Eliezer and Uriel Shkolnik are father and son as well as rival professors in Talmudic Studies. When both men learn that Eliezer will be lauded for his work, their complicated relationship reaches a new peak.
17-year- old ASHER has always been the impulsive troublemaker, from primary school, all through junior high and high school. It's hard for him to concentrate in class, and he is compelled ... See full summary »
This is a story of fatherhood. Ovadia is the strongest and most violent doorman of Tel Aviv night clubs. He has no fear of anything and he never lost a fight . His biggest dream is to ... See full summary »
The year is 1983 and Yaakov Cohen, the owner of a Jerusalem printing press, is tired from being pushed around. It seems that he was born on the wrong side, with the wrong family name and in... See full summary »
Inevitable is a realistic paraphrase of a classic teen-movie, a deep dive into the 'Grey zone' of sexual abuse, told through the story of average suburban adolescents. The story takes place... See full summary »
Azulai is a policeman in Jaffa, whose incompetence is only matched by his soft-heartedness. His superiors want to send him to early retirement, but he would like to stay on the force, and ... See full summary »
Doctor Yoel Pomerantz is a washed-up, self-loathing psychologist who lives on the 12th floor of a high-rise with his Aspberger's son, Yoav, who spends his days pretending to be a traffic ... See full synopsis »
Shmil Ben Ari
Cheli, 27, is raising her mentally challenged 24yo sister, Gaby, alone. When the social worker finds out that Cheli leaves Gaby alone in the house while Cheli is at work, Cheli is compelled... See full summary »
Yaakov Zada Daniel
Set against a backdrop of the Israeli-Palestinian conflict, Palestinian rapper Kareem and his singer girlfriend Manar struggle, love and make music in their crime-ridden ghetto and Tel Aviv's hip-hop club scene.
Well paced, well acted... an interesting if exaggerated take on male buddies
What develops in a little community where women have no presence? In an odd 1989 movie called SONNY BOY, it seemed that in such a community a man has the choice of either assuming a woman's role or expressing all his emotions by way of violence. In GOD'S NEIGHBORS, on the other hand, we see male friends commonly treating each other with an extra measure of tenderness and concern while still ready with plenty of violence against their enemies. The dearth of women in GOD'S NEIGHBORS is partly due to the religious life style of the characters, partly written in explicitly as background (the protagonist's mother has died), and partly just a constant coincidence. Women just don't happen into the scene much aside from the plot thread that is set into motion by the appearance of Miri-- played by Rotem Zissman-Cohen, who seems to be uncommonly busy these days filling supporting roles in top-notch movies. The plot is a little like Lenny Bruce's routine about the provocatively dressed woman. "Do you like the way she looks? - Sure. - Would you like to date her? - Sure. - Would you like to marry her? - If we get along well, why not? - And then would you let her dress that way? - Are you kidding? That's my wife!" The protagonist is conflicted in a similar way, but the woman starts to draw him away from the culture of violence around him (which, the Hebrew dialogue makes clear, is heavy with sublimated sex) and there is a wise rabbi or two on hand with good advice that he may or may not take. The acting is very believable, with fluent and occasionally funny dialogue, the violence is not glamorized but is rather phony-looking (you can see one or two punches miss), and for the Israeli viewer the Bat Yam location is vivid. For some reason the Israeli funders have in recent years been favoring films that emphasize their directors' home towns: Tiberias in "The World is Funny," Kfar Sava in "Lost Islands," Jerusalem in "Obsession," Haifa in "The Matchmaker."
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