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Renoir (2012)

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Set on the French Riviera in the summer of 1915, Jean Renoir -- son of the Impressionist painter, Pierre-Auguste -- returns home to convalesce after being wounded in World War I. At his ... See full summary »

Director:

Gilles Bourdos

Writers:

Jacques Renoir (based on work ''Le tableau amoureux' by), Gilles Bourdos (screenplay) | 2 more credits »
3 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
Michel Bouquet ... Pierre-Auguste Renoir
Christa Théret ... Andrée Heuschling
Vincent Rottiers ... Jean Renoir
Thomas Doret ... Coco Renoir
Romane Bohringer ... Gabrielle
Michèle Gleizer Michèle Gleizer ... Aline Renoir
Laurent Poitrenaux Laurent Poitrenaux ... Pierre Renoir
Anne-Lise Heimburger Anne-Lise Heimburger ... La boulangère (as Annelise Heimburger)
Sylviane Goudal Sylviane Goudal ... La Grand'Louise
Solène Rigot ... Madeleine
Emmanuelle Lepoutre Emmanuelle Lepoutre ... La Médecine
Carlo Brandt ... Docteur Pratt
Thierry Hancisse ... Le brocanteur (as Thierry Hancisse de la Comédie Française)
Alice Barnole Alice Barnole ... Fille cabaret
Jean Adrien Espiasse Jean Adrien Espiasse ... Aviateur cabaret 1 (as Jean-Adrien Espiasse)
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Storyline

Set on the French Riviera in the summer of 1915, Jean Renoir -- son of the Impressionist painter, Pierre-Auguste -- returns home to convalesce after being wounded in World War I. At his side is Andrée, a young woman who rejuvenates, enchants, and inspires both father and son. Written by Samuel Goldwyn Films

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for sequences of art-related nudity and brief language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site [Japan]

Country:

France

Language:

French | Italian

Release Date:

2 January 2013 (France) See more »

Also Known As:

Реноар See more »

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Box Office

Opening Weekend USA:

$65,194, 31 March 2013, Limited Release

Gross USA:

$2,291,047, 22 September 2013
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby | Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Official submission of France to the Oscars 2014 best foreign language film category. See more »

Goofs

When Pierre-Auguste walks in on Jean Renoir being bathed, a modern toggle-style light switch is visible on the wall. The toggle switch wasn't invented until 1917, which is a few years after that part of the film. Earlier light switches were push-button style, and the switch on the wall is also of a modern plastic style that is very much later. See more »

Quotes

Pierre Renoir: Andree said you were going to make films?
Jean Renoir: No. Nothing's been decided.
Pierre Renoir: That reassures me. The cinema isn't for us French. It's entertainment for the masses. Our artistic heritage is too old, too heavy.
See more »


Soundtracks

No time blues
By Patrick Artero and Philippe Baudouin
Performed by Patrick Artero and Philippe Baudouin
See more »

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User Reviews

 
sumptuous story of painter and filmmaker son
23 January 2013 | by maurice_yacowarSee all my reviews

+Renoir (France, 2012, 112 min)

Gille +Bourdos uses the well-known stories of the painter father Pierre-Auguste and the filmmaker son Jean Renoir for a film that is at once breathtaking spectacle and a profound anatomy of the impulses and values of art. The film was one of my highlights at this year's +Palm Springs International Film Festival.

The plot presents the 74-year-old veteran painter (Michel Bouquet) and his ravishing new 15-year-old model, Andree Heuschling (Christa Theret) enjoying their opulent country estate while WW I pounds the humanity outside. Mark Lee Ping-Bin shoots the interiors with classic Dutch light and shadow but the exteriors in the unbridled luminosity of Impressionism. Here Renoir explains that structure comes from colour, not form, and he refuses to use black. That summarizes the painter's Impressionism: it finds reality in what he makes of the outside world, not what it firmly may be. His swirls of rosy chub continues his celebration of the young "velvet" flesh, despite the war's flensing and destruction of the flesh beyond the estate and his age's grotesque gnarl and ruin of his bones. His painting days, like his valiant denial of death, are limited.

Son Jean (Vincent Rottiers) returns from the front with a symbol of the reality his father rejects: an open wound. The family has a variety of open wounds, from the loss of the boys' mother and the favoured model/nanny Gabrielle to the sons' resentment of their father's aloofness. The cut to the bone represents the reality Renoir's fleshy ladies and painted pommes reject. Vincent's convalescence goes beyond the flesh gap to include winning Andree, who -- a closing title tells us -- married him, starred in many films (as Catherine Hessling), and after their split died alone in poverty. The sins of the father don't just visit the son but move in with him.

The tension between the painter's idealized flesh and the its horrific reality are frequently imaged, especially in the eating scenes and in the kitchen where a maid delicately peels a tomato, removing a hide to expose a succulent flesh. The hanging carrion are an implicit reminder of the hunting and killing of the human prey outside. Renoir pere screams from the nightmares he doesn't have his sunshine, models and pink paints to ward off.

Around the story of Renoir pere beats a more subtle story of Renoir fils. Like Andree, the film serves both father and son. Unobtrusively Bourdos weaves in the specific sources of Renoir's cinema. These include his sense that wars shatter natural cross-border fraternities, the harshness of the class prejudices, the increasing disrespect for culture, the necessity for art. Even the quintessential understanding which will become "The terrible thing is, everyone has his reasons." For more see www.yacowar.blogspot.


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