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Set on the French Riviera in the summer of 1915, Jean Renoir -- son of the Impressionist painter, Pierre-Auguste -- returns home to convalesce after being wounded in World War I. At his ... See full summary »

Director:

Gilles Bourdos

Writers:

Jacques Renoir (based on work ''Le tableau amoureux' by), Gilles Bourdos (screenplay) | 2 more credits »
3 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
Michel Bouquet ... Pierre-Auguste Renoir
Christa Théret ... Andrée Heuschling
Vincent Rottiers ... Jean Renoir
Thomas Doret ... Coco Renoir
Romane Bohringer ... Gabrielle
Michèle Gleizer Michèle Gleizer ... Aline Renoir
Laurent Poitrenaux Laurent Poitrenaux ... Pierre Renoir
Anne-Lise Heimburger Anne-Lise Heimburger ... La boulangère (as Annelise Heimburger)
Sylviane Goudal Sylviane Goudal ... La Grand'Louise
Solène Rigot ... Madeleine
Emmanuelle Lepoutre Emmanuelle Lepoutre ... La Médecine
Carlo Brandt Carlo Brandt ... Docteur Pratt
Thierry Hancisse ... Le brocanteur (as Thierry Hancisse de la Comédie Française)
Alice Barnole Alice Barnole ... Fille cabaret
Jean Adrien Espiasse Jean Adrien Espiasse ... Aviateur cabaret 1 (as Jean-Adrien Espiasse)
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Storyline

Set on the French Riviera in the summer of 1915, Jean Renoir -- son of the Impressionist painter, Pierre-Auguste -- returns home to convalesce after being wounded in World War I. At his side is Andrée, a young woman who rejuvenates, enchants, and inspires both father and son. Written by Samuel Goldwyn Films

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for sequences of art-related nudity and brief language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site [Japan]

Country:

France

Language:

French | Italian

Release Date:

2 January 2013 (France) See more »

Also Known As:

Реноар See more »

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Box Office

Opening Weekend USA:

$65,194, 31 March 2013, Limited Release

Gross USA:

$2,291,047, 22 September 2013
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby | Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Official submission of France to the Oscars 2014 best foreign language film category. See more »

Goofs

The second time Renoir draws Andrée, after sending Coco/Claude away, the shot of Andree topless goes back and forth, each time her hair changes from draped over her front to behind her back. It is so obvious it's hard to believe anyone missed it. See more »

Quotes

Pierre-Auguste Renoir: You can't explain a painting, you have to feel it.
See more »

Connections

References The Exploits of Elaine (1914) See more »

Soundtracks

No time blues
By Patrick Artero and Philippe Baudouin
Performed by Patrick Artero and Philippe Baudouin
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User Reviews

 
Velvet Flesh
10 May 2013 | by ferguson-6See all my reviews

Greetings again from the darkness. Admittedly, I expect more from independent films since there is usually no committee of producers sucking the life out of the filmmaker's vision. While writer/director Gilles Bourdos teams with Cinematographer Ping Bin Lee to deliver a film that carries the visual beauty of its subject's paintings, it somehow offers little else.

Veteran French actor Michel Bouquet captures the essence of a 74 year old Pierre-Auguste Renoir, a master Impressionistic artist. By this time (1915), Renoir is in constant pain and continues painting despite his gnarled hands courtesy of severe arthritis. He has relocated to Cote D'Azur (the French Riviera) to leave in peace with nature and the warmer weather. His estate is gorgeous and provides the backdrops for many paintings. We meet his newest model, 15 year old Andree Heuschling (Christa Theret). Her spirit inspires not just Renoir the artist, but also his son Jean (Vincent Ruttiers), sent home to recover from his WWI injuries.

Both father and son seem to objectify the beautiful and spirited Andree, neither being capable of an adult and equal personal relationship. The frustration with this movie stems from its unwillingness to offer anything other than observations of its characters. It meanders through days with no real purpose or insight. This despite having subjects that include one of the greatest artists of all-time and his son, who went on to become a world famous movie director. The story, if there is one, just kind of lays there flat, surrounded by beautiful colors and textures.

Auguste Renoir died in 1919, but earlier that year managed to visit the Louvre and view his own paintings hanging in the majestic halls. Jean Renoir married Andree and cast her in his first silent films (as Catherine Hessling). When the films flopped, they divorced. She went on to a life of obscure poverty, and he directed two of the greatest films in history: Grand Illusion and The Rules of the Game.

Alexandre Desplat provides another fine score, leaving us lacking only a story or point to the film. To learn much about Pierre-Auguste Renoir, it is recommended to read the biography his son Jean wrote.


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