Former race car driver Brent Magna is pitted against the clock as he commandeers a custom Shelby Super Snake Mustang, taking it and its unwitting owner on a high-speed adventure at the command of a mysterious villain on a race against time to save the life of his kidnapped wife.Written by
To catch all the breakneck action from both inside and outside the Shelby Super Snake, the director used a variety of cameras, numbering anywhere from eighteen to forty-two, in any given scene. The cameras ranged in size and format, including state of the art digital RED Epics. See more »
Damages to the Shelby (dents, scratches, etc.) change often, sometimes disappearing before reappearing differently. See more »
I've walked out on two movies in the last dozen+ years and this was number 2 (pun intended). From story line to acting, this was all goofy and bad, to say the least. Worst of all and what always drives me nuts is the damage, oh wait, the non-damage to cars. Ya, great car. But cars, much less the tires, can not last constantly skid, breaking, hitting things and going down stairs. You don't miss every possible person. The car maybe amour plated but it's still dents when you slam it into another object. You can't scratch and dent the side of a car in one scene to then have it without scratches and dents in the next. You can't have bullet holes before guns are involved. The acting. Ethan, well your Ethan Hawk, you should have chosen a better roll. Selena, you poor thing. The way they try to make you hard made you look lame and quite pudgy. Is s**t the big bad word that you can use to give you some credit...I think not. Esp over used. That storyline, which is played out, was exhausted 5 minutes into the flick.
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