: Piet Kamerman, Catherine ten Bruggencate, Jan Decleir
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 4.8/10 X  

Charlotte and Max live with their young son in Brussels. When Max finds out Charlotte has been taking some of her male patients to a rented apartment, their relationship is put to the test.... See full summary »

Director: Nanouk Leopold
Stars: Sandra Hüller, Dragan Bakema, Sabine Timoteo
Kraben rahu (2018)
Drama
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

Near a coastal village of Thailand, by the sea where thousands of Rohingya refugees have drowned, a local fisherman finds an injured man lying unconscious in the forest. He rescues the ... See full summary »

Director: Phuttiphong Aroonpheng
Stars: Aphisit Hama, Wanlop Rungkumjad, Rasmee Wayrana
Cobain (2018)
Drama
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

Cobain (15) tries to get his pregnant mother Mia to quit her self-destructive lifestyle. When she refuses to clean up her act, Cobain takes over.

Director: Nanouk Leopold
Stars: Bas Keizer, Naomi Velissariou, Wim Opbrouck
Drama | Music | Romance
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

As Michael and Robert, a gay couple in New York, prepare for Robert's departure for a two-year work assignment in Africa, Michael must face Robert's true motives for leaving while dealing ... See full summary »

Director: Bill Sherwood
Stars: John Bolger, Richard Ganoung, Steve Buscemi
Guernsey (2005)
Drama
    1 2 3 4 5 6 7 8 9 10 6.2/10 X  

When Anna witnesses the suicide of a woman her quiet life is thrown out of balance.

Director: Nanouk Leopold
Stars: Maria Kraakman, Fedja van Huêt, Johanna ter Steege
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6/10 X  

A man leaves his home unannounced, and spends four days wandering around France.

Director: Jérôme Reybaud
Stars: Pascal Cervo, Arthur Igual, Fabienne Babe
Solo IV (2013)
Thriller
    1 2 3 4 5 6 7 8 9 10 5.9/10 X  

A sexy, romantic and uncomfortably chilling tale of love and deception from first time director Marcelo Briem Stamm. Handsome middle class Manuel (Patrico Ramos), hurt by his previous ... See full summary »

Director: Marcelo Briem Stamm
Stars: Patricio Ramos, Mario Verón, Carlos Echevarría
Matterhorn (2013)
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A lonely widower finds himself facing both his own regrets and his devout Calvinist community when he takes a deranged vagrant into his home.

Director: Diederik Ebbinge
Stars: Ton Kas, René van 't Hof, Porgy Franssen
Comedy
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

Three friends who never took life too seriously, now around thirty, start to realize they cannot laugh everything off anymore.

Director: Nanouk Leopold
Stars: Maria Kraakman, Manja Topper, Halina Reijn
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

Natalia and Carlos, both aged 20, are in love and struggling to survive in today's Spain. Their limited resources prevent them from getting ahead as they'd like to. They have no great ... See full summary »

Director: Jaime Rosales
Stars: Ingrid García Jonsson, Karlos Sastre, Inma Nieto
Pit Stop (2013)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6/10 X  

Recovering from an ill-fated affair with a married man, Gabe finds solace in the relationship he maintains with his ex-wife and daughter. On the other side of town, Ernesto evades life at ... See full summary »

Director: Yen Tan
Stars: Bailey Bass, Marcus DeAnda, Yesenia Garcia
Edit

Cast

Cast overview:
Jeroen Willems Jeroen Willems ... Helmer
Henri Garcin Henri Garcin ... Vader
Wim Opbrouck ... Melkrijder
Martijn Lakemeier ... Henk
Lies Visschedijk ... Ada
Job Steenman Job Steenman ... Ronald
Xander Steenman Xander Steenman ... Teun
Aat Ceelen Aat Ceelen ... Veehandelaar
Alexander Cerpentier Alexander Cerpentier ... Assistent Veehandelaar
Gerbrand Bakker Gerbrand Bakker ... Man met bed
Marc van Uchelen Marc van Uchelen ... Man met bed
John Bijman John Bijman ... Dominee (as ds. John Bijman)
Edit

Storyline

A middle aged farmer, living with his old and bedridden father, tries to find truth in life.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »
Edit

Details

Country:

Netherlands | Germany

Language:

Dutch

Release Date:

25 April 2013 (Netherlands) See more »

Also Known As:

Einai ola toso irema See more »

Edit

Box Office

Opening Weekend:

€38,474 (Netherlands), 28 April 2013, Limited Release

Opening Weekend USA:

$362, 9 January 2015, Limited Release

Gross USA:

$362, 9 January 2015
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
Edit

Did You Know?

Connections

Edited into The Making of 'Boven is het Stil' (2013) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Typical of the current trend for feeling-focused, mood-piece cottage cinema
2 June 2014 | by didier-20See all my reviews

A typical example of the prevailing trend among new low budget independent art house film makers today.

What's the hallmark of such works, compared to the art house movie of yesterday ? What you might call an extreme kind of minimalism that comes perhaps because of the empowering nature of new technology. Striped away are all the once essential components of a good film. It's a purist aesthetic but what does it leave us ?

We're left with work which is very firmly located in what historically we recognise as 'realism', hyper accentuated by an unnatural stripping away of the spoken word as anything but an indicator of underlying feeling. Sets and props are 'realist' and functional but encounters are strictly subservient to the re-ordered sets of directorial priorities. Typically nature features as an element is such films and it is found as such here.

The problem with this currently prevailing approach to making cinema is that is is somewhat repetitive in that it can be seen in many films being released today. It's as though the obsession to create the conditions that capture feeling entropy creative powers in each director in exactly the same way. The film maker becomes trapped by the schema which dictates the whole form of the work, added to which,in a gesture of self intensification, any attempt, if wanted, to veer away from the strategy is simply disallowed by the form itself.

The result is, well to be frank boring. Hasn't anyone told this new generation of film maker artists who are self confessedly preoccupied with the nature of feeling that the problem with feeling is that it doesn't go anywhere, lead to anything and is essentially nihilistic and inward bound. It's also notoriously difficult to convey or control in film, often leading to long empty cinematic voids whose best asset is the slowing down of pace. The idea that there is some kind of key to unlocking the cinematic propensity to convey the strata of human feeling is akin to the search for philosopher's stone. Does someone need to tell this generation to grow up and face reality ?

Talking of reality, the cliché of reality achieved through this technique needs to be scrutinised and questioned. I would propose that the realism shown here is in fact highly distorted by the entropic effect of the filmic technique which is so bent on prioritising feeling over plot or narrative.

In reality, a farm house can be a hive of activity and the stripped down conversation required for such films as these is highly unnatural and stylistic. The emerging untold story is the plight of the enigma of a gay farmer who is somewhat incidentally tossed into the mix yet is actually a radical and little explored subject. But nothing is given away, largely to maintain the conceit of feeling manifested over narrative. This represents a missed opportunity. The story is not being told. The hinted at relationship between the farmer and the milk collector only highlights that sense of something strategically avoided, if not entirely ignored. The addition of a gay responsive young farmhand becomes almost ludicrous, something closer to an isolated gay farmer's wet dream than anything real and yet the proliferating gay theme is integrated without any realistic sense of consideration or interrogation. Every gay male would comprehend that in reality if three gay farm workers were to converge in such a manner it should be something incredible and very unusual or unexpected. Perhaps a lot would even be discussed. The presence of this gay theme exposes the lack of realism at play here because something very natural is missing. I felt that the director used gay people for her own end whilst ignoring a story that most probably needs to be told.

In the end nothing is clear. The problem with these feeling films is that they leave us with no clarity, with nothing but elemental sensation. A bird, a smell, a bleat, a rustle. A hinted at theme in a throw away line. A lot of guess work. Rather than hover in this unsatisfying threshold, the poetically minded should leap fully into the 'other side' and meanwhile allow stories to reveal and tell us what needs to be told.

The fact that this methodology is currently being repeated over and over again by today's film makers adds nothing to the cause. In fact it conveys a troubling view of a generation so traumatised by the staggering quantities of information and knowledge now available because of new technology that they've backed themselves into a corner from which they must emerge and for which only the totally poetic can cater. Such films as these in the end are neither one nor the other. Meanwhile one asks with concern, which film makers have really got a handle on reality ?


9 of 24 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 7 user reviews »

Contribute to This Page

Stream Popular Action and Adventure Titles With Prime Video

Explore popular action and adventure titles available to stream with Prime Video.

Start your free trial



Recently Viewed